Hen Quotes (displaying: 1 - 30 of 742 quotes )
Henry's universe was modeled on the highball. It was a mixture in which half a pint of the fizziest philosophical and scientific ideas all but drowned a small jigger of immediate experience, most of it strictly sexual. Broken reeds are seldom good mixers. They're far too busy with their ideas, their sensuality and their psychosomatic complaints to be able to take an interest in other people - even their own wives and children. They live in a state of the most profound voluntary ignorance, not knowing anything about anybody, but abounding in preconceived opinions about everything.
Henry Kissinger. How I'm missing yer. You're the Doctor of my dreams. With your crinkly hair and your glassy stare. And your Machiavellian schemes. I know they say that you are very vain. And short and fat and pushy. But at least you're not insane. Henry Kissinger. How I'm missing yer. And wishing you were here. Henry Kissinger. How I'm missing yer. You're so chubby and so neat. With your funny clothes and your squishy nose. You're like a German parakeet. All right so people say that you don't care. But you've got nicer legs than Hitler. And bigger tits than Cher. Henry Kissinger. How I'm missing yer. And wishing you were here
Hence the strong attraction which magic and science alike have exercised on the human mind; hence the powerful stimulus that both have given to the pursuit of knowledge. They lure the weary enquirer, the footsore seeker, on through the wilderness of disappointment in the present by their endless promises of the future: they take him up to the top of an exceeding high mountain and show him, beyond the dark clouds and rolling mists at his feet, a vision of the celestial city, far off, it may be, but radiant with unearthly splendour, bathed in the light of dreams.
Henderson sighed. There was a time, he reflected, when the coming of this night meant something. A dark Europe, groaning in superstitious fear, dedicated this Eve to the grinning Unknown. A million doors had once been barred against the evil visitants, a million prayers mumbled, a million candles lit. There was something majestic about the idea, Henderson reflected.
[Henry] felt himself bound as much in honour as in affection to Miss Morland, and believing that heart to be his own which he had been directed to gain, no unworthy retraction of a tacit consent, no reversing feared of unjustifiable anger, could shake his fidelity, or influence the resolutions it prompted.
Henry liked to put to himself when he was a schoolboy: what are the chances of this particular fish, from that shoal, off that continental shelf ending up in the pages of this copy of the Daily Mirror? Something just short of infinity to one. Similarly, the grains of sand on a beach, arranged just so. The random ordering of the world, the unimaginable odds against any particular condition, still please him. Even as a child, and especially after Aberfan, he never believed in fate or providence, or the future being made by someone in the sky. Instead, at every instant, a trillion trillion possible futures; the pickiness of pure chance and physical laws seemed like freedom from the scheming of a gloomy god.
[Henry] James's critical genius comes out most tellingly in his mastery over, his baffling escape from, Ideas; a mastery and an escape which are perhaps the last test of a superior intelligence. He had a mind so fine that no idea could violate it. [...] In England, ideas run wild and pasture on the emotions; instead of thinking with our feelings (a very different thing) we corrupt our feelings with ideas; we produce the public, the political, the emotional idea, evading sensation and thought. [...] James in his novels is like the best French critics in maintaining a point of view, a view-point untouched by the parasite idea. He is the most intelligent man of his generation."(Little Review, 1918)
Hence a commander who advances without any thought of winning personal fame and withdraws in spite of certain punishment, whose only concern is to protect his people and promote the interests of his ruler, is the nation's treasure. Because he fusses over his men as if they were infants, they will accompany him into the deepest valleys; because he fusses over his men as if they were his own beloved sons, they will die by his side. If he is generous with them and yet they do not do as he tells them, if he loves them and yet they do not obey his commands, if he is so undisciplined with them that he cannot bring them into proper order, the will be like spoiled children who can be put to no good use at all.
Hence, when we ask anything of God and He begins to hear us, He so often goes counter to our petitions that we imagine He is more angry with us now than before we prayed, and that He intends not to grant us our requests at all. All this God does, because it is His way first to destroy and annihilate what is in us before He gives us His gifts; for so we read in I Samuel 2:6: “The Lord killeth, and maketh alive: he bringeth down to the grave, and bringeth up.” Through this most gracious counsel He makes us fit for His gifts and works. Only then are we qualified for His works and counsels when our own plans have been demolished and our own works are destroyed and we have become purely passive in our relation to Him.
Hence the detail which interests me is not, or at least is not strictly intentional, and probably must not be so; it occurs in the field of the photographed thing like a supplement that is at once inevitable and delightful; it does not necessarily attest to the photographer's art; it says only that the photographer was there, or else, still more simply, that he could not (i)not(i) photograph the partial object at the same time as the total object (how could Kersz have 'separated' the dirt road from the violinist walking on it?). The Photographer's 'second sight' does not consist in 'seeing' but in being there. And above all, imitating Orpheus, he must not turn back to look at what he is leading — what hi is giving to me!