Enemy Quotes (displaying: 1 - 30 of 1074 quotes )
...this protracted war will pass through three stages. The first stage covers the period of the enemy's strategic offensive and our strategic defensive. The second stage will be the period of the enemy's strategic consolidation and our preparation for the counter-offensive. The third stage will be the period of our strategic counter-offensive and the enemy's strategic retreat.
Keep your vision all-inclusive, never allowing it to lock on any one thing... look everywhere at once, see nothing to the exclusion of all else---don't allow the enemy to direct your vision, or you will see what he wishes you to see. He will then come at you as you become bewildered, looking for his attack, and you will lose. Instead, your vision must open to all there is, never settling, even when cutting. Know your enemy's moves by instinct, not waiting to see them. To dance with death meant to know the enemy's sword and its speed without waiting to see it. Dancing with death meant being one with the enemy, without looking fixedly, so that you could kill him. Dancing with death meant being committed to killing, committed with your heart and soul.
If we promoted justice and charity among men, we should be playing directly into the Enemy's hands; but if we guide them to the opposite behaviour, this sooner or later produces (for He permits it to produce) a war or a revolution, and the undisguisable issue of cowardice or courage awakes thousands of men from moral stupor. This, indeed, is probably one of the Enemy's motives for creating a dangerous world—a world in which moral issues really come to the point. He sees as well as you do that courage is not simply one of the virtues, but the form of every virtue at the testing point, which means, at the point of highest reality. A chastity or honesty, or mercy, which yields to danger will be chaste or honest or merciful only on conditions.
The primary thing when you take a sword in your hands is your intention to cut the enemy, whatever the means. Whenever you parry, hit, spring, strike or touch the enemy's cutting sword, you must cut the enemy in the same movement. It is essential to attain this. If you think only of hitting, springing, striking or touching the enemy, you will not be able actually to cut him.
If I determine the enemy's disposition of forces while I have no perceptible form, I can concentrate my forces while the enemy is fragmented. The pinnacle of military deployment approaches the formless: if it is formless, then even the deepest spy cannot discern it nor the wise make plans against it.
Christian love draws no distinction between one enemy and another, except that the more bitter our enemy's hatred, the greater his need of love. Be his enmity political or religious, he has nothing to expect from a follower of Jesus but unqualified love. In such love there is not inner discord between the private person and official capacity. In both we are disciples of Christ, or we are not Christians at all.
As brother stands by brother in distress, binding up his wounds and soothing his pain, so let us show our love towards our enemy. There is no deeper distress to be found in the world, no pain more bitter than our enemy's. Nowhere is service more necessary or more blessed than when we serve our enemies.
The warrior of light knows the importance of intuition. In the midst of battle, he does not have time to think of the enemy's blows, and so he uses his instinct and obeys his angel. in times of peace, he deciphers the signs that God sends him. People say, "He's mad." Or, "He lives in a fantasy world." Or even, "How can he possibly believe in such illogical things?" But the warrior knows that intuition is God's alphabet and he continues listening to the wind and talking to the stars.
And Harry, with the unerring skill of the Seeker, caught the wand in his free hand as Voldemort fell backward, arms splayed, the slit pupils of the scarlet eyes rolling upward. Tom Riddle hit the floor with a mundane finality, his body feeble and shrunken, the white hands empty, the snakelike face vacant and unknowing. Voldemort was dead, killed by his own rebounding curse, and Harry stood with two wands in his hands, staring down at his enemy's shell.
That's why it's always worth having a few philosophers around the place. One minute it's all is truth beauty and is beauty truth, and does a falling tree in the forest make a sound if there's no one there to hear it, and then just when you think they're going to start dribbling one of 'em says, incidentally, putting a thirty-foot parabolic reflector on a high place to shoot the rays of the sun at an enemy's ships would be a very interesting demonstration of optical principles.
If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent.
However, as words become particularized, and as men begin - in however small a way - to use them in personal, arbitrary ways, so their transformation into art begins. It was words of this kind that, descending on me like a swarm of winged insects, seized on my individuality and sought to shut me up within it. Nevertheless, despite the enemy's depredations upon my person, I turned their universality - at once a weapon and a weakness - back on them, and to some extent succeeded in using words to universalize to my own individuality.
Our manly ways and stern simplicity wreak much confusion to the enemy's councils. For they are men yet garb themselves as women, wearing wigs and finery and lace. And for this offense if it be God's will we will come upon them in the night, from the rear, and penetrate their degenerate bodies with our holy truth. For we are manly saints and possess the full swelling hardness of our faith, which gushes forevermore from Christ's unyielding root.
The image of her beautiful body had been offered to her only as a means to awake the far more perilous image of her great soul. The eternal and, as it were, dramatic conception of the self was the enemy's true aim. He was making her mind a theatre in which that phantom self should hold the stage. He had already written the play.