Cliffs Quotes (displaying: 1 - 30 of 155 quotes )
To me the mountain mass lies nobly mute, The whences and the whys I don't dispute. When Nature by and in herself was founded, In purity the earthen sphere she rounded. In summit and in gorge did pleasure seek, And threaded cliff to cliff and peak to peak; Then did she fashion sloping hills at peace. And gently down into the vale release. All greens and grows, and to her gay abundance. Your swirling lunacies are sheer redundance.
There was a tale he had read once, long ago, as a small boy: the story of a traveler who had slipped down a cliff, with man-eating tigers above him and a lethal fall below him, who managed to stop his fall halfway down the side of the cliff, holding on for dear life. There was a clump of strawberries beside him, and certain death above him and below. What should he do? went the question. And the reply was, Eat the strawberries.The story had never made sense to him as a boy. It did now.
Stare at him," said Ghost. "They won't bite you if you keep staring at them."Steve backed away. "They bite?"Not really. They hiss at you, mostly. The only time geese are ever dangerous is when you happen to be standing on the edge of a cliff. I heard about a guy that almost got killed that way."By geese?"Yeah, there was a whole flock of them coming after him. All hissing and cackling and stabbing at his ankles with their big ol' beaks. He didn't know you had to stare them right in the eye, and he panicked. They backed him right over a fifty-foot cliff."So how come he didn't die?"This guy had wings," said Ghost. "He flew away.
This Land is mostly white space on the map...which is how it should be; I'll leave more detailed map making to those graduate students and English teachers who feel that every goose which lays gold must be dissected so that all of its quite ordinary guts can be labelled; to those figurative engineers of the imagination who cannot feel comfortable with the comfortably overgrown (and possible dangerous) literary wilderness until they have built a freeway composed of Cliff's Notes through it - and listen to me, you people: every English teacher who ever did a Monarch or Cliff's Notes ought to be dragged out to his or her quad, drawn and quartered, then cut up into tiny pieces, said pieces to be dried and shrunk in the sun and then sold in the college bookstore as bookmarks.
The beautiful came to this city [Hollywood] in huge pathetic herds, to suffer, to be humiliated, to see the powerful currency of their beauty devalued like the Russian ruble or Argentine peso; to work as bellhops, as bar hostesses, as garbage collectors, as maids. The city was a cliff and they were its stampeding lemmings. At the foot of the cliff was the valley of the broken dolls.
After all, when we had all the books we needed, we still insisted on finding the highest cliff to jump off. But we do need a breather. We do need knowledge. And perhaps in a thousand years we might pick smaller cliffs to jump off. Books are to remind us what asses and fools we are."Fahrenheit 451 by Ray Bradbury
I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff—I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all.
He thought he kept the universe alone; For all the voice in answer he could wake. Was but the mocking echo of his own. From some tree-hidden cliff across the lake. Some morning from the boulder-broken beach. He would cry out on life, that what it wants. Is not its own love back in copy speech, But counter-love, original response. And nothing ever came of what he cried. Unless it was the embodiment that crashed. In the cliff's talus on the other side, And then in the far-distant water splashed, But after a time allowed for it to swim, Instead of proving human when it neared. And someone else additional to him, As a great buck it powerfully appeared, Pushing the crumpled water up ahead, And landed pouring like a waterfall, And stumbled through the rocks with horny tread, And forced the underbrush--and that was all.
A splendid Midsummer shone over England: skies so pure, suns so radiant as were then seen in long succession, seldom favour, even singly, our wave-girt land. It was as if a band of Italian days had come from the South, like a flock of glorious passenger birds, and lighted to rest them on the cliffs of Albion. The hay was all got in; the fields round Thornfield were green and shorn; the roads white and baked; the trees were in their dark prime; hedge and wood, full-leaved and deeply tinted, contrasted well with the sunny hue of the cleared meadows between.
The gaps are the thing. The gaps are the spirit's one home, the altitudes and latitudes so dazzlingly spare and clean that the spirit can discover itself like a once-blind man unbound. The gaps are the clefts in the rock where you cower to see the back parts of God; they are fissures between mountains and cells the wind lances through, the icy narrowing fiords splitting the cliffs of mystery. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock—more than a maple—universe.
Just to be heading away from the sea, to be immersed in a beautiful landscape again, to hear the sound of crows, was such a welcome change, and all to be seen so very appealing, a land of peace and plenty, every field perfectly cultivated, hillsides bordering the river highlighted by white limestone cliffs, every village and distant chteau so indisputably ancient and picturesque.
I look down past the stars to a terrifying darkness. I seem to recognize the place, but it's impossible. "Accident," I whisper. I will fall. I seem to desire the fall, and though I fight it with all my will I know in advance I can't win. Standing baffled, quaking with fear, three feet from the edge of a nightmare cliff, I find myself, incredibly, moving towards it. I look down, down, into bottomless blackness, feeling the dark power moving in me like an ocean current, some monster inside me, deep sea wonder, dread night monarch astir in his cave, moving me slowly to my voluntary tumble into death.
...she took her hand and raised her brush. For a moment it stayed trembling in a painful but exciting ecstacy in the air. Where to begin?--that was the question at what point to make the first mark? One line placed on the canvas committed her to innumerable risks, to frequent and irrevocable decisions. All that in idea seemed simple became in practice immediately complex; as the waves shape themselves symmetrically from the cliff top, but to the swimmer among them are divided by steep gulfs, and foaming crests. Still the risk must run; the mark made.
IF anybody had been there to observe the gentle-looking elderlylady who stood meditatively on the loggia outside her bungalow, they would have thought she had nothing more on her mind thandeliberation on how to arrange her time that day. An expedition, perhaps, to Castle Cliff; a visit to Jamestown; a nice drive andlunch at Pelican Point_ or just a quiet morning on the beach. But the gentle old lady was deliberating quite other matters. Shewas in a militant mood.
I'm Gennie." She responded instinctively to the smile Shelby shot her before she untangled herself from her brother. "I'm glad to meet you."Pushing seventy, hmmm?" Shelby said cryptically to Grant before she clasped Gennie's hand. "We'll have to get to know each other so you can tell me how you tolerate this jerk's company for more than give minutes at a time. Alan's in the throne room with the MacGregor," she continued before Grant could retort. "Has Grant given you a rundown on the inmates?"An abbreviated version," Gennie replied, instantly charmed."Typical." She hooked her arm through Gennie's. "Well, sometimes it's best to jump in feetfirst. The most important thing to remember is not to let Daniel intimidate you. What extraction are you?"French mostly. Why?"It'll come up."How was your honeymoon?" Grant demanded, wanting to veer away from the subject that would, indeed, come up. Shelby beamed at him. "I'll let you know when it's over. How's your cliff?"Still standing.
I knew I had an ugly life. I knew I was lonely and I was scared. I thought something might be wrong with my father, wrong in the worst possible way. I believed he might contain a pathology of the mind--an emptiness--a knocking hollow where his soul should have been. But I also knew that one day, I would grow up. One day, I would be twenty, or thirty, or forty, even fifty and sixty and seventy and eighty and maybe even one hundred years old. And all those years were mine, they belonged to nobody but me. So even if I was unhappy now, it could all change tomorrow. Maybe I didn't even need to jump off the cliff to experience that kind of freedom. Maybe the fact that I knew such a freedom existed in the world meant that I could someday find it. Maybe, I thought, I don't need a father to be happy. Maybe, what you get from a father you can get somewhere else, from somebody else, later. Or maybe you can just work around what's missing, build the house of your life over the hole that is there and always will be.
Ours is the only civilization in history which has enshrined mediocrity as its national ideal. Others have been corrupt, but leave it to us to invent the most undistinguished of corruptions. No orgies, no blood running in the street, no babies thrown off cliffs. No, we're sentimental people and we horrify easily. True, our moral fiber is rotten. Our national character stinks to high heaven. But we are kinder than ever. No prostitute ever responded with a quicker spasm of sentiment when our hearts are touched. Nor is there anything new about thievery, lewdness, lying, adultery. What is new is that in our time liars and thieves and whores and adulterers wish also to be congratulated by the great public, if their confession is sufficiently psychological or strikes a sufficiently heartfelt and authentic note of sincerity. Oh, we are sincere. I do not deny it. I don't know anybody nowadays who is not sincere.
In summary, she did jump off a cliff, but she wasn't trying to kill herself. Bella's all about the extreme sports these days."I flushed and turned my eyes straight ahead, looking after the dark shadow that I could no longer see. I could imagine what he was hearing in Alice's thoughts now. Near-drowings, stalking vampires, werewolf friends . . ."Hm," Edward said curtly, and the casual tone of his voice was gone.
Max.God, but she was stubborn. And tough. And closed in. Closed off. Except whenshe was holding Angel, or ruffling the Gasma?s hair, or pushing somethingcloser to Igg?s hand so he could find it easily without knowing anyone hadhelped him. Or when she was trying to untangle Nudg?s mane of hair.Or-sometimes-when she was looking at Fang.He shifted on the hard ground, a half-dozen flashes of memory cyclingthrough his brain. Max looking at him and laughing. Max leaping off a cliff,snapping out her wings, flying off, so incredibly powerful and graceful thatit took his breath away.Max punching someon?s lights out, her face like stone.Max kissing that weiner Sam on Ann?s front porch.Gritting his teeth, Fang rolled onto his side.Max kissing him on the beach, after Ari had kicked Fan?s butt.Just now, her mouth soft under his.He wished she were here, if not next to him, then somewhere in the cave, sohe could hear her breathing.It was going to be hard to sleep without that tonight.
At times poetry is the vertigo of bodies and the vertigo of speech and the vertigo of death; the walk with eyes closed along the edge of the cliff, and the verbena in submarine gardens; the laughter that sets on fire the rules and the holy commandments; the descent of parachuting words onto the sands of the page; the despair that boards a paper boat and crosses, for forty nights and forty days, the night-sorrow sea and the day-sorrow desert; the idolatry of the self and the desecration of the self and the dissipation of the self; the beheading of epithets, the burial of mirrors; the recollection of pronouns freshly cut in thegarden of Epicurus, and the garden of Netzahualcoyotl; the flute solo on the terrace of memory and the dance of flames in the cave of thought; the migrations of millions of verbs, wings and claws, seeds and hands; the nouns, bony and full of roots, planted on the waves of language; the love unseen and the love unheard and the love unsaid: the love in love.
From childhood's hour I have not been. As others were--I have not seen. As others saw--I could not bring. My passions from a common spring. From the same source I have not taken. My sorrow; I could not awaken. My heart to joy at the same tone; And all I lov'd, I loved alone. Then--in my childhood--in the dawn. Of a most stormy life--was drawn. From ev'ry depth of good and ill. The mystery which binds me still: From the torrent, or the fountain, From the red cliff of the mountain, From the sun that 'round me roll'd. In its autumn tint of gold--From the lightning in the sky. As it pass'd me flying by--From the thunder and the storm, And the cloud that took the form(When the rest of Heaven was blue)Of a demon in my view.