Edge Quotes (displaying: 1 - 30 of 763 quotes )
I looked at her without a word. She held an edge of the beach towel in each hand, pressing the edges against her cheeks. White smoke was rising from the cigarette between her fingers. With no wind to disturb it, the smoke rose straight up, like a miniature smoke signal. She was apparently having trouble deciding whether to cry or to laugh. At least she looked that way to me. She wavered atop the narrow line that divided one possibility from the other, but in the end she fell to neither side. May Kasahara pulled her expression together, put the towel on the ground, and took a drag on her cigarette. The time was nearly five o’clock, but the heat showed no sign of abating.
The final stretch of the drive ended at a small cottage nestled in a grove of ancient live oaks. The weathered structure , with chipping paint and shutters that had begun to blacken at the edges, was fronted by a small stone porch framed by white columns. Over the years, one of the columns had become enshrouded in vines, which climbed toward the roof. A metal chair sat near the edge, and at one corner of the porch, adding color to the world of green, was a small pot of blossoming geraniums. The Best of Me
I myself have dreamed up a structure intermediate between Dyson spheres and planets. Build a ring 93 million miles in radius - one Earth orbit - around the sun. If we have the mass of Jupiter to work with, and if we make it a thousand miles wide, we get a thickness of about a thousand feet for the base. And it has advantages. The Ringworld will be much sturdier than a Dyson sphere. We can spin it on its axis for gravity. A rotation speed of 770 m/s will give us a gravity of one Earth normal. We wouldn't even need to roof it over. Place walls one thousand miles high at each edge, facing the sun. Very little air will leak over the edges. Lord knows the thing is roomy enough. With three million times the surface area of the Earth, it will be some time before anyone complains of the crowding.
But he had never seen Myrna in practice...never that close up. He had been impressed and a little frightened by the contrast between seeing ballet on stange, where everyone seemed to either glide or mince effortlessly on the tips of their pointes. and seeing it from less than five feet away, with harsh daylight pouring in the floor-to-ceiling windows and no music- only the choreographer rythmically clapping his hands and yelling harsh criticisms. No praise, only criticisms. Their faces ran with sweat. Their leotards were wet with sweat. The room, as large and airy as it way, stank of sweat. Sleek muscles trembled and fluttered on the nervous edge of exhaustion. Corded tendons stood out like insulated cables. Throbbing veins popped out on foreheads and necks. Except for the choreographer's clapping and angry, hectoring shouts, the only sounds were the thrup-thud of ballet dancers on pointe moving across the floor and harsh, agonized panting for breath. Jack had suddenly realized that these dancers were not just earning a living, they were killing themselves. Most of all he remembered their expressions- all that exhausted concentration, all that pain... but transcending the pain, or at least creeping around its edges, he had seen joy. Joy was unmistakably what that look was, and it scared Jack because it had seemed inexplicable.
Paul Edgecomb: What do you want me to do John? I'll do it. You want me to let you walk out of here and see how far you get? John Coffey: Now why would you want to do a foolish thing like that? Paul Edgecomb: When I die and I stand before God awaiting judgment and he asks me why I let one of HIS miracles die, what am I gonna say, that it was my job?
I want to be, if I can, as sure of the world--the real world--around me as is possible. Now, you can only attain that to a certain degree, but I want the greatest degree of control. I've never involved myself in narcotics of any kind, I don't smoke, and I don't drink because that can easily just fuzz the edges of my rationality--fuzz the edges of my reasoning powers--and I want to be as aware as I possibly can. That means giving up a lot of fantasies that might be comforting in some ways, but I'm willing to give that up in order to live in an actually real world, or as close as I can get to it.
And what do you really do? asked Tiffany. The thin witch hesitatied for a moment, and then: We look to ... the edges, said Mistress Weatherwax. There's a lot of edges, more than people know. Between life and death, this world and the next, night and day, right and wrong ... an' they need watchin'. We watch 'em, we guard the sum of things. And we never ask for any reward. That's important.
Watching the children, he noticed two things especially. A girl of about five, and her sister, who was no more than three, wanted to drink from the pebbled concrete fountain at the playground’s edge, but it was too high for either of them, so the five-year-old…jumped up and, resting her stomach on the edge and grasping the sides, began to drink. But she was neither strong enough nor oblivious enough of the pain to hand on, and she began to slip off backward. At this, the three-year-old…advanced to her sister and, also grasping the edge of the fountain, placed her forehead against her sister’s behind, straining to hold her in place, eyes closed, body trembling, curls spilling from her cap. Her sister drank for a long time, held in position by an act as fine as Harry had ever seen on the battlefields of Europe.” Pg 32
You think I'm insane?" said Finnerty. Apparently he wanted more of a reaction than Paul had given him."You're still in touch. I Guess that's the test."Barely-barely."A psychiatrist could help. There's a good man in Albany."Finnerty shook his head. "He'd pull me back into the center, and I want to stay as close to the edge as I can without going over. Out there on the edge you see all the kinds of things you can't see from the center." He nodded, "Big, undreamed-of things--the people on the edge see them first.
. . . I had found the edge. The place where you unstrap all your fastenings to the earth, to what you are what you have been, where you flame out on the edge of the spheres, and the sun and moon become eclipsed and the world below is as dead and remote and without interest as if it were glazed with ice.
Sure, I’m dramatic and sloppily semi-cynical and semi-sentimental. But, in leisure years I could grow and choose my way. Now I am living on the edge. We all are on the brink, and it takes a lot of nerve, a lot of energy, to teeter on the edge, looking over, looking down into the windy blackness and not being quite able to make out, through the yellow, stinking mist, just what lies below in the slime, in the oozing, vomit-streaked slime; and so I could go on, my thoughts, writing much, trying to find the core, the meaning for myself.
The Edge...There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others-the living-are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there.
Dan: We're looking at World War Three within the WEEK! I mean, what do we DO? The stakes are so high and humanity is so close to the edge...Rorschach: Some of us have always lived on edge, Daniel. It is possible to survive there if you observe rules: Just hang on by fingernails... and never look down.
To see an almost certain horrible death--you know how crowds all sit at the edge of their seats, /praying/ subconsciously for a spectacular accident--and then to be whisked away from it so suddenly--brought to the edge of tragedy, and then to have their better natures win out, showing them how much nicer they always /knew/ they were--that was the supreme thrill.
The vestibule door opens onto a June morning so fine and scrubbed Classira pauses at the threshold as she would at the edge of a pool, watching the turquoise water lapping at the tiles, the liquid nets of sun wavering in the blue depths. As if standing at the edge of a pool she delays for a moment the plunge, the quick membrane of chill, the plain shock of immersion.