Ornament Quotes (displaying: 1 - 30 of 104 quotes )
Every period had its style: why was it that our period was the only one to be denied a style? By “style” was meant ornament. I said, “weep not. Behold! What makes our period so important is that it is incapable of producing new ornament. We have out-grown ornament, we have struggled through to a state without ornament. Behold, the time is at hand, fulfilment awaits us. Soon the streets of the cities will glow like white walls! Like Zion, the Holy City, the capital of heaven. It is then that fulfilment will have come.
I will not subscribe to the argument that ornament increases the pleasure of the life of a cultivated person, or the argument which covers itself with the words: “But if the ornament is beautiful! ...” To me, and to all the cultivated people, ornament does not increase the pleasures of life. If I want to eat a piece of gingerbread I will choose one that is completely plain and not a piece which represents a baby in arms of a horserider, a piece which is covered over and over with decoration. The man of the fifteenth century would not understand me. But modern people will. The supporter of ornament believes that the urge for simplicity is equivalent to self-denial. No, dear professor from the College of Applied Arts, I am not denying myself! To me, it tastes better this way.
So may the outward shows be least themselves: The world is still deceived with ornament. In law, what plea so tainted and corrupt, But, being seasoned with a gracious voice, Obscures the show of evil? In religion, What damned error, but some sober brow Will bless it and approve it with a text, Hiding the grossness with fair ornament? There is no vice so simple but assumes Some mark of virtue on his outward parts.
But the helmet had gold decoration, and the bespoke armorers had made a new gleaming breastplate with useless gold ornamentation on it. Sam Vimes felt like a class traitor every time he wore it. He hated being thought of as one of those people that wore stupid ornamental armor. It was gilt by association.
I've always thought about the theatre like a Christmas tree, all shining and bright with beautiful ornaments. But now it seems like a Christmas tree with the tinsel all tarnished and the colored balls all fallen off and broken...'Sure, I know what you mean...And it's both ways...Some of the ornaments fall and break and some stay clear and bright. Some of the tinsel gets tarnished and some stays shining and beautiful like the night before Christmas. Nothing's ever all one way. You know that. It's all mixed up and you've just got to find the part that's right for you.'
I looked at the ornaments on the desk. Everything standard and all copper. A copper lamp, pen set and pencil tray, a glass and copper ashtray with a copper elephant on the rim, a copper letter opener, a copper thermos bottle on a copper tray, copper corners on the blotter holder. There was a spray of almost copper-colored sweet peas in a copper vase. It seemed like a lot of copper.
Wild geese fly south, creaking like anguished hinges; along the riverbank the candles of the sumacs burn dull red. It's the first week of October. Season of woolen garments taken out of mothballs; of nocturnal mists and dew and slippery front steps, and late-blooming slugs; of snapdragons having one last fling; of those frilly ornamental pink-and-purple cabbages that never used to exist, but are all over everywhere now.
Reading is a dialog with oneself; it is self-reflection, which cultivates profound humanity. Reading is therefore essential to our development. It expands and enriches the personality like a seed that germinates after a long time and sends forth many blossom-laden branches. People who can say of a book, 'this changed my life' truly understand the meaning of happiness. Reading that sparks inner revolution is desperately needed to escape drowning in the rapidly advancing information society. Reading is more than intellectual ornamentation; it is a battle for the establishment for the self, a ceaseless challenge that keeps us young and vigorous.
She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
While they were thus embarrassed, a large chest was brought and deposited in the presbytery for the Bishop, by two unknown horsemen, who departed on the instant. The chest was opened; it contained a cope of cloth of gold, a mitre ornamented with diamonds, an archbishop's cross, a magnificent crosier,—all the pontifical vestments which had been stolen a month previously from the treasury of Notre Dame d'Embrun. In the chest was a paper, on which these words were written, "From Cravatte to Monseigneur Bienvenu." "Did not I say that things would come right of themselves?" said the Bishop. Then he added, with a smile, "To him who contents himself with the surplice of a curate, God sends the cope of an archbishop." "Monseigneur," murmured the cure, throwing back his head with a smile. "God—-or the Devil." The Bishop looked steadily at the cure, and repeated with authority, "God!
She was a triumph over ugliness, so often more beguiling than real beauty, if only because it contains paradox. In this case, as opposed to the scrupulous method of good taste and scientific grooming, the trick had been worked by exaggerating defects; she'd made them ornamental by admitting them boldly.
As if to build a fence around the fatal emptiness inside her, she had to create a sunny person that she became. But if you peeled away the ornamental egos that she had built, there was only an abbys of nothingness and the intense thirst that came with it. Though she tried to forget it, the nothingness would visit her periodically - on a lonely rainy afternoon, or at dawn when she woke up from a nightmare. What she needed at such times was to be held by someone, anyone.
After all, it is sometimes rather enjoyable to feel insulted, is it not? For the person knows that no one has insulted him, and that he himself has thought up the insult and told lies as an ornament, has exaggerated in order to create a certain impression, has seized on a word and made a mountain out of a molehill? is well aware of this, and yet is the very first to feel insulted, feel insulted to the point of pleasure, to the point of great satisfaction, and for that very reason ends up nurturing a sense of true animosit?
I had hardly expected so dolichocephalic a skull or such well-marked supra-orbital development. Would you have any objection to my running my finger along your parietal fissure? A cast of your skull, sir, until the original is available, would be an ornament to any anthropological museum. It is not my intention to be fulsome, but I confess that I covet your skull.
According to Chekhov," Tamaru said, rising from his chair, "once a gun appears in a story, it has to be fired."Meaning what?"Meaning, don't bring unnecessary props into a story. If a pistol appears, it has to be fired at some point. Chekhov liked to write stories that did away with all useless ornamentation.
Now and then, however, he is horribly thoughtless, and seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summe?s day.