The unveiled Algerian woman, who assumed an increasingly important place in revolutionary action, developed her personality, discovered the exalting realm of responsibility. The freedom of the Algerian people from then on became identified with woman's liberation, with her entry into history. This woman who, in the avenues of Algier or of Constantine, would carry the grenades or the submachine-gun chargers, this woman who tomorrow would be outraged, violated, tortured, could not put herself back into her former state of mind and relive her behaviour of the past; this woman who was writing the heroic pages of Algerian history was, in so doing, bursting the bounds of the narrow in which she had lived without responsibility, and was at the same time participating in the destruction of colonialism and in the birth of a new woman.
The Algerian fida, unlike the unbalanced anarchists made famous in literature, does not take dope. The fida does not need to be unaware of danger, to befog his consciousness, or to forgot. The "terrorist," from the moment he undertakes an assignment, allows death to enter into his soul. He has a rendezvous with death. The fida, on the other hand, has a rendezvous with the life of the Revolution, and with his own life. The fida is not one of the sacrificed. To be sure, he does not shrink before the possibility of losing his life or the independence of his country, but at no moment does he choose death.