Fairy Quotes (displaying: 1 - 30 of 381 quotes )
Fairy Song Shed no tear! oh, shed no tear! The flower will bloom another year. Weep no more! oh, weep no more! Young buds sleep in the root’s white core. Dry your eyes! oh, dry your eyes! For I was taught in Paradise To ease my breast of melodies,— Shed no tear. Overhead! look overhead! ‘Mong the blossoms white and red— Look up, look up! I flutter now On this fresh pomegranate bough. See me! ’tis this silvery bill Ever cures the good man’s ill. Shed no tear! oh, shed no tear! The flower will bloom another year. Adieu, adieu—I fly—adieu! I vanish in the heaven’s blue,— Adieu, adieu!
My first and last philosophy ... I learnt in the nursery... The things I believed then, the things I believe most now, are the things called fairy tales... They are not fantasies: compared with them other things are fantastic... Fairyland is nothing but the sunny country of common sense. It is not earth that judges heaven, but heaven that judges earth ... I knew the magic beanstalk before I tasted beans; I was sure of the Man in the Moon before I was certain of the moon. I am concerned with a certain way of looking at life, which was created in me by the fairy tales, but has since been meekly ratified by the mere facts.
I am the twentieth century. I am the ragtime and the tango; sans-serif, clean geometry. I am the virgin's-hair whip and the cunningly detailed shackles of decadent passion. I am every lonely railway station in every capital of Europe. I am the Street, the fanciless buildings of government. the cafe-dansant, the clockwork figure, the jazz saxophone, the tourist-lady's hairpiece, the fairy's rubber breasts, the travelling clock which always tells the wrong time and chimes in different keys. I am the dead palm tree, the Negro's dancing pumps, the dried fountain after tourist season. I am all the appurtenances of night.
But his heart was in a constant, turbulent riot. The most grotesque and fantastic conceits haunted him in his bed at night. A universe of ineffable gaudiness spun itself out in his brain while the clock ticked on the washstand and the moon soaked with wet light his tangled clothes upon the floor. Each night he added to the pattern of his fancies until drowsiness closed down upon some vivid scene with an oblivious embrace. For awhile these reveries provided an outlet for his imagination; they were a satisfactory hint of the unreality of reality, a promise that the rock of the world was founded securely on a fairy's wing.
Once, as I passed by a cottage, there came out a lovely fairy child, with two wondrous toys, one in each hand. The one was the tube through which the fairy-gifted poet looks when he beholds the same thing everywhere; the other that through which he looks when he combines into new forms of loveliness those images of beauty which his own choice has gathered from all regions wherein he has travelled. Round the child’s head was an aureole of emanating rays. As I looked at him in wonder and delight, round crept from behind me the something dark, and the child stood in my shadow. Straightway he was a commonplace boy, with a rough broad-brimmed straw hat, through which brim the sun shone from behind. The toys he carried were a multiplying-glass and a kaleidoscope. I sighed and departed.
The Secret Garden was what Mary called it when she was thinking of it. She liked the name, and she liked still more the feeling that when its beautiful old walls shut her in no one knew where she was. It seemed almost like being shut out of the world in some fairy place. The few books she had read and liked had been fairy-story books, and she had read of secret gardens in some of the stories. Sometimes people went to sleep in them for a hundred years, which she had thought must be rather stupid. She had no intention of going to sleep, and, in fact, she was becoming wider awake every day which passed at Misselthwaite.
There is such a place as fairyland - but only children can find the way to it. And they do not know that it is fairyland until they have grown so old that they forget the way. One bitter day, when they seek it and cannot find it, they realize what they have lost; and that is the tragedy of life. On that day the gates of Eden are shut behind them and the age of gold is over. Henceforth they must dwell in the common light of common day. Only a few, who remain children at heart, can ever find that fair, lost path again; and blessed are they above mortals. They, and only they, can bring us tidings from that dear country where we once sojourned and from which we must evermore be exiles. The world calls them its singers and poets and artists and story-tellers; but they are just people who have never forgotten the way to fairyland.
It is usually assumed that children are the natural or the specially appropriate audience for fairy-stories. In describing a fairy-story which they think adults might possibly read for their own entertainment, reviewers frequently indulge in such waggeries as: "this book is for children from the ages of six to sixty." But I have never yet seen the puff of a new motor-model that began thus: "this toy will amuse infants from seventeen to seventy"; though that to my mind would be much more appropriate. Is there any essential connexion between children and fairy-stories? Is there any call for comment, if an adult reads them for himself? Reads them as tales, that is, not studies them as curios. Adults are allowed to collect and study anything, even old theatre programmes or paper bags.
The consolation of fairy stories, the joy of the happy ending; or more correctly, the good catastrophe, the sudden, joyous "turn" (for there is no true end to a fairy tale); this joy, which is one of the things that fairy stories can produce supremely well, is not essentially escapist or fugitive. In it's fairy tale or other world setting, it is a sudden and miraculous grace, never to be counted on to reoccur. It does not deny the existence of dyscatastrophe, or sorrow and failure, the possibility of these is necessary to the joy of deliverance. It denies, (in the face of much evidence if you will) universal final defeat and in so far is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief.
The fairy tale, which to this day is the first tutor of children because it was once the first tutor of mankind, secretly lives on in the story. The first true storyteller is, and will continue to be, the teller of fairy tales. Whenever good counsel was at a premium, the fairy tale had it, and where the need was greatest, its aid was nearest. This need was created by myth. The fairy tale tells us of the earliest arrangements that mankind made to shake off the nightmare which myth had placed upon its chest.
The Flowers. All the names I know from nurse: Gardener's garters, Shepherd's purse, Bachelor's buttons, Lady's smock, And the Lady Hollyhock. Fairy places, fairy things, Fairy woods where the wild bee wings, Tiny trees for tiny dames--These must all be fairy names! Tiny woods below whose boughs. Shady fairies weave a house; Tiny tree-tops, rose or thyme, Where the braver fairies climb! Fair are grown-up people's trees, But the fairest woods are these; Where, if I were not so tall, I should live for good and all