Eye Quotes (displaying: 121 - 150 of 5819 quotes )
you are right john cohen — quazimodo was right — mozart was right… . I cannot say the word eye any more … . when I speak this word eye, it is as if I am speaking of somebody’s eye that I faintly remember … . there is no eye — there is only a series of mouths — long live the mouths — your rooftop — if you don’t already know — has been demolished … . eye is plasma & you are right about that too — you are lucky — you don’t have to think about such things as eye & rooftops & quazimodo.
it is my lady! *sighs* o, it is my love! o, that she knew she were! she speaks, yet she sais nothing. what of that? her eye discourses; i will answer it. i am too bold, 'tis not to me she speaks; two of the fairest stars in all the heaven, having some business, do entreat her eyes to twinkle in their spheres till they return.
Some paintings become famous because, being durable, they are viewed by successive generations, in each of which are likely to be found a few appreciative eyes. I know a painting so evanescent that it is seldom viewed at all, except by some wandering deer. It is a river who wields the brush, and it is the same river who, before I can bring my friends to view his work, erases it forever from human view. After that it exists only in my mind's eye. Like other artists, my river is temperamental; there is no predicting when the mood to paint will come upon him, or how long it will last. But in midsummer, when the great white fleets cruise the sky for day after flawless day, it is worth strolling down to the sandbars just to see whether he has been at work.
My being subsists only from a supreme point of view which is precisely incompatible with my point of view. The perspective in which I fade away for my eyes restores me as a complete image for the unreal eye to which I deny all images. A complete image with reference to a world devoid of image which imagines me in the absence of any imaginable figure. The being of a nonbeing of which I am the infinitely small negation which it instigates as its profound harmony. In the night shall I become the universe?
Civilized people must, I believe, satisfy the following criteria:1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...)2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...)3) They respect other people's property, and therefore pay their debts.4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...)5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...)6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...)7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...)8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano. And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings.[From a letter to Nikolay Chekhov, March 1886]
You want to beat Peter?" she asked"No," he answered "Beat the buggers. Then come home and see who notices Peter Wiggen anymore. Look him in the eye when all the world loves and reveres you. That'll be defeat in his eyes, Ender, thats how you win"You don't understand" he said"Yes i do"No you don't. I don't want to beat Peter"Then what do you want?"I want him to love me
I sit in the top of the wood, my eyes closed.Inaction, no falsifying dreamBetween my hooked head and hooked feet:Or in sleep rehearse perfect kills and eat.The convenience of the high trees!The air's buoyancy and the sun's rayAre of advantage to me;And the earth's face upward for my inspection.My feet are locked upon the rough bark.It took the whole of CreationTo produce my foot, my each feather:Now I hold Creation in my footOr fly up, and revolve it all slowly -I kill where I please because it is all mine.There is no sophistry in my body:My manners are tearing off heads -The allotment of death.For the one path of my flight is directThrough the bones of the living.No arguments assert my right:The sun is behind me.Nothing has changed since I began.My eye has permitted no change.I am going to keep things like this.
Math is like water. It has a lot of difficult theories, of course, but its basic logic is very simple. Just as water flows from high to low over the shortest possible distance, figures can only flow in one direction. You just have to keep your eye on them for the route to reveal itself. That’s all it takes. You don’t have to do a thing. Just concentrate your attention and keep your eyes open, and the figures make everything clear to you. In this whole, wide world, the only thing that treats me so kindly is math.
Knowing one's 'individuality'. - We are too prone to forget that in the eyes of people who are seeing us for the first time we are something quite different from what we consider ourselves to be: usually we are nothing more than a single individual trait which leaps to the eye and determines the whole impression that we make.
He looked at her. She was pretty still, with thick hair and soft eyes, and she moved so gracefully that it almost seemed as though she were gliding. He'd seen beautiful women before, though, women who caught his eye, but to his mind, they usually lacked the traits he found most desirable. Traits like intelligence, confidence, strength of spirit, passion, traits that inspired others to greatness, traits he aspired to himself.
What grief is not taken away by time? What passion will survive an unequal battle with it? I knew a man in the bloom of his still youthful powers, filled with true nobility and virtue, I knew him when he was in love, tenderly, passionately, furiously, boldly, modestly, and before me, almost before my eyes, the object of his passion - tender, beautiful as an angel - was struck down by insatiable death. I never saw such terrible fits of inner suffering, such furious scorching anguish, such devouring despair as shook the unfortunate lover. I never thought a man could create such a hell for himself, in which there would be no shadow, no image, nothing in the least resembling hope... They tried to keep an eye on him; they hid all instruments he might have used to take his own life. Two weeks later he suddenly mastered himself: he began to laugh, to joke; freedom was granted him, and the first thing he did was buy a pistol. One day his family was terribly frightened by the sudden sound of a shot. They ran into the room and saw him lying with his brains blown out. A doctor who happened to be there, whose skill was on everyone's lips, saw signs of life in him, found that the wound was not quite mortal, and the man, to everyone's amazement, was healed. The watch on him was increased still more. Even at the table they did not give him a knife to and tried to take away from him anything that he might strike himself with; but a short while later he found a new occasion and threw himself under the wheels of a passing carriage. His arms and legs were crushed; but again they saved him. A year later I saw him in a crowded room; he sat at the card table gaily saying 'Petite ouverte,' keeping one card turned down, and behind him, leaning on the back of his chair, stood his young wife, who was sorting through his chips.
Just as in the body, eye and ear develop as organs of perception, as senses for bodily processes, so does a man develop in himself soul and spiritual organs of perception through which the soul and spiritual worlds are opened to him. For those who do not have such higher senses, these worlds are dark and silent, just as the bodily world is dark and silent for a being without eyes and ears.
It is when we try to grapple with another man's intimate need that we perceive how incomprehensible, wavering and misty are the beings that share with us the sight of the stars and the warmth of the sun. It is as if loneliness were a hard and absolute condition of existence; the envelope of flesh and blood on which our eyes are fixed melts before the outstretched hand, and there remains only the capricious, unconsolable and elusive spirit that no eye can follow, no hand can grasp.
And the bubbles of light again rose and fell, and in their disordered, irregular, turbulent maze, mingled with the wan moonlight. And now from these globules themselves as from the shell of an egg, monstrous things burst out; the air grew filled with them; larvae so bloodless and so hideous that I can in no way describe them except to remind the reader of the swarming life which the solar microscope brings before his eyes in a drop of water - things transparent, supple, agile, chasing each other, devouring each other - forms like nought ever beheld by the naked eye. As the shapes were without symmetry, so their movements were without order. In their very vagrancies there was no sport; they came round me and round, thicker and faster and swifter, swarming over my head, crawling over my right arm, which was outstretched in involuntary command against all evil beings. ("The House And The Brain")
In how many families do you hear the legend that all the goodness and graces of the living are nothing to the peculiar charms of one who is not. It is as if heaven had an especial band of angels, whose office it was to sojourn for a season here, and endear to them the wayward human heart, that they might bear it upward with them in their homewoard flight. When you see that deep, spiritual light in the eye,---when the little soul reveals itself in words sweeter and wiser than the ordinary words of children,---hope not to retain that child, for the seal of heaven is on it, and the light of immortality looks out from its eyes.
You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us.
Before the swallow, before the daffodil, and not much later than the snowdrop, the common toad salutes the coming of spring after his own fashion, which is to emerge from a hole in the ground, where he has lain buried since the previous autumn, and crawl as rapidly as possible towards the nearest suitable patch of water. Something? some kind of shudder in the earth, or perhaps merely a rise of a few degrees in the temperature? has told him it is time to wake up ... At this period, after his long fast, the toad has a very spiritual look, like a strict Anglo-Catholic towards the end of Lent. His movements are languid but purposeful, his body is shrunken, and by contrast his eyes look abnormally large. This allows one to notice, what one might not at any other time, that a toad has about the most beautiful eye of any living creature. It is like gold, or more exactly it is like the golden-coloured semi-precious stone which one sometimes sees in signet rings, and which I think is called a chrysoberyl.
She is standing on my lids. And her hair is in my hair. She has the colour of my eye. She has the body of my hand. In my shade she is engulfed. As a stone against the sky. She will never close her eyes. And she does not let me sleep. And her dreams in the bright day. Make the suns evaporate. And me laugh cry and laugh. Speak when I have nothing to say
Is it not curious, that so vast a being as the whale should see the world through so small an eye, and hear the thunder through an ear which is smaller than a hare's? But if his eyes were broad as the lens of Herschel's great telescope; and his ears capacious as the porches of cathedrals; would that make him any longer of sight, or sharper of hearing? Not at all.—Why then do you try to "enlarge" your mind? Subtilize it
Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometimes too hot the eye of heaven shines, And too often is his gold complexion dimm'd: And every fair from fair sometimes declines, By chance or natures changing course untrimm'd; By thy eternal summer shall not fade, Nor lose possession of that fair thou owest; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou growest: So long as men can breathe or eyes can see, So long lives this and this gives life to thee.
What had he said to them? "I bow my knees before the country, before the masses, before the whole people...." And what then? What happened to these masses, to this people? For forty years it had been driven through the desert, with threats and promises, with imaginary terrors and imaginary rewards. But where was the Promised Land? Did there really exist any such goal for this wandering mankind? That was a question to which he would have liked an answer before it was too late. Moses had not been allowed to enter the land of promise either, But he had been allowed to see it, from the top of the mountain, spread at his feet. Thus, it was easy to die, with the visible certainty of one's goal before one's eyes. He, Nicolas Salmanovitch Rubashov, had not been taken to the top of a mountain; and wherever his eye looked, he saw nothing but desert and the darkness of night.
I turned faceup on the slab of stone, gazed at the sky, and thought about all the man-made satellites spinning around the earth. The horizon was still etched in a faint glow, and stars began to blink on in the deep, wine-colored sky. I gazed among them for the light of a satellite, but it was still too bright out to spot one with the naked eye. The sprinkling of the stars looked nailed to the spot, unmoving. I closed my eyes and listened carefully for the descendants of Sputnik, even now circling the earth, gravity their only tie to the planet. Lonely metal souls in the unimpeded darkness of space, they meet, pass each other, and part, never to meet again. No words passing between them. No promises to keep.
She began to whisper something in my ear. It’s the strangest thing about poetry—you can tell it’s poetry, even if you don’t speak the language. You can hear Homer’s Greek without understanding a word, and you still know it’s poetry. I’ve heard Polish poetry, and Inuit poetry, and I knew what it was without knowing. Her whisper was like that. I didn’t know the language, but her words washed through me, perfect, and in my mind’s eye I saw towers of glass and diamond; and people with eyes of the palest green; and, unstoppable, beneath every syllable, I could feel the relentless advance of the ocean.