Age Quotes (displaying: 31 - 60 of 11297 quotes )
Like many Americans of his generation in this awkwardest of post-Imperial decades, an age suspended between exhaustion and replenishment, between input too ordinary to process and input too intense to bear, Sternberg is deeply ambivalent about being embodied; an informing fear that, were he really just an organism, he'd be nothing more than an ism of his organs.
Printer's ink has been running a race against gunpowder these many, many years. Ink is handicapped, in a way, because you can blow up a man with gunpowder in half a second, while it may take twenty years to blow him up with a book. But the gunpowder destroys itself along with its victim, while a book can keep on exploding for centuries.
I keep thinking about all the kids who got wiped out by seventeen years of war movies before coming to Vietnam to get wiped out for good. You do?t know what a media freak is until yo?ve seen the way a few of those grunts would run around during a fight when they knew that there was a television crew nearby; they were actually making war movies in their heads, doing little guts-and-glory Leatherneck tap dances under fire, getting their pimples shot off for the networks. They were insane, but the war had?t done that to them. Most combat troops stopped thinking of the war as an adventure after their first few firefights, but there were always the ones who could?t let that go, these few who were up there doing numbers for the camera? W?d all seen too many movies, stayed too long in Television City, years of media glut had made certain connections difficult.
Presently comfort came to him, and he thought the she had always given him of her strength though he had never quite realised it until now.Glory had passed him by; fame too perhaps would not endure; it might well be that the incalculable goddess would decree ill fame as his due. Perhaps there might not be included in his epitah the one tribute to his knighthood the he knew he deserved "Ii fut toujours bon et loyal chevalier" (He was always good and loyal knight) But whatever the shadowed years might bring, as long as life should last, he knew that he had here at his side one sure recompense and one abiding loyalty.
What was happening was only the working-out of a process that had started years ago. The first step had been a secret, involuntary thought, the second had been the opening of the diary. He had moved from thoughts to words, and now from words to actions. The last step was something that would happen in the Ministry of Love. He had accepted it. The end was contained in the beginning.
It wasn't what lay at the end of her road that frightened Ammu as much as the nature of the road itself. No milestones marked its progress. No trees grew along it. No dappled shadows shaded it. No mists rolled over it. No birds circled it. No twists, no turns or hairpin bends obscured even momentarily, her clear view of the end. This filled Ammu with an awful dread, because she was not the kind of woman who wanted her future told. She dreaded it too much. So if she were granted one small wish perhaps it would have been Not to Know, Not to know what each day hed in store for her. Not to know where she might be, next month, next year. Ten years on. Not to know which way her road might turn and what lay beyond the bend.
I was nineteen years five months old when I fell in love for the first time. This seemed to me a profound, advanced age; never can we anticipate being older than we are, or wiser; if we're exhausted, it's impossible to anticipate being strong; as, in the grip of a dream, we rarely understand that we're dreaming, and will escape by the simplest of methods, opening our eyes.
I don't want to talk about those things. I see the worst in people. I don't need to look past seeing them to get all I need. I've built my hatreds up over the years, little by little, Henry... to have you here gives me a second breath. I can't keep doing this on my own with these... people. [laughs]
Arab children, Corn ears of the future, You will break our chains, Kill the opium in our heads, Kill the illusions. Arab children, Don't read about our suffocated generation, We are a hopeless case. We are as worthless as a water-melon rind. Dont read about us, Dont ape us, Dont accept us, Dont accept our ideas, We are a nation of crooks and jugglers. Arab children, Spring rain, Corn ears of the future, You are the generation. That will overcome defeat.
And why don't you write? Write! Writing is for you, you are for you; your body is yours, take it. I know why you haven't written. (And why I didn't write before the age of twenty-seven.) Because writing is at once too high, too great for you, it's reserved for the great-that is for "great men"; and it's "silly."Besides, you've written a little, but in secret. And it wasn't good, because it was in secret, and because you punished yourself for writing, because you didn't go all the way, or because you wrote, irresistibly, as when we would masturbate in secret, not to go further, but to attenuate the tension a bit, just enough to take the edge off. And then as soon as we come, we go and make ourselves feel guilty-so as to be forgiven; or to forget, to bury it until the next time.
The famous courtesan Clarimonde died recently, as the result of an orgy which lasted eight days and eight nights. It was something infernally magnificent. They revived the abominations of the feasts of Belshazzar and Cleopatra. Great God! what an age this is in which we live! The guests were served by swarthy slaves speaking an unknown tongue, who to my mind had every appearance of veritable demons; the livery of the meanest among them might have served as a gala-costume for an emperor. There have always been current some very strange stories concerning this Clarimonde, and all her lovers have come to a miserable or a violent end. It has been said that she was a ghoul, a female vampire; but I believe that she was Beelzebub in person.
You count the days and watch the years go by. You tell yourself, and you believe it, that you'd rather just die. You'd rather stare death boldly in the face and say you're ready because whatever is waiting on the other side has to be better than growing old in a six-by-ten cage with no one to talk to. You consider yourself half-dead at best. Please take the other half.You've watched dozens leave and not return, and you accept the fact that one day they'll come for you. You're nothing but a rat in their lab, a disposable body to be used as proof that their experiment is working. An eye for an eye, each killing must be avenged. You kill enough and you're convinced that killing is good.You count the days, and then there are none left. You ask yourself on your last morning if you are really ready. You search for courage, but the bravery is fading. When it's over, no one really wants to die.
One glance at (a book) and you hear the voice of another person - perhaps someone dead for thousands of years. Across the millenia, the author is speaking, clearly and silently, inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people, citizens of distant epochs, who never knew one another. Books break the shackles of time.