Pitch Quotes (displaying: 1 - 30 of 305 quotes )
[pitching the proposal for Mononoke-hime (1997)] There cannot be a happy ending to the fight between the raging gods and humans. However, even in the middle of hatred and killings, there are things worth living for. A wonderful meeting, or a beautiful thing can exist. We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation. What we should depict is, how the boy understands the girl, and the process in which the girl opens her heart to the boy. At the end, the girl will say to the boy, "I love you, Ashitaka. But I cannot forgive humans." Smiling, the boy should say, "That is fine. Live with me.
There is another physical law that teases me, too: the Doppler Effect. The sound of anything coming at you- a train, say, or the future- has a higher pitch than the sound of the same thing going away. If you have perfect pitch and a head for mathematics you can compute the speed of the object by the interval between its arriving and departing sounds. I have neither perfect pitch nor a head for mathematics, and anyway who wants to compute the speed of history? Like all falling bodies, it constantly accelerates. But I would like to hear your life as you heard it, coming at you, instead of hearing it as I do, a somber sound of expectations reduced, desires blunted, hopes deferred or abandoned, chances lost, defeats accepted, griefs borne.
There are certain things I can't do, certain pitches I can't hit. You stay away from them. You try to wait for pitches you can hit. The bat speed isn't what it used to be. You make up for it by using your head, working counts, getting ahead in counts and getting pitches to hit and hitting them hard.
What do you regard as the lowest depth of misery? (Just to give you an idea, Proust's reply was 'To be separated from Mama.') I think that the lowest depth of misery ought to be distinguished from the highest pitch of anguish. In the lower depths come enforced idleness, sexual boredom, and/or impotence. At the highest pitch, the death of a friend or even the fear of the death of a child.
No worst, there is none. Pitched past pitch of grief, More pangs will, schooled at forepangs, wilder wring. Comforter, where, where is your comforting? Mary, mother of us, where is your relief? My cries heave, herds-long; huddle in a main, a chief- woe, world-sorrow; on an age-old anvil wince and sing — Then lull, then leave off. Fury had shrieked 'No ling- ering! Let me be fell: force I must be brief'. O the mind, mind has mountains; cliffs of fall Frightful, sheer, no-man-fathomed. Hold them cheap May who ne'er hung there. Nor does long our small Durance deal with that steep or deep. Here! creep, Wretch, under a comfort serves in a whirlwind: all Life death does end and each day dies with sleep.
A spaceship, yet another one, but this one sleek and silver, descended from the sky on to the pitch, quietly, without fuss, its long legs unlocking in a smooth ballet of technology. It landed gently. It extended a short ramp. A tall grey-green figure marched briskly out and approached the small knot of people who were gathered in the centre of the pitch tending to the casualties of the recent bizarre massacre. It moved people aside with quiet, understated authority, and came at last to a man lying in a desperate pool of blood, clearly now beyond the reach of any Earthly medicine, breathing, coughing his last. The figure knelt down quietly beside him."Arthur Philip Deodat?" asked the figure. The man, with horrified confusion in eyes, nodded feebly."You're a no-good dumbo nothing," whispered the creature. "I thought you should know that before you went.