Frost Quotes (displaying: 1 - 30 of 156 quotes )
It was not death, for I stood up, And all the dead lie down; It was not night, for all the bells. Put out their tongues, for noon. It was not frost, for on my flesh. I felt siroccos crawl, Nor fire, for just my marble feet. Could keep a chancel cool. And yet it tasted like them all; The figures I have seen. Set orderly, for burial, Reminded me of mine, As if my life were shaven. And fitted to a frame, And could not breathe without a key; And I was like midnight, some, When everything that ticked has stopped, And space stares, all around, Or grisly frosts, first autumn morns, Repeal the beating ground. But most like chaos,--stopless, cool, Without a chance or spar,--Or even a report of land. To justify despair.
The Pop-Tarts page is often aflutter. Pop-Tarts, it says as of today (February 8, 2008), were discontinued in Australia in 2005. Maybe that's true. Before that it said that Pop-Tarts were discontinued in Korea. Before that Australia. Several days ago it said: "Pop-Tarts is german for Little Iced Pastry O' Germany." Other things I learned from earlier versions: More than two trillion Pop-Tarts are sold each year. George Washington invented them. They were developed in the early 1960s in China. Popular flavors are "frosted strawberry, frosted brown sugar cinnamon, and semen." Pop-Tarts are a "flat Cookie." No: "Pop-Tarts are a flat Pastry, KEVIN MCCORMICK is a FRIGGIN LOSER notto mention a queer inch." No: "A Pop-Tart is a flat condom." Once last fall the whole page was replaced with "NIPPLES AND BROCCOLI!!!!!
How many were the aquarelles she painted for me; what a revelation it was when she showed me the lilac tree that grows out of mixed blue and red! Sometimes, in our St Petersburg house, from a secret compartment in the wall of her dressing room (and my birth room), she would produce a mass of jewelry for my bedtime amusement. I was very small then, and those flashing tiaras and chokers and rings seemed to me hardly inferior in mystery and enchantment to the illumination in the city during imperial ftes, when, in the padded stillness of a frosty night, giant monograms, crowns, and other armorial designs, made of coloured electric bulbs - sapphire, emerald, ruby - glowed with a kind of charmed constraint above snow-lined cornices on housefronts along residential streets.
For winter's rains and ruins are over, And all the season of snows and sins; The days dividing lover and lover, The light that loses, the night that wins; And time remembered is grief forgotten, And frosts are slain and flowers begotten, And in green underwood and cover Blossom by blossom the spring begins.
A Robin said: The Spring will never come, And I shall never care to build again. A Rosebush said: These frosts are wearisome, My sap will never stir for sun or rain. The half Moon said: These nights are fogged and slow, I neither care to wax nor care to wane. The Ocean said: I thirst from long ago, Because earth's rivers cannot fill the main. — When Springtime came, red Robin built a nest, And trilled a lover's song in sheer delight. Grey hoarfrost vanished, and the Rose with might Clothed her in leaves and buds of crimson core. The dim Moon brightened. Ocean sunned his crest, Dimpled his blue, yet thirsted evermore.
A moment of grace. There rose up within me a profound sense of being loved. I felt "gathered together" and encircled by a Presence completely loving, as if I were enveloped by the music of a love song created just for me. It was not overwhelming or even emotional. Just a warm knowing that I was in God's loving embrace...centered and unified there.[Love]encounters cannot be analyzed, only shared. If you take a butterfly, Robert Frost said, and pin it down into a box, you no longer have a butterfly.
At daybreak, my face still turned to the wall, and before I had seen above the big window-curtains what shade of colour the first streaks of light assumed, I could already tell what the weather was like. The first sounds from the street had told me, according to whether they came to my ears deadened and distorted by the moisture of the atmosphere or quivering like arrows in the resonant, empty expanses of a spacious, frosty, pure morning; as soon as I heard the rumble of the first tramcar, I could tell whether it was sodden with rain or setting forth into the blue.
Lines 34-35: Stilletos of a frozen stillicide [...] In the lovely line heading this comment the reader should note the last word. My dictionary defines it as 'a succession of drops falling from the eaves, eavesdrop, cavesdrop.' I remember having encountered it for the first time in a poem by Thomas Hardy. The bright frost has eternalized the bright eavesdrop.
A Christmas frost had come at midsummer; a white December storm had whirled over June; ice glazed the ripe apples, drifts crushed the blowing roses; on hayfield and cornfield lay a frozen shroud: lanes which last night blushed full of flowers, to-day were pathless with untrodden snow; and the woods, which twelve hours since waved leafy and flagrant as groves between the tropics, now spread, waste, wild, and white as pine-forests in wintry Norway.
My reign is not yet over... you live, and my power is complete. Follow me; I seek the everlasting ices of the north, where you will feel the misery of cold and frost to which I am impassive. You will find near this place, if you follow not too tardily, a dead hare; eat and be refreshed. Come on, my enemy; we have yet to wrestle for our lives; but many hard and miserable hours must you endure until that period shall arrive.
I leant upon a coppice gate When Frost was spectre-gray, And Winter's dregs made desolate The weakening eye of day. The tangled bine-stems scored the sky Like strings of broken lyres, And all mankind that haunted nigh Had sought their household fires. The land's sharp features seemed to be The Century's corpse outleant, His crypt the cloudy canopy, The wind his death-lament. The ancient pulse of germ and birth Was shrunken hard and dry, And every spirit upon earth Seemed fervourless as I.
After a sleepless night the body gets weaker, It becomes dear and not yours - and nobody's. Just like a seraph you smile to people. And arrows moan in the slow arteries. After a sleepless night the arms get weaker. And deeply equal to you are the friend and foe. Smells like Florence in the frost, and in each. Sudden sound is the whole rainbow. Tenderly light the lips, and the shadow's golden. Near the sunken eyes. Here the night has sparked. This brilliant likeness - and from the dark night. Only just one thing - the eyes - are growing dark.
I could do without my warhorse; I could drag about in a skirt; I could let the banners and the trumpets and the knights and soldiers pass me and leave me behind as they leave the other women, if only I could still hear the wind in the trees, the larks in the sunshine, the young lambs crying through the healthy frost, and the blessed blessed church bells that send my angel voices floating to me on the wind. But without these things I cannot live; and by your wanting to take them away from me, or from any human creature, I know that your counsel is of the devil, and that mine is of God.
Modern poets like Frost still want to make 'deep' statements; but they are also more sceptical of such high-sounding generalities than many of their forebears. So, rather like T.S. Eliot's The Waste Land, they gesture enigmatically to such profundities while at the same time being nervous of committing themselves to them.
Love me, beloved; Hades and Death. Shall vanish away like a frosty breath; These hands, that now are at home in thine, Shall clasp thee again, if thou art still mine; And thou shalt be mine, my spirit's bride, In the ceaseless flow of eternity's tide, If the truest love thy heart can know. Meet the truest love that from mine can flow. Pray God, beloved, for thee and me, That our sourls may be wedded eternally.