Pace Quotes (displaying: 1 - 30 of 286 quotes )
Pacing back and forth now on the spur of his conflicting needs, Covenant growled, "Baradakas said just about the same thing. By hell! You people terrify me. When I try to be responsible, you pressure me -- and when I collapse you -- You're not asking the right questions. You don't have the vaguest notion of what a leper is, and it doesn't even occur to you to inquire. _That's_ why Foul chose me for this. Because I can't-- Damnation! Why don't you ask me about where I come from? I've got to tell you. The world I come from doesn't allow anyone to live except on its own terms. Those terms-- those terms contradict yours."What are its terms?" the High Lord asked carefully."That your world is a dream."
I'll walk you back,"he said with such apparently boundless amiability that Diana wanted to deck him."That isn't necessary," she began as her hand was clasped by his."I suppose I could walk ten paces behind or ten paces in front."As she let out a frustrated breath, Caine grinned down at her. "You're not angry because we exchanged a friendly kiss? After all, we're family."There was nothing friendly or familial about it," Diana muttered."No," he lifted her hand to his lips, then lightly nipped at her knuckle. "Maybe we should try again.
Sometimes I run fast when I feel like it, but if I increase the pace I shorten the amount of time I run, the point being to let the exhilaration I feel at the end of each run carry over to the next day. This is the same sort of tack I find necessary when writing a novel. I stop every day right at the point where I feel I can write more. Do that, and the next day's work goes surprisingly smoothly. I think Ernest Hemingway did something like that. To keep on going, you have to keep up the rhythm. This is the important thing for long-term projects. Once you set the pace, the rest will follow. The problem is getting the flywheel to spin at a set speed-and to get to that point takes as much concentration and effort as you can manage.
I've worked in the Inuit hamlets of the west coast of Hudson Bay since 1994. Over that time I've been very moved by both the pace of social change there - the loss of traditional ways of seeing the world, the affinity for and comfort with the land - and by the social disarray that change of this pace produces.
There was a game she had played with Sophie in the long hallways of Edgewood, where she and Sophie would stand as far apart as was possible to get and still see eachother. Then they would walk slowly and deliberately, looking always each at the other's face. They kept on, at the same pace, not laughing or trying not to, till their noses touched. It was like this with Smokey, though he had started from far off, too far to be seen, coming from the City? no farther, out there where she had never been, far away, walking towards her.
So here, twisted in steel, and spoiled with redyour sunlight hide, smelling of death and fear, they crushed out your throat the terrible songyou sang in the dark ranges. With what cryingyou mourned him! - the drinker of blood, the swift death-bringerwho ran with you so many a night; and the night was long. I heard you, desperate poet, Did you hearmy silent voice take up the cry? - replying: Achilles is overcome, and Hector dead, and clay stops many a warrior's mouth, wild singer. Voice from the hills and the river drunken with rain, for your lament the long night was too brief. Hurling your woes at the moon, that old cleaned bone, till the white shorn mobs of stars on the hill of the skyhuddled and trembled, you tolled him, the rebel one. Insane Andromache, pacing your towers alone, death ends the verse you chanted; here you lie. The lover, the maker of elegies is slain, and veiled with blood her body's stealthy sun.
God (Nature, in my view) makes all things good; man meddles with them and they become evil. He fores one soil to yield the products of another, one tree to bear another's fruit. He confuses and confounds time, place, and natural conditions. He mutilates his dog, his horse, and his slave. He destroys and defaces all things; he loves all that is deformed and monstrous; he will have nothing as nature made it, not even himself, who must learn his paces like a saddle-horse, and be shaped to his master's taste like the trees in his garden.
The strong and strange thing—that which moves on its way as do birth and death, and the rising and setting of the sun—had begun to move in them. It was no new and rare thing, but an ancient and common one—as common and ancient as death and birth themselves; and part of the law as they are. As it comes to royal persons to whom one makes obeisance at their mere passing by, as it comes to scullery maids in royal kitchens, and grooms in royal stables, as it comes to ladies-in-waiting and the women who serve them, so it had come to these two who had been drawn near to each other from the opposite sides of the earth, and each started at the touch of it, and withdrew a pace in bewilderment, and some fear.
Such are the visions which ceaselessly float up, pace beside, put their faces in front of, the actual thing; often overpowering the solitary traveller and taking away from him the sense of the earth, the wish to return, and giving him for substitute a general peace, as if (so he thinks as he advances down the forest ride) all this fever of living were simplicity itself; and myriads of things merged in one thing; and this figure, made of sky and branches as it is, had risen from the troubled sea (he is elderly, past fifty now) as a shape might be sucked up out of the waves to shower down from her magnificent hands, compassion, comprehension, absolution. So, he thinks, may I never go back to the lamplight; to the sitting-room; never finish my book; never knock out my pipe; never ring for Mrs. Turner to clear away; rather let me walk on to this great figure, who will, with a toss of her head, mount me on her streamers and let me blow to nothingness with the rest.
Historical fact: people stopped being human in 1913. That was the year Henry Ford put his cars on rollers and made his workers adopt the speed of the assembly line. At first, workers rebelled. They quit in droves, unable to accustom their bodies to the new pace of the age. Since then, however, the adaptation has been passed down: we've all inherited it to some degree, so that we plug right into joysticks and remotes, to repetitive motions of a hundred kinds.
You see all the other fellows were so active and earnest and all that sort of thing- always rampaging, and skirmishing, and scouring the desert sands, and pacing the margin of the sea, and chasing knights all over the place, and devouring damsels, and going on generally- whereas I liked to get my meals regular and then to prop my back against a bit of rock and snooze a bit, and wake up and think of things going on and how they kept going on just the same, you know!
Tirelessly they flew on and on, and tirelessly she kept pace. She felt a fierce joy possessing her, that she could command these immortal presences. And she rejoiced in her blood and flesh, in the rough pine bark she felt next to her skin, in the beat of her heart and the life of all her senses, and in the hunger she was feeling now, and in the presence of her sweet-voiced bluethroat dmon, and in the earth below her and the lives of every creature, plant and animal both; and she delighted in being of the same substance as them, and in knowing that when she died her flesh would nourish other lives as they had nourished her.
hat a feeble thing intelligence is, with its short steps, its waverings, its pacings back and forth, its disastrous retreats! Intelligence is a mere instrument of circumstances. There are people who say that intelligence must have built the universe—why, intelligence never built a steam engine! Circumstances built a steam engine. Intelligence is little more than a short foot-rule by which we measure the infinite achievements of Circumstances.
I became aware that our love was doomed; love had turned into a love affair with a beginning and an end. I could name the very moment when it had begun, and one day I knew I should be able to name the final hour. When she left the house I couldn't settle to work. I would reconstruct what we had said to each other; I would fan myself into anger or remorse. And all the time I knew I was forcing the pace. I was pushing, pushing the only thing I loved out of my life. As long as I could make believe that love lasted I was happy; I think I was even good to live with, and so love did last. But if love had to die, I wanted it to die quickly. It was as though our love were a small creature caught in a trap and bleeding to death; I had to shut my eyes and wring its neck.
Perhaps all our loves are merely hints and symbols; vagabond-language scrawled on gate-posts and paving-stones along the weary road that others have tramped before us; perhaps you and I are types and this sadness which sometimes falls between us springs from disappointment in our search, each straining through and beyond the other, snatching a glimpse now and then of the shadow which turns the corner always a pace or two ahead of us.
In my twenties if even a tenth reading of Mallarm failed to yield up its treasures, the fault was mine, not his. If my eyes swooned shut while I read The Sweet Cheat Gone, Proust’s pacing was never called into question, just my intelligence and dedication and sensitivity. And I still entertain these sacralizing preconceptions about high art. I still admire what is difficult, though I now recognize it as a “period” taste and that my generation was the last to give a damn. Though we were atheists, we were, strangely enough, preparing ourselves for God’s great Quiz Show; we had to know everything because we were convinced we would be tested on it—in our next life.
Being able to "go beyond the information" given to "figure things out" is one of the few untarnishable joys of life. One of the great triumphs of learning (and of teaching) is to get things organised in your head in a way that permits you to know more than you "ought" to. And this takes reflection, brooding about what it is that you know. The enemy of reflection is the breakneck pace - the thousand pictures.
People need wild places. Whether or not we think we do, we do. We need to be able to taste grace and know again that we desire it. We need to experience a landscape that is timeless, whose agenda moves at the pace of speciation and glaciers. To be surrounded by a singing, mating, howling commotion of other species, all of which love their lives as much as we do ours, and none of which could possibly care less about us in our place. It reminds us that our plans are small and somewhat absurd. It reminds us why, in those cases in which our plans might influence many future generations, we ought to choose carefully. Looking out on a clean plank of planet earth, we can get shaken right down to the bone by the bronze-eyed possibility of lives that are not our own.
I walked away at a good pace, thinking it was easier to go than I had supposed it would be, and reflecting that it would never have done to have an old shoe thrown after the coach, in sight of all the High Street. I whistled and made nothing of going. But the village was very peaceful and quiet, and the light mists were solemnly rising, as if to show me the world, and I had been so innocent and little there, and all beyond was so unknown and great, that in a moment with a strong heave and sob I broke into tears. We changed again, and yet again, and it was now too late and too far to go back, and I went on. And the mists had all solemnly risen now, and the world lay spread before me.