Cheek Quotes (displaying: 1 - 30 of 332 quotes )
I did it to protect my good reputation in case anyone ever caught me walking around with crab apples in my cheeks. With rubber balls in my hands I could deny there were crab apples in my cheeks. Everytime someone asked me why I was walking around with crab apples in my cheeks, I'd just open my hands and show them it was rubber balls I was walking around with, not crab apples, and that they were in my hands, not my cheeks. It was a good story, but I never knew if it got across or not, since its pretty hard to make people understand you when your talking to them with two crab apples in your cheeks.
Why,' swore Yossarian at him approvingly, 'you evil-eyed, mechanically-aptituded, disaffiliated son of a -----, did you walk around with anything in your cheeks?' 'I didn't,' Orr said, 'walk around with anything in my cheeks. I walked around with crab apples in my cheeks. When I couldn't get crab apples, I walked around with horse chestnuts. In my cheeks.
But, soft! what light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she: Be not her maid, since she is envious; Her vestal livery is but sick and green And none but fools do wear it; cast it off. It is my lady, O, it is my love! O, that she knew she were! She speaks yet she says nothing: what of that? Her eye discourses; I will answer it. I am too bold, 'tis not to me she speaks: Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return. What if her eyes were there, they in her head? The brightness of her cheek would shame those stars, As daylight doth a lamp; her eyes in heaven Would through the airy region stream so bright That birds would sing and think it were not night. See, how she leans her cheek upon her hand! O, that I were a glove upon that hand, That I might touch that cheek!
To physically overcome death – is that not the goal? – we must think the unthinkable thoughts and ask unanswerable questions. Yet we must not lose ourselves in abstract vapors of philosophy. Death ahs his concrete allies, we must enlist ours. Never underestimate how much assistance, how much satisfaction, how much comfort, how much soul and transcendence there might be in a well-made taco and a cold bottle of beer. The solution to the ultimate problem may prove to be elemental and quite practical. Philosophers have argued for centuries about how many angels can dance on the head of a pin, but materialists have known all along that it depends on whether they are jitterbugging or dancing cheek to cheek.
A dozen or more boats on the lake swung their rosy and moon–like lanterns low on the water, that reflected as from a fire. In the distance, the steamer twanged and thrummed and washed with her faintly–splashing paddles, trailing her strings of coloured lights, and occasionally lighting up the whole scene luridly with an effusion of fireworks, Roman candles and sheafs of stars and other simple effects, illuminating the surface of the water, and showing the boats creeping round, low down. Then the lovely darkness fell again, the lanterns and the little threaded lights glimmered softly, there was a muffled knocking of oars and a waving of music. Gudrun paddled almost imperceptibly. Gerald could see, not far ahead, the rich blue and the rose globes of Ursula’s lanterns swaying softly cheek to cheek as Birkin rowed, and iridescent, evanescent gleams chasing in the wake. He was aware, too, of his own delicately coloured lights casting their softness behind him.
Golden head by golden head, Like two pigeons in one nest. Folded in each other's wings, They lay down in their curtained bed: Like two blossoms on one stem, Like two flakes of new-fall'n snow, Like two wands of ivory. Tipped with gold for awful kings. Moon and stars gazed in at them, Wind sang to them lullaby, Lumbering owls forbore to fly, Not a bat flapped to and fro. Round their rest: Cheek to cheek and breast to breast. Locked together in one nest.
It is a hard service they take that help me. Many that are red-cheeked now will be pale-cheeked; many that have been free to walk the hills and the bogs and the rushes will be sent to walk hard streets in far countries; many a good plan will be broken; many that have gathered money will not stay to spend it; many a child will be born, and there will be no father at its christening to give it a name. They that had red cheeks will have pale cheeks for my sake; and for all that, they will think they are well paid.
The Aunts put their arms about one another so that their faces were cheek to cheek, and from this doublehead they gazed up at Steerpike with a row of four equidistant eyes. There was no reason why there should not have been forty, or four hundred of them. It so happened that only four had been removed from a dead and endless frieze whose inexhaustible and repetitive theme was forever, eyes, eyes, eyes.
[Inigo corners Count Rugen, knocks his sword aside, and slashes his cheek, giving him a scar just like Inigo's] Inigo Montoya: Offer me money. Count Rugen: Yes! Inigo Montoya: Power, too, promise me that. [He slashes his other cheek] Count Rugen: All that I have and more. Please... Inigo Montoya: Offer me anything I ask for. Count Rugen: Anything you want... [Rugen knocks Inigo's sword aside and lunges. But Inigo traps his arm and aims his sword at Rugen's stomach] Inigo Montoya: I want my father back, you son of a bitch!
Oh, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night Like a rich jewel in an Ethiope’s ear, Beauty too rich for use, for earth too dear. So shows a snowy dove trooping with crows As yonder lady o'er her fellows shows. The measure done, I’ll watch her place of stand, And, touching hers, make blessd my rude hand. Did my heart love till now? Forswear it, sight! For I ne'er saw true beauty till this night. *Oh, she shows the torches how to burn bright! She stands out against the darkness like a jeweled earring hanging against the cheek of an African. Her beauty is too good for this world; she’s too beautiful to die and be buried. She outshines the other women like a white dove in the middle of a flock of crows. When this dance is over, I’ll see where she stands, and then I’ll touch her hand with my rough and ugly one. Did my heart ever love anyone before this moment? My eyes were liars, then, because I never saw true beauty before tonight.*
God and religion before every thing!' Dante cried. 'God and religion before the world.' Mr Casey raised his clenched fist and brought it down on the table with a crash.'Very well then,' he shouted hoarsely, 'if it comes to that, no God for Ireland!''John! John!' cried Mr Dedalus, seizing his guest by the coat sleeve. Dante stared across the table, her cheeks shaking. Mr Casey struggled up from his chair and bent across the table towards her, scraping the air from before his eyes with one hand as though he were tearing aside a cobweb. 'No God for Ireland!' he cried, 'We have had too much God in Ireland. Away with God!
And it's a wonderful thing to be a boy, to go roaming where grown-ups can't catch you, and to chase rats and kill birds and shy stones and cheek carters and shout dirty words. It's a kind of a strong, rank feeling, a feeling of knowing everything and fearing nothing, and it's all bound up with breaking rules and killing things.
Nature, who has played so many queer tricks upon us, making us so unequally of clay and diamonds, of rainbow and granite, and stuffed them into a case, often of the most incongruous, for the poet has a butche?s face and the butcher a poe?s; nature, who delights in muddle and mystery, so that even now (the first of November, 1927) we know not why we go upstairs, or why we come down again, our most daily movements are like the passage of a ship on an unknown sea, and the sailors at the mast-head ask, pointing their glasses to the horizon: Is there land or is there none? to which, if we are prophets, we make answer?Ye?; if we are truthful we say?N?; nature, who has so much to answer for besides the perhaps unwieldy length of this sentence, has further complicated her task and added to our confusion by providing not only a perfect ragbag of odds and ends within u?a piece of a policema?s trousers lying cheek by jowl with Queen Alexandr?s wedding vei?but has contrived that the whole assortment shall be lightly stitched together by a single thread. Memory is the seamstress, and a capricious one at that. Memory runs her needle in and out, up and down, hither and thither. We know not what comes next, or what follows after. Thus, the most ordinary movement in the world, such as sitting down at a table and pulling the inkstand towards one, may agitate a thousand odd, disconnected fragments, now bright, now dim, hanging and bobbing and dipping and flaunting, like the underlinen of a family of fourteen on a line in a gale of wind. Instead of being a single, downright, bluff piece of work of which no man need feel ashamed, our commonest deeds are set about with a fluttering and flickering of wings, a rising and falling of lights.
What is your substance, whereof are you made, That millions of strange shadows on you tend? Since everyone hath every one, one shade, And you, but one, can every shadow lend. Describe Adonis, and the counterfeit Is poorly imitated after you. On Helen’s cheek all art of beauty set, And you in Grecian tires are painted new. Speak of the spring and foison of the year; The one doth shadow of your beauty show, The other as your bounty doth appear, And you in every blessd shape we know. In all external grace you have some part, But you like none, none you, for constant heart.
She was in a sound sleep, Jude, dying of anxiety lest she should have caught a chill which might permanently injure her, was glad to hear the regular breathing. He softly went nearer to her, and observed that a warm flush now rosed her hitherto blue cheeks, and felt that her hanging hand was no longer cold. Then he stood with his back to the fire regarding her, and saw in her almost a divinity.
Drifting snowflakes brushed her face as light as lover’s kisses, and melted on her cheeks. At the center of the garden, beside the statue of the weeping woman that lay broken and half-buried on the ground, she turned her face up to the sky and closed her eyes. She could feel the snow on her lashes, taste it on her lips. It was the taste of Winterfell. The taste of innocence. The taste of dreams.
Do I dazzle you?" I voiced my curiosity impulsively, and then the words were out, and it was too late to recall them. But before I had time to too deeply regret speaking the words aloud, she answered "Frequently." And her cheeks took on a faint pink glow. I dazzled her. My silent heart swelled with a hope more intense than I could ever remember having felt before.
I love, I can only love the one I've left behind, stained with my blood when, ungrateful wretch that I am, I extinguished myself and shot myself through the heart. But never, never have I ceased to love that one, and even on the night I parted from him I loved him perhaps more poignantly than ever. We can truly love only with suffering and through suffering! We know not how to love otherwise. We know no other love. I want suffering in order to love. I want and thirst this very minute to kiss , with tears streaming down my cheeks, this one and only I have left behind. I don't want and won't accept any other.
But on the way home tonight, you wish you'd picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As it it were you who could, somehow, save him. For the moment not caring who you're supposed to be registered as. For the moment, anyway, no longer who the Caesars say you are.