Dock Quotes (displaying: 1 - 30 of 50 quotes )
If it wasn’t for the mist we could see your home across the bay," said Gatsby. "You always have a green light that burns at the end of your dock." Daisy put her arm through his abruptly but he seemed absorbed in what he had just said. Possibly it had occurred to him that the colossal significance of that light had now vanished forever. Compared to the great distance that had separated him from Daisy it had seemed very near to him, almost touching her. It had seemed as close as a star to the moon. Now it was again a green light on a dock. His count of enchanted things had diminished by one.
Hank was walking barefoot up the dock, carrying his sweatshirt over a freckled shoulder and his boots clamped between thumb and finger of that maimed hand. Lee marveled at the scamper of small muscles across the narrow white back, at the swing of the arms and the lift of the neck. Did it take that much muscle just to walk, or was Hank showing off his manly development? Every moment constituted open aggression against the very air through which Hank passed. He doesn't just breathe, Lee decided, listening to Hank's broken-nosed puffing, he gobbles the oxygen. He doesn't just walk; he consumes distance step by carnivorous step. Open aggression is what it is all right, he concluded. Yet couldn't help but notice the way those shoulders seemed to savor the swing of the arms, or the way those feel relished the feel of the dock. These people...am I one of these people?
We see the evil in others because we know the evil in ourselves. We never forgive those whou wound us because we believe that we would never be forgiven. We say the painful truth to others because we want to hide it from ourselves. We show our strength, so that no one can see our frailty. That is why, whenever you judge your brother, be aware that it is you who is in the dock.
God makes it all come right in the end, that's what Johnnie told Dock Barker just before we parted company. I was raised a Christian-I admit I fell away a bit along my journey-and I believe that: we're stuck with what we have, but that's all right; in God's eyes, none of us are really much more than flies on strings and all that matters is how much sunshine you can spread along the way.
The wheels rolled on, and rolled down by the Monument, and by the Tower; and by the Docks; down by Ratcliffe, and by Rotherhithe; down by where accumulated scum of humanity seemed to be washed from higher grounds, like so much moral sewage, and to be pausing until its own weight forced it over the bank and sunk it in the river.
And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter—to-morrow we will run faster, stretch out our arms farther. . . . And one fine morning—— So we beat on, boats against the current, borne back ceaselessly into the past.
He had never been interested in stories at any age, and had never quite understood the basic concept. He'd never read a work of fiction all the way through. He did remember, as a small boy, being really annoyed at the depiction of Hickory Dickory Dock in a rag book of nursery rhymes because the clock in the drawing was completely wrong for the period.
Anyway, members of the Inquisitorial Squad do have the power to dock points so, Granger, I'll have five from you for being rude about our new Headmistress. Macmillan, five for contradicting me. Five because I don't like you, Potter. Weasley, your shirt's untucked, so I'll have another five for that. Oh yeah, I forgot, you're a Mudblood, Granger, so ten off for that.
Hickory dickory dock my daddy’s nuts from shell shock. Humpty dumpty thought he was wise till gas came along and burned out his eyes. A dillar a dollar a ten o clock scholar blow off his legs and then watch him holler. Rockaby baby in the tree top don’t stop a bomb or you’ll probably flop. Now I lay me down to sleep my bombproof cellars good and deep but if I’m killed before I wake remember god its for your sake amen.
Robin Hood. To a Friend.No! those days are gone away,And their hours are old and gray,And their minutes buried allUnder the down-trodden pallOfthe leaves of many years:Many times have winter's shears,Frozen North, and chilling East,Sounded tempests to the feastOf the forest's whispering fleeces,Since men knew nor rent nor leases. No, the bugle sounds no more,And the twanging bow no more;Silent is the ivory shrillPast the heath and up the hill;There is no mid-forest laugh,Where lone Echo gives the halfTo some wight, amaz'd to hearJesting, deep in forest drear. On the fairest time of JuneYou may go, with sun or moon,Or the seven stars to light you,Or the polar ray to right you;But you never may beholdLittle John, or Robin bold;Never one, of all the clan,Thrumming on an empty canSome old hunting ditty, whileHe doth his green way beguileTo fair hostess Merriment,Down beside the pasture Trent;For he left the merry tale,Messenger for spicy ale. Gone, the merry morris din;Gone, the song of Gamelyn;Gone, the tough-belted outlawIdling in the "grene shawe";All are gone away and past!And if Robin should be castSudden from his turfed grave,And if Marian should haveOnce again her forest days,She would weep, and he would craze:He would swear, for all his oaks,Fall'n beneath the dockyard strokes,Have rotted on the briny seas;She would weep that her wild beesSang not to her---strange! that honeyCan't be got without hard money! So it is; yet let us singHonour to the old bow-string!Honour to the bugle-horn!Honour to the woods unshorn!Honour to the Lincoln green!Honour to the archer keen!Honour to tight little John,And the horse he rode upon!Honour to bold Robin Hood,Sleeping in the underwood!Honour to maid Marian,And to all the Sherwood clan!Though their days have hurried byLet us two a burden try.
Freedom is not a reward or a decoration that you toast in champagne. On the contrary, it's hard graft and a long-distance run, all alone, very exhausting. Alone in a dreary room, alone in the dock before the judges, and alone to make up your mind, before yourself and before the judgement of others. At the end of every freedom there is a sentence, which is why freedom is too heavy to bear.
The little fishing boat anchors right off the shore of Gili Meno. There are no docks here on this island. You have to roll up your pants, jump off the boat and wade in through the surf on your own power. There's absolutely no way to do this without getting soaking wet or even banged up on the coral, but it's worth all the trouble because the beach here is so beautiful, so special
If you lack the iron and the fuzz to take control of your own life, if you insist on leaving your fate to the gods, then the gods will repay your weakness by having a grin or two at your expense. Should you fail to pilot your own ship, don't be surprised at what inappropriate port you find yourself docked. The dull and prosaic will be granted adventures that will dice their central nervous systems like an onion, romantic dreamers will end up in the rope yard. You may protest that it is too much to ask of an uneducated fifteen-year-old girl that she defy her family, her society, her weighty cultural and religious heritage in order to pursue a dream that she doesn't really understand. Of course it is asking too much. The price of self-destiny is never cheap, and in certain situations it is unthinkable. But to achieve the marvelous, it is precisely the unthinkable that must be thought.
Michael Heseltine, a wild-haired visionary, Klaus Kinski to Margaret's Thatcher's Werner Herzog, pushed Docklands across the Thames to the East Greenwich Peninsula. The Millennium Dome concept was a remake of 'Fitzcarraldo', a film in which suborned natives (expendable extras) drag a paddle steamer over a hill in order to force a short cut to more exploitable territory. The point being to bring Enrico Caruso, one of the gods of opera, to an upstream trading post. An insane achievement mirrored in the rebranding of the Dome, after its long and expensive limbo, as the O2 Arena, a popular showcase for cryogenic rock acts: Norma Desmond divas and the resurrected Michael Jackson, whose virtual rebirth, post-mortem, gave the shabby tent the status of a riverside cathedral.
She couldn’t read his expression. As he started toward her, she recalled the way he’d seemed to glide through the sand the first time she’d ever seen him; she remembered their kiss on the boat dock the night of his sister’s wedding. And she heard again the words she’d said to him on the day they’d said good-bye. She was besieged by a storm of conflicting emotions—desire, regret, longing, fear, grief, love. There was so much to say, yet what could they really begin to say in this awkward setting and with so much time already passed?
In his dream, George Stetchkin was in the dock at the Central Criminal Court, accused of the murder of nine million innocent brain cells. The usher was showing the jury the alleged murder weapon, an empty Bison Brand wodka bottle. Then the judge glared at him over the rims of his spectacles and sentenced him to the worst hangover of his life.
And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of America completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspools, back at the beginning...