Business Quotes (displaying: 31 - 60 of 5790 quotes )
Throughout my business life I have always tried to keep on top of costs and protect the downside risk as much possible. The Virgin Group has survived only because we have always kept tight control of our cash. But, likewise, I also know that sometimes it is essential to break these rules and spend lavishly.
Of course you always had that detached quality as if you were playing a game without much concern over whether you won or lost, and now that you've lost the game, not lost but just quit playing, you have that rare sort of charm that usually only happens in very old or hopelessly sick people, the charm of the defeated.
A short story is a sprint, a novel is a marathon. Sprinters have seconds to get from here to there and then they are finished. Marathoners have to carefully pace themselves so that they don't run out of energy (or in the case of the novelist-- ideas) because they have so far to run. To mix the metaphor, writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.
Pegi just recorded "I Don't Want to Talk About," written by Danny Whitten, the original Crazy Horse guitar player and singer who's all over Early Daze, an album of songs from the beginning of Crazy Horse that I have been working on compiling recently. Danny was every bit the artist I am, but he died of a heroin OD in the early seventies. Every time I hear Pegi sing that song, it makes me tremendously sad. She sings it so beautifully, phrasing it to break my heart. She does it justice. You can see I have some unfinished business with Danny.
I feel sick when I look at the parody synopsis, at the letters from the film company... The novel is 'about' a colour problem. I said nothing in it that wasn't true. But the emotion it came out of was something frightening, the unhealthy, feverish illicit excitement of wartime, a lying nostalgia, a longing for licence, for freedom, for the jungle, for formlessness. It is so clear to me that I can't read that novel now without feeling ashamed, as if I were in a street naked. Yet no one else seems to see it. Not one of the reviewers saw it. Not one of my cultivated and literary friends saw it. It is an immoral novel because that terrible lying nostalgia lights every sentence.
Do you know why this world is as bad as it is?... It is because people think only about their own business, and won't trouble themselves to stand up for the oppressed, nor bring the wrong-doers to light... My doctrine is this, that if we see cruelty or wrong that we have the power to stop, and do nothing, we make ourselves sharers in the guilt.
Does not the Old Testament promise that God will prosper His people? Indeed! God increases our yield so that by giving we can prove that our yield is not our god. God does not prosper a ma?s business so he can move from a Ford to a Cadillac. God prospers a business so that thousands of unreached peoples can be reached with the gospel.
In good company there is never such discourse between two, across the table, as takes place when you leave them alone. In good company, the individuals merge their egotism into a social soul exactly coextensive with the several consciousnesses there present. No partialities of friend to friend, no fondnesses of brother to sister, of wife to husband, are there pertinent, but quite otherwise. Only he may then speak who can sail on the common thought of the party, and not poorly limited to his own. Now this convention, which good sense demands, destroys the high freedom of great conversation, which requires an absolute running of two souls into one.
Did that really happen?" said Maggie White. She was a dull person, but a sensational invitation to make babies. Men looked at her and wanted to fill her up with babies right away. She had?t had even one baby yet. She used birth control. "Of course it happened," Trout told her. "If I wrote something that hadn't really happened, and I tried to sell it, I could go to jail. Tha?s fraud."Maggie believed him. "I'd never thought about that before.""Think about it now.""I?s like advertising. You have to tell the truth in advertising, or you get in trouble.""Exactly. The same body of law applies.""Do you think you might put us in a book sometime?""I put everything that happens to me in books.""I guess I better be careful what I say.""Tha?s right. And I'm not the only one who's listening. God is listening, too. And on Judgment Day he's going to tell you all the things you said and did. If it turns out they're bad things instead of good things, tha?s too bad for you, because you'll burn forever and ever. The burning never stops hurting."Poor Maggie turned gray. She believed that, too, and was petrified. Kilgore Trout laughed uproariously. A salmon egg flew out of his mouth and landed in Maggie's cleavage.
While in Bombay, I began, on one hand, my study of Indian law and, on the other, my experiments in dietetics in which Virchand Gandhi, a friend, joined me. My brother, for his part was trying his best to get me briefs. The study of India law was a tedious business. The Civil Procedure Code I could in no way get on with. Not so however, with the Evidence Act. Virchand Gandhi was reading for the Solicitor's Examination and would tell me all sorts of stories about Barristers and Vakils.
And it was during this period that Madeleine fully understood how the lover's discourse was of an extreme solitude. The solitude was extreme because it wasn't physical. It was extreme because you felt it while in the company of the person you loved. It was extreme because it was in your head, the most solitary of places.
These days, I've been trying to classify my thoughts into two categories: "Things I can change," and "Things I can't." It seems to help me sort through what to really stress about. But there I go again, over-planning and over-organizing my over-thinking! I write songs about my adventures and misadventures, most of which concern love. Love is a tricky business. But if it wasn't, I wouldn't be so enthralled with it. Lately I've come to a wonderful realization that makes me even more fascinated by it: I have no idea what I'm doing when it comes to love. No one does! There's no pattern to it, except that it happens to all of us, of course. I can't plan for it. I can't predict how it'll end up. Because love is unpredictable and it's frustrating and it's tragic and it's beautiful. And even though there's no way to feel like I'm an expert at it, it's worth writing songs about -- more than anything else I've ever experienced in my life.