Narration Quotes (displaying: 1 - 17 of 17 quotes )
Literature is not exhaustible, for the sufficient and simple reason that a single book is not. A book is not an isolated entity: it is a narration, an axis of innumerable narrations. One literature differs from another, either before or after it, not so much because of the text as for the manner in which it is read.
The admirers and followers of the Al Koran insist on the excellent moral precepts interspersed throughout that wild and absurd performance...Would we know, whether the pretended prophet had really attained a just sentiment of morality, let us attend to his narration, and we shall soon find, that he bestows praise upon such instances of treachery, inhumanity, cruelty, revenge, bigotry, as are utterly incompatible with civilised society. No steady rule of right conduct seems there to be attended to: and every action is blamed or praised, so far only as it is beneficial or harmful to the true believers.
To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retrea? some because they use visible and hence vital formulas, others because they live from human life itself. This isn't the case with literature. Literature stimulates life. A novel is a story of what never was, a play is a novel without narration. A poem is the expression of ideas or feelings a language no one uses, because no one talks in verse.
one who, though he never digress to read a Lecture, Moral or Political, upon his own Text, nor enter into men’s hearts, further than the Actions themselves evidently guide him…filleth his Narrations with that choice of matter, and ordereth them with that Judgement, and with such perspicuity and efficacy expresseth himself that (as Plutarch saith) he maketh his Auditor a Spectator. For he setteth his Reader in the Assemblies of the People, and in their Senates, at their debating; in the Streets, at their Seditions; and in the Field, at their Battels. Quoted by Shelby Foote in his The Civil War: A Narrative – Volume 2: Fredericksburg to Meridian, Bibliographical Note, from Thomas Hobbes’ Forward to Hobbes’ translation of The Peloponnesian War by Thucydides
It is, as I say, easy enough to describe Holden's style of narration; but more difficult to explain how it holds our attention and gives us pleasure for the length of a whole novel. For, make no mistake, it's the style that makes the book interesting. The story it tells is episodic, inconclusive and largely made up of trivial events. Yet the language is, by normal literary criteria, very impoverished. Salinger, the invisible ventriloquist who speaks to us through Holden, must say everything he has to say about life and death and ultimate values within the limitations of a seventeen-year-old New Yorker's argot, eschewing poetic metaphors, periodic cadences, fine writing of any kind.
Look at a football field. It looks like a big movie screen. This is theatre. Football combines the strategy of chess. It's part ballet. It's part battleground, part playground. We clarify, amplify and glorify the game with our footage, the narration and that music, and in the end create an inspirational piece of footage.