Motionless Quotes (displaying: 1 - 30 of 90 quotes )
A poem should be palpable and mute. As a globed fruit. Dumb. As old medallions to the thumb. Silent as the sleeve-worn stone. Of casement ledges where the moss has grown -A poem should be wordless. As the flight of birds. A poem should be motionless in time. As the moon climbs. Leaving, as the moon releases. Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind -A poem should be motionless in time. As the moon climbs. A poem should be equal to: Not true. For all the history of grief. An empty doorway and a maple leaf. For love. The leaning grasses and two lights above the sea -A poem should not mean. But be
But sitting here beside this girl as unknown to him now as outer space, waiting for whatever she might say to unfreeze him, now he felt like he could see the edge or outline of what a real vision of hell might be. It was of two great and terrible armies within himself, opposed and facing each other, silent. There would be battle but no victor. Or never a battle- the armies would stay like that, motionless, looking across at each other and seeing therein something so different and alien from themselves that they could not understand, they could not hear each other's speech as even words or read anything from what their faces looked like, frozen like that, opposed and uncomprehending, for all human time. Two hearted, a hypocrite to yourself either way.
That man, especially when he slept, when his features were motionless, showed me my own face, my mask, the flawlessly pure image of my corpse […] in a state of perfect repose, this resemblance was strikingly evident, and what is death, if not a face at peace – its artistic perfection? Life only marred my double; thus a breeze dims the bliss of Narcissus; thus, in the painter’s absence, there comes his pupil and by the superfluous flush of unbidden tints disfigures the portrait painted by the master.
Damn everything but the circus! ...damn everything that is grim, dull, motionless, unrisking, inward turning, damn everything that won't get into the circle, that won't enjoy. That won't throw it's heart into the tension, surprise, fear and delight of the circus, the round world, the full existence...
A carnival in daylight is an unfinished beast, anyway. Rain makes it a ghost. The wheezing music from the empty, motionless rides in a soggy, rained-out afternoon midway always hit my chest with a sweet ache. The colored dance of lights in the seeping air flashed the puddles in the sawdust with an oily glamour.
From the cab stepped a tall old man. Black raincoat and hat and a battered valise. He paid the driver, then turned and stood motionless, staring at the house. The cab pulled away and rounded the corner of Thirty-sixty Street. Kinderman quickly pulled out to follow. AS he turned the corner, he noticed that the tall old man hadn't moved but was standing under the streetlight glow, in mist, like a melancholy traveler frozen in time.
I say, I can not identify that thing which is called happiness, that thing whose token is a laugh, or a smile, or a silent serenity on the lip. I may have been happy, but it is not in my conscious memory now. Nor do I feel a longing for it, as though I had never had it; my spirit seeks different food from happiness, for I think I have a suspicion of what it is. I have suffered wretchedness, but not because of the absence of happiness, and without praying for happiness. I pray for peace -- for motionlessness -- for the feeling of myself, as of some plant, absorbing life without seeking it, and existing without individual sensation. I feel that there can be no perfect peace in individualness. Therefore, I hope one day to feel myself drank up into the pervading spirit animating all things. I feel I am an exile here. I still go straying.
She knew that this silent, motionless portal opened into the street; if the sidelights had not been filled with green paper, she might have looked out on the little brown stoop and the well-worn brick pavement. But she had no wish to look out, for this would have interfered with her theory that there was a strange, unseen place on the other side--a place which became, to the child’s imagination, according to its different moods, a region of delight or terror.
From the dim regions beyond the mountains at the upper end of our encircled domain, there crept out a narrow and deep river, brighter than all save the eyes of Eleonora; and, winding stealthily about in mazy courses, it passed away, at length, through a shadowy gorge, among hills still dimmer than those whence it had issued. We called it the "River of Silence"; for there seemed to be a hushing influence in its flow. No murmur arose from its bed, and so gently it wandered along, that the pearly pebbles upon which we loved to gaze, far down within its bosom, stirred not at all, but lay in a motionless content, each in its own old station, shining on gloriously forever.
SKIRTING the river road, (my forenoon walk, my rest,) Skyward in air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, 5In tumbling turning clustering loops, straight downward falling, Till ?er the river poi?d, the twain yet one, a momen?s lull, A motionless still balance in the air, then parting, talons loosing, Upward again on slow-firm pinions slanting, their separate diverse flight, She hers, he his, pursuing.
She was breathing deeply, she forgot the cold, the weight of beings, the insane or static life, the long anguish of living or dying. After so many years running from fear, fleeing crazily, uselessly, she was finally coming to a halt. At the same time she seemed to be recovering her roots, and the sap rose anew in her body, which was no longer trembling. Pressing her whole belly against the parapet, leaning toward the wheeling sky, she was only waiting for her pounding heart to settle down, and for the silence to form in her. The last constellations of stars fell in bunches a little lower on the horizon of the desert, and stood motionless. Then, with an unbearable sweetness, the waters of the night began to fill her, submerging the cold, rising gradually to the center of her being, and overflowing wave upon wave to her moaning mouth. A moment later, the whole sky stretched out above her as she lay with her back against the cold earth.
Serenity. Now you could wish for that, naming no conditions: a permanent inner vacation, escape made good. To somehow have this motionlessness that he drew in with the sweet air he inhaled for his inward weather always. But there were problems too with wishing for moral qualities, serenity, large-mindedness. The interdiction (which Pierce thought obvious) against wishing for such things as artistic abilities -- sit down at the piano, the Appassionata flows suddenly from your fingertips -- applied in a way to wisdom too, to enlightenment, to heart-knowledge, useless unless earned, the earning of it being no doubt all that it consisted of.
Some women, Commander Norton had decided long ago, should not be allowed aboard ship; weightlessness did things to their breasts that were too damn distracting. It was bad enough when they were motionless; but when they started to move, and sympathetic vibrations set in, it was more than any warm-blooded male should be asked to take.
Something, most certainly, happens to a diver’s emotions underwater. It is not merely a side effect of the pleasing, vaguely erotic sensation of water pressure on the body. Nor is it alone the peculiar sense of weightlessness, which permits a diver to hang motionless in open water, observing sea life large as whales around him; not the ability of a diver, descending in that condition, to slowly tumble and rotate in all three spatial planes. It is not the exhilaration from disorientation that comes when one’s point of view starts to lose its “lefts” and “down” and gains instead something else, a unique perception that grows out of the ease of movement in three dimensions. It is not from the diminishment of gravity to a force little more emphatic than a suggestion. It is not solely exposure to an unfamiliar intensity of life. It is not a state of rapture with the bottomless blue world beneath one’s feet…it is some complicated mix of these emotions, together with the constant proximity of real terror.
A person does not, as I had imagined, stand motionless and clear before our eyes with his merits, his defects, his plans, his intentions with regard to ourselves (like a garden at which we gaze through a railing with all its borders spread out before us), but is a shadow which we can never penetrate, of which there can be no such thing as direct knowledge, with respect to which we form countless beliefs, based upon words and sometimes actions, neither of which can give us anything but inadequate and as it proves contradictory information? a shadow behind which we can alternately imagine with equal justification, that there burns the flame of hatred and of love.
It is said that mourning, by its gradual labour, slowly erases pain; I could not, I cannot believe this; because for me, Time eliminates the emotion of loss (I do note weep), that is all. For the rest, everything has remained motionless. For what I have lost is not a Figure (the Mother), but a being; and not a being, but a quality (a soul): not the indispensable, but the irreplaceable.
The NELLIE, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide. The sea-reach of the Thames stretched before us like the beginning of an interminable waterway. In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.
The trees bathed their great heads in the waves of the morning, while their roots were planted deep in gloom; save where on the borders of the sunshine broke against their stems, or swept in long streams through their avenues, washing with brighter hue all the leaves over which it flowed; revealing the rich brown of the dacayed leaves and fallen pine-cones, and the delicate greens of the long grasses and tiny forests of moss that covered the channel over which it passed in the motionless rivers of light.
How I go to the woods Ordinarily, I go to the woods alone, with not a single friend, for they are all smilers and talkers and therefore unsuitable. I don’t really want to be witnessed talking to the catbirds or hugging the old black oak tree. I have my way of praying, as you no doubt have yours. Besides, when I am alone I can become invisible. I can sit on the top of a dune as motionless as an uprise of weeds, until the foxes run by unconcerned. I can hear the almost unhearable sound of the roses singing. If you have ever gone to the woods with me, I must love you very much.
There was an ache in his heart like the farewell to a dear woman; there was a vague sorrow in him like the despair of autumn. He walked past the restaurants he used to smell with interest, and no appetite was aroused in him. He walked by Madam Zuca's great establishment, and exchanged no obscene jests with the girls in the windows. Back to the wharf he went. He leaned over the rail and looked into the deep, deep water. Do you know, Danny, how the wine of your life is pouring into the fruit jars of the gods? Do you see the procession of your days in the oily water among the piles? He remained motionless, staring down.
We pass and leave you lying. No need for rhetoric, for funeral music, for melancholy bugle-calls. No need for tears now, no need for regret. We took our risk with you; you died and we live. We take your noble gift, salute for the last time those lines of pitiable crosses, those solitary mounds, those unknown graves, and turn to live our lives out as we may. Which of us were fortunate--who can tell? For you there is silence and cold twilight drooping in awful desolation over those motionless lands. For us sunlight and the sound of women's voices, song and hope and laughter, despair, gaiety, love--life. Lost terrible silent comrades, we, who might have died, salute you.
Over your breasts of motionless current,over your legs of firmness and water,over the permanence and the prideof your naked hairI want to be, my love, now that the tears arethrowninto the raucous baskets where they accumulate,I want to be, my love, alone with a syllableof mangled silver, alone with a tip of your breast of snow.