Cello Quotes (displaying: 1 - 27 of 27 quotes )
I plunked down on the couch beside him. "I don't have any accomplishments of any kind. I'm stupid and boring. I don't have any hobbies. I don't play sports. I don't write poetry. I don't travel to interesting places. I don't even have a good job." "that doesn't make you stupid and boring,"morelli said. "Well, I feel stupid and boring. And I wanted to feel interesting. And somehow, someone told my mother and grandmother that I played the cello. I guess it was me...only it was like some foreign entity took possesion of my body. I heard the words coming out of my mouth, but I'm sure they originated in some other brain. And it was so simple at first. One small mention. And then it took on a life of it's own. And next thing, everyone knew." "And you can't play the cello." "I'm not even sure this is a cello.
In the bathroom two water tumblers were sealed in cellophane sacks with the words: "These glasses are sterilized for your protection." Across the toilet seat a strip of paper bore the message: "This seat has been sterilized with ultraviolet light for your protection." Everyone was protecting me and it was horrible.
They convinced our mothers that if a food item came in a bottle -- or a can or a box or a cellophane bag -- then it was somehow better for you than when it came to you free of charge via Mother Nature....An entire generation of us were introduced in our very first week to the concept that phony was better than real, that something manufactured was better than something that was right there in the room. (Later in life, this explained the popularity of the fast food breakfast burrito, neocons, Kardashians, and why we think reading this book on a tiny screen with only three minutes of battery life left is enjoyable.
I envision a style: a style that would be beautiful, that someone will invent some day, ten years or ten centuries from now, one that would be rhythmic as verse, precise as the language of the sciences, undulant, deep-voiced as a cello, tipped with flame: a style that would pierce your idea like a dagger, and on which your thought would sail easily ahead over a smooth surface, like a skiff before a good tail wind.
I'm in love with New York. It matches my mood. I'm not overwhelmed. It is the suitable scene for my ever ever heightened life. I love the proportions, the amplitude, the brilliance, the polish, the solidity. I look up at Radio City insolently and love it. It's all great, and Babylonian. Broadway at night. Cellophane. The newness. The vitality. True, it is only physical. But it's inspiring. Just bring your own contents, and you create a sparkle of the highest power. I'm not moved, not speechless. I stand straight, tough and I meet the impact. I feel the glow and the dancing in everything. The radio music in the taxis, scientific magic, which can all be used lyrically. That's my last word. Give New York to a poet. He can use it. It can be poetized. Or maybe that's mania of mine, to poetize. I live lightly, smoothly, actively, ears or eyes wide open, alert, oiled! I feel the glow and the dancing in every thing and the tempo is like that of my blood. I'm at once beyond, over and in New York, tasting it fully.
She looked down at her own half-eaten steak and suddenly saw it as a hunk of muscle. Blood red. Part of a real cow that once moved and ate and was killed, knocked on the head as it stood in a queue like someone waiting for a streetcar. Of course everyone knew that. But most of the time you never thought about it. In the supermarket they had it all pre-packaged in cellophane, with name-labels and price-labels stuck on it, and it was just like buying a jar of peanut-butter or a can of beans, and even when you went into a butcher shop they wrapped it up so efficiently and quickly that it was made clean, official. But now it was suddenly there in front of her with no intervening paper, it was flesh and blood, rare, and she had been devouring it. Gorging herself on it.
The proper ending for any story about people it seems to me, since life is now a polymer in which the Earth is wrapped so tightly, should be that same abbreviation, which I now write large because I feel like it, which is this one: ETC. And it is in order to acknowledge the continuity of this polymer that I begin so many sentences with 'And' and 'So' and end so many paragraphs with '...and so on.' And so on. 'It's all like an ocean!' cried Dostoevski. I say it's all like cellophane.
And Man created the plastic bag and the tin and aluminum can and the cellophane wrapper and the paper plate, and this was good because Man could then take his automobile and buy all his food in one place and He could save that which was good to eat in the refrigerator and throw away that which had no further use. And soon the earth was covered with plastic bags and aluminum cans and paper plates and disposable bottles and there was nowhere to sit down or walk, and Man shook his head and cried: "Look at this Godawful mess.