Face Quotes (displaying: 31 - 60 of 5045 quotes )
To think, for instance, that I have never been aware before how many faces there are. There are quantities of human beings, but there are many more faces, for each person has several. There are people who wear the same face for years; naturally it wears out, it gets dirty, it splits at the folds, it stretches, like gloves one has worn on a journey. These are thrifty, simple people; they do not change their face, they never even have it cleaned. It is good enough, they say, and who can prove to them the contrary? The question of course arises, since they have several faces, what do they do with the others? Thhey store them up. Their children will wear them. But sometimes, too, it happens that their dogs go out with them on. And why not? A face is a face.
We passed upon the stair, we spoke of was and when. Although I wasnt there, he said I was his friend. Which came as some surprise I spoke into his eyes. I thought you died alone, a long long time ago. Oh no, not me. I never lost control. Youre face to face. With the man who sold the world. I laughed and shook his hand, and made my way back home. I searched for form and land, for years and years I roamed. I gazed a gazely stare at all the millions here. We must have died along, a long long time ago. Who knows? not me. We never lost control. Youre face to face. With the man who sold the world. Who knows? not me. We never lost control. Youre face to face. With the man who sold the world
He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with."She'd never seen it."She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face.
I hated my face, for example, found it odious, and even suspected that there was some mean expression in it, and therefore every time I came to work I made a painful effort to carry myself as independently as possible, and to express as much nobility as possible with my face. "let it not be a beautiful face," I thought, "but, to make up for that, let it be a noble, an expressive, and, above all, an extremely intelligent one." Yet I knew, with certainty and suffering, that i would never be able to express all those perfections with the face I had. The most terrible thing was that I found it positively stupid. And I would have been quite satisfied with intelligence. Let's even say I would even have agreed to a mean expression, provided only that at the same time my face be found terribly intelligent.
But if I know not even the tail of this whale, how understand his head? much more, how comprehend this face, when face he has none? Thou shalt see my back parts, my tail, he seems to say, but my face shall not be seen. But I cannot completely make out his back parts; and hint what he will about his face, I say again he has no face.
So I suppose I do not know how he really looked, and, in fact, I suppose I shall never know, now, for he was plainly an object created in the mode of fantasy. His image was already present somewhere in my head and I was seeking to discover it in actuality, looking at every face I met in case it was the right face - that is, the face which corresponded to my notion of the unseen face of the one I should love, a face created parthenogeneticallyby the rage to love which consumed me.
INEZ: To forget about the others? How utterly absurd! I feel you there, in every pore.Your silence clamours in my ears. You can nail up your mouth, cut your tongue out - but you can't prevent your being there. Can you stop your thoughts? I hear them ticking away like a clock, tick-tock, tick-tock, and I'm certain you hear mine. It's all very well skulking on your sofa, but you're everywhere, and every sound comes to me soiled because you've intercepted it on its way. Why, you've even stolen my face; you know it and I don't ! And what about her, about Estelle? You've stolen her from me, too; if she and I were alone do you suppose she'd treat me as she does? No, take your hands from your face, I won't leave you in peace - that would suit your book too well. You'd go on sitting there, in a sort of trance, like a yogi, and even if I didn't see her I'd feel it in my bones - that she was making every sound, even the rustle of her dress, for your benefit, throwing you smiles you didn't see... Well, I won't stand for that, I prefer to choose my hell; I prefer to look you in the eyes and fight it out face to face.
It was a dance of masks and every mask was perfect because every mask was a real face and every face was areal mask so there was no mask and there was no face for there was but one dance in which there was butone mask but one true face which was the same and which was a thing without a name which changed andchanged into itself over and over.
I can lie about my name, I can lie about my school, but how am I going to lie about this fucking nose? "You seem like a very nice person Mr. Porte-Noir, but why do you go around covering the middle of your face like that?" Because suddenly it has taken off, the middle of my face! Because gone is the button of my childhood years, that pretty little thing that people used to look at in my carriage, and lo and behold, the middle of my face has begun to reach out towards God. Porte-Noir and Parsons my ass, kid, you have got J-E-W written right across the middle of your face...
When you look into the faces of these quiet creatures who don't know how to tell stories--who are mute, who can't make themselves heard, who fade into the woodwork, who only think of the perfect answer after the fact, after they're back at home, who can never think of a story that anyone else will find interesting--is there not more depth and more meaning in them? You can see every letter of every untold story swimming on their faces, and all the signs of silence, dejection, and even defeat. You can even imagine your own face in those faces, can't you?
The priest gazed around my cell and answered in a voice that sounded very weary to me. 'Every stone here sweats with suffering, I know that. I have never looked at them without a feeling of anguish. But deep in my heart I know that the most wretched among you have seen a divine face emerge from their darkness. That is the face you are asked to see.' This perked me up a little. I said I had been looking at the stones in these walls for months. There wasn't anything or anyone in the world I knew better. Maybe at one time, way back, I had searched for a face in them. But the face I was looking for was as bright as the sun and the flame of desire—and it belonged to Marie.
How shall Integrity face Oppression? What shall Honesty do in the face of Deception, Decency in the face of Insult, Self-Defense before Blows? How shall Desert and Accomplishment meet Despising, Detraction, and Lies? What shall Virtue do to meet Brute Force? There are so many answers and so contradictory; and such differences for those on the one hand who meet questions similar to this once a year or once a decade, and those who face them hourly and daily.
Auggie said you were too sentimental for your own good sometimes."Out loud he said, "Perhaps, but you have taught me that sentiment is not always a bad thing."I stared up at that impossibly beautiful face, and felt love swell up inside me like a physical force. It filled my body, swelling upward until it made my chest ache, my throat tighten, and my eyes burn. It sounded so stupid. But I loved him. Loved all of him, but loved him more because loving me had made him better. That he would say that I had taught him about being sentimental made me want to cry. Richard reminded me at every turn that I was bloodthirsty and cold. If that were true, then I couldn't have taught Jean-Claude about sentimentality. You can't learn, if you don't have it to teach. He kissed me. He kissed me softly, with one hand lost in the hair to the side of my face. He drew back and whispered, "I never thought to see that look upon your face, not for me."I love you," I said, and touched his hand where it lay against my face.
One summer day I lay upon the grass. I’d sinned, no matter how, and in sin’s wake there came a kind of drowsy peace so deep I hadn’t even will enough to loathe myself. I had no mind to pray. I scarcely had a mind at all, just eyes to see the greenwood overhead, just flesh to feel the sun. A light breeze blew from Wear that tossed the trees, and as I lay there watching them, they formed a face of shadows and of leaves. It was a man’s green, leafy face. He gazed at me from high above. And as the branches nodded in the air, he opened up his mouth to speak. No sound came from his lips, but by their shape I knew it was my name. His was the holiest face I ever saw. My very name turned holy on his tongue. If he had bade me rise and follow him to the end of time, I would have gone. If he had bade me die for him, I would have died. When I deserved it least, God gave me most. I think it was the Savior’s face itself I saw.
I have never learned how to arrange my face into that blank expression of competent invisibility that is so useful when traveling in dangerous, foreign places. You know—that super-relaxed, totally-in-charge expression which makes you look like you belong there, anywhere, everywhere, even in the middle of a riot in Jakarta. Oh, no. When I don’t know what I’m doing, I look like I don’t know what I’m doing. When I’m excited or nervous, I look excited or nervous. And when I am lost, which is frequently, I look lost. My face is a transparent transmitter of my every thought. As David once put it, “You have the opposite of poker face. You have, like . . . miniature golf face.
I ne'er was stuck before that hour, With love so sudden and so sweet. Her face it bloomed like a sweet flower, And stole my heart away complete. My face turned pale as deadly pale. My legs refused to walk away. And when she looked, what could I ail? My life and all seemed turned to clay. "And then my blood rushed to my face, And took my eyesight quite away. The trees and bushes round the place, Seemed midnight at noonday. I could not see a single thing, Words from my eyes did start, They spoke as chords do from the string, And blood burnt round my heart. "Are flowers the winter's choice? Is love bed's always snow? She seemed to hear my silent voice, Not love's appeals to know. I never saw so sweet a face As that I stood before. My heart has left its dwelling-place And can turn no more.
Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lincoln's as an early American archetype, it was haunting, handsome, almost beautiful." I can't imagine what the great rail splitter's reaction would have been to this, though I sure was pleased.
You have noticed that the truth comes into this world with two faces. One is sad with suffering, and the other laughs; but it is the same face, laughing or weeping. When people are already in despair, maybe the laughing face is better for them; and when they feel too good and are too sure of being safe, maybe the weeping face is better for them to see.
Look at Charlie Brown's face. Would you please hold still a minute Charlie Brown? I want Linus to study your face. Now this is what you call a failure face, Linus. Notice how it has failure written all over it. Study it carefully Linus. You rarely see such a good example. Notice the deep lines, the dull vacant look in the eyes. Yes, I would say this is one of the finest examples of a failure face that your liable to see for a long while.
He did it now, holding it up before his eyes as he had as a boy, and it did its old, old trick. Through the floating snow you could see a little gingerbread house with a path leading up to it. The gingerbread shutters were closed, but as an imaginative boy you could fancy that one of the shutters was being folded back (as indeed, one of them seemed to be folding back now) by a long white hand, and then a pallid face would be looking out at you, grinning with long teeth, inviting you into this house beyond the world in its slow and endless fantasy-land of false snow, where time was a myth. The face was looking out at him now, pallid and hungry, a face that would never look on daylight or blue skies again. It was his own face. He threw the paperweight into the corner and it shattered. He left without waiting to see what might leak out of it.
It opened a little way, and a face came into the opening. It was Lona's. It's eyes were closed, but the face itself was upon me, and seemed to see me. It was as white as Eve's, white as Mara's, but did not shine like their faces. She spoke, and her voice was like a sleepy night-wind in the grass."Are you coming, king?" it said. "I cannot rest until you are with me, gliding down the river to the great sea, and the beautiful dream-land. The sleepiness is full of lovely things: come and see them.