Aura Quotes (displaying: 1 - 30 of 50 quotes )
I am trying now to re-create in my mind the picture of the man as I saw him in 1939- he, the revered author of Sinister Barriers, I the novice. I think I can rely on my near-photographic memory for the purpose. (I call it "near-photographic" because I can only remember things that happen to be lying around near photographs.)Let's see, as I recall, he is six-feet seven-inches tall (when he is sitting down, that is) with a long and majestic English face. Then, too, I distinctly remember, there was a small flashing golden aura about his head, the occasional play of hissing flashes when he moved it suddenly, and the distant rumble of thunder when he spoke.
the kentish week-enders on their way to church were appalled by the sight of four great hounds in full cry after two little girls. My uncle seemed to them like a wicked lord of fiction, and I became more than ever surrounded with an aura of madness, badness, and dangerousness for their children to know.
Show me a man who over-elaborates and I will show you a great man! What is called their 'overelaboration' is my meat: it is the sign of struggle, it is struggle itself with all the fibers clinging to it, the very aura and ambiance of the discordant spirit. And when you show me a man who expresses himself perfectly I will not say that he is not great, but I will say that I am unattracted . . . I miss the cloying qualities. When I reflect that the task which the artist implicitly sets himself is to overthrow existing values, to make of the chaos about him an order which is his own, to sow strife and ferment so that by the emotional release those who are dead may be restored to life, then it is that I run with joy to the great and imperfect ones, their confusion nourishes me, their stuttering is like divine music to my ears.
[Raymond Roussel] said that after his first book he expected that the next morning there would be a kind of aura around his person and that everyone in the street would be able to see that he had written a book. This is the obscure desire harboured by everyone who writes. It is true that the first text one writes is neither written for others, nor because one is what one is: one writes to become other than what one is. One tries to modify one's way of being through the act of writing.
My name isn't Offred, I have another name, which nobody uses now because t's forbidden. I tell myself it doesn't matter, your name is like your telephone number, useful only to others; but what I tell myself is wrong, it does matter. I keep the knowledge of this name like something hidden, some treasure I'll come back to dig up, one day. I think of this name as buried. This name has an aura around it, like an amulet, some charm that's survived from an unimaginably distant past. I lie in my single bed at night, with my eyes closed, and the name floats there behind my eyes, not quite within reach, shining in the dark.
Clare had studied the curves of those lips so many times that he could reproduce them mentally with ease: and now, as they again confronted him, clothed with colour and life, they sent an aura over his flesh, a breeze through his nerves, which wellnigh produced a qualm; and actually produced, by some mysterious physiological process, a prosaic sneeze.
...glanced up and caught Ammu's gaze. Centuries telescoped into one evanescent moment. History was wrong-footed, caught off guard. Sloughed off like an old snakeskin. Its marks , its scars its wouns from old wars and the walking backwards days all fell away. In its abscence it left an aura, a palpable shimmering that was as plain as water in a river or the sun in the sky. As plain to feel the heat on a hot day, or the tug of a fish on a taut line. So obvious that no-one noticed. In that brief moment, Velutha looked up and saw things that he hadn't seen before. Things that had been out of bounds so far, obscured by histor's blinkers....This knowing slid into him cleanly, like the sharp edge of a knife. Cold and hot at once. It only took a moment. Ammu saw that he saw. She looked away. He did too. History's fiends returned to claim them. To rewrap them in its old scarred pelt and drag them back to where they really lived. Where the Love Laws lay down who should be loved. And how. And how much.
If you have true gratitude, it will express itself automatically. It will be visible in your eyes, around your being, in your aura. It is like the fragrance of a flower. In most cases if there is a beautiful flower, the fragrance will be there naturally. The flower and its fragrance cannot be separated.
Maybe this is all a bit of a myth, a willful desire to give each place its own unique aura. But doesn't any collective belief eventually become a kind of truth? If enough people act as if something is true, isn't it indeed "true," not objectively, but in the sense that it will determine how they will behave? The myth of unique urban character and unique sensibilities in different cities exists because we want it to exist.
This is no small thing. Indeed, I would venture that, more than any other single quality, it is the relentless moment-by-moment forgetting, this draining of the pool of sense impression almost as quickly as it fills, that gives the experience of consciousness under marijuana its peculiar texture. Its helps account for the sharpening of sensory perceptions, for the aura of profundity in which cannabis bathes the most ordinary insights, and, perhaps most important of all, for the sense that time has slowed or even stopped. For it is only by forgetting that we ever really drop the thread of time and approach the experience of living in the present moment, so elusive in ordinary hours. And the wonder of that experience, perhaps more than any other, seems to be at the very heart of the human desire to change consciousness, whether by means of drugs or any other technique.
I had grown accustomed to living within myself. I was resigned to the knowledge that I had lost all appreciation of the outside world, that the loss of its bright colors was an inseparable part of the loss of my childhood, and that, in a certain sense, one had to pay for freedom and maturity of the soul with the renunciation of this cherished aura. But now, overjoyed, I saw that all this had only been buried or clouded over and that it was still possible—even if you had become liberated and had renounced your childhood happiness—to see the world shine and to savor the delicious thrill of the child’s vision.
Special Circumstances had always been the Contact section’s moral espionage weapon, the very cutting edge of the Culture’s interfering diplomatic policy, the elite of the elite, in a society which abhorred elitism. Even before the war, its standing and its image within the Culture had been ambiguous. It was glamorous but dangerous, possessed of an aura of roguish sexiness - there was no other word for it - which implied predation, seduction and even violation…No other part of the Culture more exactly represented what the society as a whole really stood for, or was more militant in the application of he Culture’s fundamental beliefs. Yet no other part embodied less of the society’s day-to-day character.
Charisma is the numinous aura around a narcissistic personality. It flows outward from a simplicity or unity of being and a composure and controlled vitality. There is gracious accommodation, yet commanding impersonality. Charisma is the radiance produced by the interaction of male and female elements in a gifted personality. The charismatic woman has a masculine force and severity. The charismatic man has an entrancing female beauty. Both are hot and cold, glowing with presexual self love.
Someone knocked me down; I pushed Brinker over a small slope; someone was trying to tackle me from behind. Everywhere there was the smell of vitality in clothes, the vital something in wool and flannel and corduroy which spring releases. I had forgotten that this existed, this smell which instead of the first robin, or the first bud or leaf, means to me that spring has come. I had always welcomed vitality and energy and warmth radiating from thick and sturdy winter clothes. It made me happy, but I kept wondering about next spring, about whether khaki, or suntans or whatever the uniform of the season was, had this aura of promise in it. I felt fairly sure it didn't.
Oscar Wilde said: 'Each man kills the thing he loves.' And it's true. The mere possibility of getting what we want fills the soul of the ordinary person with guilt. We look around at all those who have failed to get what they want and feel that we do not deserve to get what we want either. We forget about all the obstacles we overcame, all the suffering we endured, all the things we had to give up in order to get this far. I have known a lot of people who, when their personal calling was within their grasp, went on to commit a series of stupid mistakes and never reached their goal - when it was only a step away. This is the most dangerous of the obstacles because it has a kind of saintly aura about it. Renouncing joy and conquest. But if you believe yourself worthy of the thing you fought so hard to get, then you become an instrument of God, you help the Soul of the World, and you understand why you are here.