Height Quotes (displaying: 1 - 30 of 470 quotes )
And what, O Queen, are those things that are dear to a man? Are they not bubbles? Is not ambition but an endless ladder by which no height is ever climbed till the last unreachable rung is mounted? For height leads on to height, and there is not resting-place among them, and rung doth grow upon rung, and there is no limit to the number.
The other night we talked about literature's elimination of the unessential, so that we are given a concentrated "dose" of life. I said, almost indignantly, "That's the danger of it, it prepares you to live, but at the same time, it exposes you to disappointments because it gives a heightened concept of living, it leaves out the dull or stagnant moments. You, in your books, also have a heightened rhythm, and a sequence of events so packed with excitement that I expected all your life to be delirious, intoxicated."Literature is an exaggeration, a dramatization, and those who are nourished on it (as I was) are in great danger of trying to approximate an impossible rhythm. Trying to live up to Dostoevskian scenes every day. And between writers there is a straining after extravagance. We incite each other to jazz-up our rhythm.
One could not but play for a moment with the thought of what might have happened if Charlotte Bront had possessed say three hundred a year? but the foolish woman sold the copyright of her novels outright for fifteen hundred pounds; had somehow possessed more knowledge of the busy world, and towns and regions full of life; more practical experience, and intercourse with her kind and acquaintance with a variety of character. In those words she puts her finger exactly not only upon her own defects as a novelist but upon those of her sex. at that time. She knew, no one better, how enormously her genius would have profited if it had not spent itself in solitary visions over distant fields; if experience and intercourse and travel had been granted her. But they were not granted; they were withheld; and we must accept the fact that all those good novels, VILLETTE, EMMA, WUTHERING HEIGHTS, MIDDLEMARCH, were written by women without more experience of life than could enter the house of a respectable clergyman; written too in the common sitting-room of that respectable house and by women so poor that they could not afford to, buy more than a few quires of paper at a time upon which to write WUTHERING HEIGHTS or JANE EYRE.
High Pasture. Come up--come up: in the dim vale below. The autumn mist muffles the fading trees, But on this keen hill-pasture, though the breeze. Has stretched the thwart boughs bare to meet the snow, Night is not, autumn is not--but the flow. Of vast, ethereal and irradiate seas, Poured from the far world's flaming boundaries. In waxing tides of unimagined glow. And to that height illumined of the mindhe calls us still by the familiar way, Leaving the sodden tracks of life behind, Befogged in failure, chilled with love's decay--Showing us, as the night-mists upward wind, How on the heights is day and still more day.
...because love is continual interrogation. I don't know of a better definition of love.(in that case my friend Hubl would have pointe out to me, no one loves us more than the police. That's true. Just as every height has its symmetrical depth, so love's interest has ts negative the police's curiosity. We sometimes confuse depth with height, and I can easily imagine lonely people hoping to be taken to the police station from time to time for an interrogation that will enable to talk about themselves.)
My grandmother told me once that when you lose somebody you think you've lost the whole world as well, but that's not the way things turn out in the end. Eventually, you pick yourself up and look out the window, and once you do you see everything that was there before the world ended is out there still. There are the same apple trees and the same songbirds, and over our heads, the very same sky that shines like heaven, so far above us we can never hope to reach such heights.
Doubtless Catherine marked the difference between her friends, as one came in and the other went out. The contrast resembled what you see in exchanging a bleak, hilly, coal country for a beautiful fertile valley; and his voice and greeting were as opposite as his aspect."- Emily Bronte, Wuthering Heights, Ch. 8
I’d take that gum out of the keyhole if I were you, Peeves,” he said pleasantly. Peeves paid no attention to Professor Lupin’s words, except to blow a loud wet raspberry. Professor Lupin gave a small sigh and took out his wand. “This is a useful little spell,” he told the class over his shoulder. “Please watch closely.” He raised the wand to shoulder height, said, “Waddiwasi!” and pointed it at Peeves. With the force of a bullet, the wad of chewing gum shot out of the keyhole and straight down Peeves’s left nostril; he whirled upright and zoomed away, cursing. “Cool, sir!” said Dean Thomas in amazement. “Thank you, Dean,” said Professor Lupin, putting his wand away again. “Shall we proceed?
But that had been grief--this was joy. Yet that grief and this joy were alike outside all the ordinary conditions of life; they were loopholes, as it were, in that ordinary life through which there came glimpses of something sublime. And in the contemplation of this sublime something the soul was exalted to inconceivable heights of which it had before had no conception, while reason lagged behind, unable to keep up with it.
Get yourself in that intense state of being next to madness. Keep yourself in, not necessarily a frenzied state, but in a state of great intensity. The kind of state you would be in before going to bed with your partner. That heightened state when you're in a carnal embrace: time stops and nothing else matters. You should always write with an erection. Even if you're a woman.
Given the existence as uttered forth in the public works of Puncher and Wattmann of a personal God quaquaquaquaquaquaqua with white beard quaquaquaquaquaqua outside time without extension who from the heights of divine apathia divine athambia divine aphasia loves us dearly with some exceptions for reasons unknown but time will tell and suffers like the divine Miranda with those who for reasons unknown but time will tell are plunged into torment plunged into fire whose fire flames if that continues and who can doubt it will fire the firmament that is to say blast hell to heaven so blue still and calm so calm with a calm which even though intermittent is better than nothing but not so fast and considering what is more that as a result of the labors left unfinished
The moment in The Bell Jar when Esther Greenwood realizes after thirty days in the same black turtleneck that she never wants to wash her hair again, that the repeated necessity of the act is too much trouble, that she wants to do it once and be done with it, seems like the book's true epiphany. You know you've completely descended into madness when the matter of shampoo has ascended into philosophical heights.
Your reason and your passion are the rudder and the sails of your seafaring soul. For reason, ruling alone, is a force confining; and passion, unattended, is a flame that burns to its own destruction. Therefore let your soul exalt your reason to the height of passion, that it may sing; And let it direct your passion with reason, that your passion may livethrough its own daily resurrection, and like the phoenix rise above its own ashes. And since you are a breath in God’s sphere, and a leaf in God’s forest, you too should rest in reason and move in passion.
But that is the nature of true grace and spiritual light, that it opens to a person's view the infinite reason there is that he should be holy in a high degree. And the more grace he has, and the more this is opened to view, the greater sense he has of the infinite excellency and glory of the divine Being, and of the infinite dignity of the person of Christ, and the boundless length and breadth and depth and height of the love of Christ to sinners. And as grace increases, the field opens more and more to a distant view, until the soul is swallowed up with the vastness of the object, and the person is astonished to think how much it becomes him to love this God and this glorious Redeemer that has so loved man, and how little he does love. And so the more he apprehends, the more the smallness of his grace and love appears strange and wonderful: and therefore he is more ready to think that others are beyond him.
But if my love of truth is left as my only possession, then the greater the loss behind me, the greater the pride I may take in the price I have paid for that love. Then the wreckage will not become a funeral mount above me, but will serve as a height I have climbed to attain a wider field of vision.
But -- my dear, my heart is BROKEN! I have seen the perfect Peter Wimsey. Height, voice, charm, smile, manner, outline of features, everything -- and he is -- THE CHAPLAIN OF BALLIOL!! What is the use of anything? ...I am absolutely shattered by this Balliol business. Such waste -- why couldn't he have been an actor?
...To be honest, I'd be the last person who should be doling out gardeinng advice. I don't have the patience for growing things. Yes, I realize there's nothing quite as satisfying as eating food that you've pulled up from the ground and that's why, at the height of the planting season, I bury cans of tomato soup in my backyard and dig them up in late spring.