Centre Quotes (displaying: 1 - 30 of 167 quotes )
Where Maleldil is, there is the centre. He is in every place. Not some of Him in one place and some in another, but in each place the whole Maleldil, even in the smallness beyond though. There is no way out of the centre save into the Bent Will which casts itself into the Nowhere. Blessed be He! Each thing was made for Him. He is the centre. Because we are with Him, each of us is at the centre...In His city all things are made for each. When He died in the Wonded World He died not for men, but for each man. If each mad had been the only man made, He would have done no less. Each thing, from the single grain of Dust to the strongest eldil, is the end and the final cause of all creation and the mirror in which the beam of His brightness comes to rest and so returns to Him. Blessed be He!
In the "free world" (Natopolis) the centres of ideological orthodoxy are rarely defined. The diversity of intellectual trends within the orthodoxy, the indeterminate and shifting character of its boundaries, the existence of real centres of dissent (and the licence given to even Stalinist opposition)--all these conspire to create the central illusion of "Natopolitan" culture, that there is in fact no orthodoxy but only an infinite variety of opinions among which one is free to choose.
The problem of reconciling human suffering with the existence of a God who loves, is only insoluble so long as we attach a trivial meaning to the word "love", and look on things as if man were the centre of them. Man is not the centre. God does not exist for the sake of man. Man does not exist for his own sake. "Thou hast created all things, and for thy pleasure they are and were created." We were made not primarily that we may love God (though we were made for that too) but that God may love us, that we may become objects in which the divine love may rest "well pleased".
Balance. It was all about balance. That had been one of the first things that she had learned: the centre of the seesaw has neither up nor down, but upness and downness flow through it while it remains unmoved. You had to be the centre of the seesaw so the pain flowed through you, not into you. It was very hard. But she could do it!
We think of ourselves as failures, rather than renounce our belief in the possibility of perfection. We hang on to the hope of eternal love by denying even its temporary validity. Its less painful to think 'I'm shallow', 'She's self centred', 'We couldn't communicate', 'It was all just physical', than to accept the simple fact that love is a passing sensation, for reasons beyond our control and even beyond our personalities. But who can reassure himself with his own rationalizations? No argument can fill the void of a dead feeling -- that reminder of the ultimate void, our final inconstancy. We're untrue even to life.
We are not living in a world where all roads are radii if a circle and where all, if followed long enough, will therefore draw gradually nearer and finally meet at the centre: rather in a world where every road, after a few miles, forks into two, and each of those into two again, and at each fork you must make a decision.
There are things I need to ask her. Not what happened, back then in the time I lost, because now I know that. I need to ask her why. If she remembers. Perhaps she’s forgotten the bad things, what she said to me, what she did. Or she does remember them, but in a minor way, as if remembering a game, or a single prank, a single trivial secret, of the kind girls tell and then forget. She will have her own version. I am not the centre of her story, because she herself is that. But I could give her something you can never have, except from another person: what you look like from outside. A reflection. This is part of herself I could give back to her. We are like the twins in old fables, each of whom has been given half a key.
There are no chains of houses; there are no crowds of men. The colossal diagram of streets and houses is an illusion, the opium dream of a speculative builder. Each of these men is supremely solitary and supremely important to himself. Each of these houses stands in the centre of the world. There is no single house of all those millions which has not seemed to someone at some time the heart of all things and the end of travel.
the sense of a small courageous community barely existing above the desert of trees, hemmed in by a sun too fierce to work under and a darkness filled with evil spirits - love was an arm round the neck, a cramped embrace in the smoke, wealth a little pile of palm-nuts, old age sores and leprosy, religion a few stones in the centre of the village where the dead chiefs lay, a grove of trees where the rice birds, like yellow and green canaries, built their nests, a man in a mask with raffia skirts dancing at burials. This never varied, only their kindness to strangers, the extent of their poverty and the immediacy of their terrors. Their laughter and their happiness seemed the most courageous things in nature
For all his pain, he longed to see the author of it. Although he hated Margaret at times, when he thought of that gentle familiar attitude and all the attendant circumstances, he had a restless desire to renew her picture in his mind - a longing for the very atmosphere she breathed. He was in the Charybdis of passion, and must perforce circle and circle ever nearer round the fatal centre.
The moment you have a self at all, there is a possibility of putting yourself first - wanting to be the centre - wanting to be God, in fact. That was the sin of Satan: and that was the sin he taught the human race. Some people think the fall of man had something to do with sex, but that is a mistake...what Satan put into the heads of our remote ancestors was the idea that they 'could be like Gods' - could set up on their own as if they had created themselves - be their own masters - invent some sort of happiness for themselves outside God, apart from God. And out of that hopeless attempt has come...the long terrible story of man trying to find something other than God which will make him happy.
Without any wind blowing, the sheer weight of a raindrop, shining in parasitic luxury on a cordate leaf, caused its tip to dip, and what looked like a globule of quicksilver performed a sudden glissando down the centre vein, and then, having shed its bright load, the relieved leaf unbent. Tip, leaf, dip, relief - the instant it all took to happen seemed to me not so much a fraction of time as a fissure in it, a missed heartbeat, which was refunded at once by a patter of rhymes: I say 'patter' intentionally, for when a gust of wind did come, the trees would briskly start to drip all together in as crude an imitation of the recent downpour as the stanza I was already muttering resembled the shock of wonder I had experienced when for a moment heart and leaf had been one.
The village lay in the hollow, and climbed, with very prosaic houses, the other side. Village architecture does not flourish in Scotland. The blue slates and the grey stone are sworn foes to the picturesque; and though I do not, for my own part, dislike the interior of an old-fashioned pewed and galleried church, with its little family settlements on all sides, the square box outside, with its bit of a spire like a handle to lift it by, is not an improvement to the landscape. Still, a cluster of houses on differing elevations - with scraps of garden coming in between, a hedgerow with clothes laid out to dry, the opening of a street with its rural sociability, the women at their doors, the slow waggon lumbering along - gives a centre to the landscape. It was cheerful to look at, and convenient in a hundred ways. ("The Open Door")
Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
We are but phantoms, and the phantoms of phantoms, desires like cloud-shadows and wills of straw that eddy in the wind; the days pass, use and wont carry us through as a train carries the shadow of its lights - so be it! But one thing is real and certain, one thing is no dream-stuff, but eternal and enduring. It is the centre of my life, and all other things about it are subordinate or altogether vain. I loved her, that woman of a dream. And she and I are dead together!
But women are very differently situated with respect to eachother - for they are all rivals (...) Is it then surprising that when the sole ambition of woman centres in beauty, and interest gives vanity additional force, perpetual rivalships should ensue? They are all running the same race, and would rise above the virtue of morals, if they did not view each other with a suspicious and even envious eye.
She would be one of those who kneel to their own shadows till feet grow on their knees; then go down on their hands till their hands grow into feet; then lay their faces on the ground till they grow into snouts; when at last they are a hideous sort of lizards, each of which believes himself the best, wisest, and loveliest being in the world, yea, the very centre of the universe. And so they run about for ever looking for their own shadows that they may worship them, and miserable because they cannot find them, being themselves too near the ground to have any shadows; and what becomes of them at last, there is but one who knows.
Whatever may be his [man's] true and final destination, there is a spirit within him at enmity with nothingness and dissolution (change and extinction). This is the character of all life and being - each is at once the centre and the circumference; the point to which all things are contained. - "On Life
Near the snow, near the sun , in the highest field. See how those names are feted by the wavering grass, And by the streamers of white cloud, And whispers of wind in the listening sky; The names of those who in their lives have fought for life, Who wore at their hearts the fire's centre. Born of the sun they traveled a short while towrads the sun. And left the vivid air signed with their honour.