Describe Quotes (displaying: 91 - 120 of 881 quotes )
You know what she's made of."Yeah, good stock, good breeding, a hard head and a hunger to win." She flashed him a smile as they approached the kitchen door. "I've been told that describes me. I'm half Irish, Brian, I was born stubborn."No arguing with that. A person might make the world a calmer place for others by being passive, but you don't get very far in it yourself, do you?"Look at that. We have a foundation of agreement. Now tell me you like spaghetti and meatballs."It happens to be a favorite of mine."That's handy. Mine, too. And I heard a rumor that's what's for dinner." She reached for the doorknob, then caught him off guard by brushing a light kiss over his lips. "And since we'll be joining my parents, it would probably be best if you didn't imagine me naked for the next couple of hours."She sailed in ahead of him, leaving Brian helplessly and utterly aroused.
And as John F. Kennedy described the ideals behind what would become the Peace Corps, he issued a challenge to the students who had assembled in Ann Arbor on that October night: “on your willingness to contribute part of your life to this country,” he said, will depend the answer whether a free society can compete. I think it can,” he said.
Don’t underestimate this gift of finding a place in the writing world: if you really work at describing creatively on paper the truth as you understand it, as you have experienced it, with the people or material who are in you, who are asking that you help them get written, you will come to a secret feeling of honor.
During the terrible years of the Yekhov terror I spent seventeen months in the prison queues in Leningrad. One day someone ‘identified’ me. Then a woman with lips blue with cold who was standing behind me, and of course had never heard of my name, came out of the numbness which affected us all and whispered in my ear—(we all spoke in whispers there): ‘Could you describe this?’ I said, ‘I can!’ Then something resembling a smile slipped over what had once been her face.
I read the paragraph again. A peculiar feeling it gave me. I don't know if you have ever experienced the sensation of seeing the announcement of the engagement of a pal of yours to a girl whom you were only saved from marrying yourself by the skin of your teeth. It induces a sort of -- well, it's difficult to describe it exactly; but I should imagine a fellow would feel much the same if he happened to be strolling through the jungle with a boyhood chum and met a tigress or a jaguar, or what not, and managed to shin up a tree and looked down and saw the friend of his youth vanishing into the undergrowth in the animal's slavering jaws. A sort of profound, prayerful relief, if you know what I mean, blended at the same time with a pang of pity. What I'm driving at is that, thankful as I was that I hadn't had to marry Honoria myself, I was sorry to see a real good chap like old Biffy copping it. I sucked down a spot of tea and began brooding over the business.
Singing is my pleasure, but not in church, for the parson said the gargoyles must remain on the outside, not seek room in the choir stalls. So I sing inside the mountain of my flesh, and my voice is as slender as a reed and my voice has no lard in it. When I sing the dogs sit quiet and people who pass in the night stop their jabbering and discontent and think of other times, when they were happy. And I sing of other times, when I was happy, though I know that these are figments of my mind and nowhere I have been. But does it matter if the place cannot be mapped as long as I can still describe it?
In a public dialogue with Salman in London he [Edward Said] had once described the Palestinian plight as one where his people, expelled and dispossessed by Jewish victors, were in the unique historical position of being 'the victims of the victims': there was something quasi-Christian, I thought, in the apparent humility of that statement.
Peter used to say, "The only thing an artist can do is describe his own face." You're doomed to being you. This, he says, leaves su free to draw anything, since we're only drawing ourselves. Your handwriting. The way you walking. Which China pattern you choose. It's all giving you away. Everything you do shows your hand. Everything is a self-portrait. Everything is a Diary.
Johnny Battistini had gone to Japan once as a replacement drummer for a metal band past its prime ... a one-shot gig that he had talked about for years afterward. At the time, Theo had been frustrated by Johnny’s inability to describe Tokyo and why it had made such an impression on him. Although he spoke about it frequently ... he could never explain his fascination more clearly than: ‘It was just ... weird. It’s like a regular city, but then it’s all different and shit. But to them it’s not different. And that’s the really weird part!
She argued. She cried. She took my faltering, my tortured refusals for something far finer than they really were. At the end of the afternoon, before we left the wood, and with a solemnity and sincerity, a complete dedication of herself that I cannot describe to you because such unconditional promising is another extinct mystery...she said, Whatever happens I shall never marry anyone but you.
I recently read in the Wall Street Journal an article by Jonathan Sacks, Britain’s chief rabbi. Among other things, he writes: … ‘There are large parts of [the world] where religion is a thing of the past and there is no counter-voice to the culture of buy it, spend it, wear it, flaunt it, because you’re worth it. The message is that morality is pass, conscience is for wimps, and the single overriding command is ‘Thou shalt not be found out.’ My brothers and sisters, this—unfortunately—describes much of the world around us. Do we wring our hands in despair and wonder how we’ll ever survive in such a world? No. Indeed, we have in our lives the gospel of Jesus Christ, and we know that morality is not pass, that our conscience is there to guide us, and that we are responsible for our actions.
There! it had come –the moment– the geste! And although I was so ready, it caught me; it tumbled me over; I was simply overwhelmed. And the physical feeling was so curious, so particular. It was as if all of me, except my head and arms, all of me that was under the table, had simply dissolved, melted, turned into water. Just my head remained and two stick of arms pressing on to the table. But, ah! the agony of that moment! How can I describe it? I didn’t think of anything. I didn’t even cry out to myself. Just for one moment I was not. I was Agony, Agony, Agony. Then it passed, and the very second after I was thinking: ‘Good God! Am I capable of feeling as strongly as that? But I was absolutely unconscious! I hadn’t a phrase to meet it with! I was overcome! I was swept off my feet! I didn’t even try, in the dimmest way, to put it down!’ And up I puffed and puffed, blowing off finally with: ‘After all I must be first-rate. No second-rate mind could have experienced such an intensity of feeling so… purely.
The uncommon abilities and fortune of Severus have induced an elegant historian to compare him with the first and greatest of the Csars. The parallel is, at least, imperfect. Where shall we find, in the character of Severus, the commanding superiority of the soul, the generous clemency, and the various genius, which could reconcile and unite the love of pleasure, the thirst of knowledge, and the fire of ambition? Though it is not, most assuredly, the intention of Lucan to exalt the character of Csar, yet the idea he gives of that hero, in the tenth book of the Pharsalia, where he describes him, at the same time making love to Cleopatra, sustaining a siege against the power of Egypt, and conversing with the sages of the country, is, in reality, the noblest panegyric.
Most of life is so dull that there is nothing to be said about it, and the books and talk that would describe it as interesting are obligated to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alertly as we pretend
Our view of man will remain superficial so long as we fail to go back to that origin [of silence], so long as we fail to find, beneath the chatter of words, the primordial silence, and as long as we do not describe the action which breaks this silence. the spoken word is a gesture, and its meaning, a world.
In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.
Nor would I even begin to try to describe what she looks like as she’s telling the story, reliving it, she’s naked, hair spilling all down her back, sitting meditatively cross-legged amid the wrecked bedding and smoking ultralight Merits from which she keeps removing the filters because she claims they’re full of additives and unsafe—unsafe as she’s sitting there chain-smoking, which was so patently irrational that I couldn’t even bring—yes and some kind of blister on her Achilles tendon, from the sandals, leaning with her upper body to follow the oscillation of the fan so she’s moving in and out of a wash of moon from the window whose angle of incidence itself alters as the moon moves up and across the window—all I can tell you is she was lovely. The bottoms of her feet dirty, almost black. The moon so full it looks engorged.
Then they wondered if there were men in the stars. Why not? And as creation is harmonious, the inhabitants of Sirius ought to be huge, those of Mars middle-sized, those of Venus very small. Unless it is the same everywhere. There are businessmen, police up there; people trade, fight, dethrone their kings. Some shooting stars suddenly slid past, describing a course in the sky like the parabola of a monstrous rocket. ‘My Word,’ said Bouvard, ‘look at those worlds disappearing.’ Pecuchet replied: ‘If our world in its turn danced about, the citizens of the stars would be no more impressed than we are now. Ideas like that are rather humbling.’ ‘What is the point of it all?’ ‘Perhaps there isn’t a point.’ ‘Yet…’ and Pecuchet repeated the word two or three times, without finding anything more to say.