Lumber Quotes (displaying: 1 - 30 of 30 quotes )
After Death nothing is, and nothing, death, The utmost limit of a gasp of breath. Let the ambitious zealot lay aside. His hopes of heaven, whose faith is but his pride; Let slavish souls lay by their fear. Nor be concerned which way nor where. After this life they shall be hurled. Dead, we become the lumber of the world, And to that mass of matter shall be swept. Where things destroyed with things unborn are kept. Devouring time swallows us whole. Impartial death confounds body and soul. For Hell and the foul fiend that rules. God's everlasting fiery jails(Devised by rogues, dreaded by fools), With his grim, grisly dog that keeps the door, Are senseless stories, idle tales, Dreams, whimseys, and no more.
The village lay in the hollow, and climbed, with very prosaic houses, the other side. Village architecture does not flourish in Scotland. The blue slates and the grey stone are sworn foes to the picturesque; and though I do not, for my own part, dislike the interior of an old-fashioned pewed and galleried church, with its little family settlements on all sides, the square box outside, with its bit of a spire like a handle to lift it by, is not an improvement to the landscape. Still, a cluster of houses on differing elevations - with scraps of garden coming in between, a hedgerow with clothes laid out to dry, the opening of a street with its rural sociability, the women at their doors, the slow waggon lumbering along - gives a centre to the landscape. It was cheerful to look at, and convenient in a hundred ways. ("The Open Door")
My kids are starting to notice I'm a little different from the other dads. "Why don't you have a straight job like everyone else?" they asked me the other day. I told them this story: In the forest, there was a crooked tree and a straight tree. Every day, the straight tree would say to the crooked tree, "Look at me...I'm tall, and I'm straight, and I'm handsome. Look at you...you're all crooked and bent over. No one wants to look at you." And they grew up in that forest together. And then one day the loggers came, and they saw the crooked tree and the straight tree, and they said, "Just cut the straight trees and leave the rest." So the loggers turned all the straight trees into lumber and toothpicks and paper. And the crooked tree is still there, growing stronger and stranger every day.
Ser Cleos raised a shout. When Jaime looked up, Brienne was lumbering along the clifftop well ahead of them, having cut across a finger of land while they were following the bend in the river. She threw herself off the rock, and looked almost graceful as she folded into a dive. It would have been ungracious to hope that she would smash her head on a stone.
I met him in the language lab. In a lull between lab sections, I was editing tapes for freshman German when this shuffling man of hair came in. Possibly twenty, or forty; possibly student, or faculty, Trotskyite or Amish farmer, human or animal; a theif lumbering out of a camera shop, laden with lenses and light meters; a bear who after a terrible and violent struggle ate a photographer. This beast approached me.
I agreed. By this time the drink was beginning to cut the acid and my hallucinations were down to a tolerable level. The room service waiter had a vaguely reptilian cast to his features, but I was no longer seeing huge pterodactyls lumbering around the corridors in pools of fresh blood. The only problem now was a gigantic neon sign outside the window, blocking our view of the mountains -- millions of colored balls running around a very complicated track, strange symbols & filigree, giving off a loud hum...."Look outside," I said."Why?"There's a big ... machine in the sky, ... some kind of electric snake ... coming straight at us."Shoot it," said my attorney."Not yet," I said. "I want to study its habits.
The world rides through space on the back of a turtle. This is one of the great ancient world myths, found wherever men and turtles were gathered together; the four elephants were an Indo-European sophistication. The idea has been lying in the lumber rooms of legend for centuries. All I had to do was grab it and run away before the alarms went off. There are no maps. You can't map a sense of humour. Anyway, what is a fantasy map but a space beyond which There Be Dragons? On the Discworld we know There Be Dragons Everywhere. They might not all have scales and forked tongues, but they Be Here all right, grinning and jostling and trying to sell you souvenirs.-Terry Pratchett sums up Discworld
It lumbered slobberingly into sight and gropingly squeezed Its gelatinous green immensity through the black doorway into the tainted outside air of that poison city of madness.? The Thing cannot be describe?there is no language for such abysms of shrieking and immemorial lunacy, such eldritch contradictions of all matter, force, and cosmic order.
Was there to be any end to the gradual improvement in the techniques and artifices used by the replicators to ensure their own continuation in the world? There would be plenty of time for improvement. What weird engines of self-preservation would the millennia bring forth? Four thousand million years on, what was to be the fate of the ancient replicators? They did not die out, for they are past masters of the survival arts. But do not look for them floating loose in the sea; they gave up that cavalier freedom long ago. Now they swarm in huge colonies, safe inside gigantic lumbering robots, sealed off from the outside world, communicating with it by tortuous indirect routes, manipulating it by remote control. They are in you and in me; they created us, body and mind; and their preservation is the ultimate rationale for our existence. They have come a long way, those replicators. Now they go by the name of genes, and we are their survival machines.
One farmer says to me, 'You cannot live on vegetable food solely, for it furnishes nothing to make bones with;' and so he religiously devotes a part of his day to supplying his system with the raw material of bones; walking all the while he talks behind his oxen, which, with vegetable-made bones, jerk him and his lumbering plow along in spite of every obstacle.
Golden head by golden head, Like two pigeons in one nest. Folded in each other's wings, They lay down in their curtained bed: Like two blossoms on one stem, Like two flakes of new-fall'n snow, Like two wands of ivory. Tipped with gold for awful kings. Moon and stars gazed in at them, Wind sang to them lullaby, Lumbering owls forbore to fly, Not a bat flapped to and fro. Round their rest: Cheek to cheek and breast to breast. Locked together in one nest.
What troubled her so, she thinks, is the dream's effect of nullifying the present. For she is passionately attached to her present; nothing in the world would induce her to trade it for the past or the future. That is why she dislikes dreams: they impose an unacceptable equivalence among the various periods of the same life, a leveling contemporaneity of everything a person has ever experienced; they discredit the present by denying it its priviledged status. As in that night's dream: it obliterated a whole chunk of her life; in its place the past came lumbering in.
Fuchsia took three paces forward in the first of the attics and then paused a moment to retie a string above her knee. Over her head vague rafters loomed and while she straightened herself she noticed them and unconsciously loved them. This was the lumber room. Though very long and lofty it looked relatively smaller than it was, for the fantastic piles of every imaginable kind of thing, from the great organ to the lost and painted head of a broken toy lion that must one day have been the plaything of one of Fuchsia's ancestors, spread from every wall until only an avenue was left to the adjacent room.
It may look as though I do not know how to start. Funny sight, the elderly gentleman who comes lumbering by, jowl flesh flopping, in a valiant dash for the last bus, which he eventually overtakes but is afraid to board in motion and so, with a sheepish smile, drops back, still going at a trot. Is it that I dare not make the leap? It roars, gathers speed, will presently vanish irrevocably around the corner, the bus, the motorbus, the mighty montibus of my tale. Rather bulky imagery, this. I am still running.
The italian nanny was attempting to answer the teachers latest question when the moroccan student interupted, shouting "Excuse me, What is an easter?"it would seem that depsite having grown up in a muslim country, she would have heard it mentioned once or twice, but no. "I mean it," She said. " I have no idea what you people are talking about."The teacher called upon the rest of us to explain.The poles led the charge to the best of their ability. It is," said one, "a party for the little boy of god who call his self jesus and... oh shit." She faltered and her fellow country man came to her aid.He call his self Jesus and then he die one day on two... morsels of... lumber."The rest of the class jumped in, offering bits of information that would have given the pope an aneurysm.he die one day and then he go above of my head to live with your father."he weared of himself the long hair and after he die. the first day he come back here for to say hello to the peoples."he Nice the jesus." he make the good things, and on the easter we be sad because somebody makes him dead today.
One might fancy that day, the London day, was just beginning. Like a woman who had slipped off her print dress and white apron to array herself in blue and pearls, the day changed, put off stuff, took gauze, changed to evening, and with the same sigh of exhilaration that a woman breathes, tumbling petticoats on the floor, it too shed dust, heat, colour; the traffic thinned; motor cars, tinkling, darting, succeeded the lumber of vans; and here and there among the thick foliage of the squares an intense light hung. I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops, I fade, she was beginning. I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry.
I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. ... It is a mistake to think that that little room has elastic walls and can distend to any extent. -Sherlock Holmes