Plunging Quotes (displaying: 1 - 30 of 33 quotes )
Music is everything and nothing. It is useless and no limit can be set on its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.
The cat's asleep; I whisper "kitten" Till he stirs a little and begins to purr-- He doesn't wake. Today out on the limb (The limb he thinks he can't climb down from) He mewed until I heard him in the house. I climbed up to get him down: he mewed. What he says and what he sees are limited. My own response is even more constricted. I think, "It's lucky; what you have is too." What do you have except--well, me? I joke about it but it's not a joke; The house and I are all he remembers. Next month how will he guess that it is winter And not just entropy, the universe Plunging at last into its cold decline? I cannot think of him without a pang. Poor rumpled thing, why don't you see That you have no more, really, than a man? Men aren't happy; why are you?
The Atlantic is a stormy moat, and the Mediterranean, The blue pool in the old garden, More than five thousand years has drunk sacrifice. Of ships and blood and shines in the sun; but here the Pacific: The ships, planes, wars are perfectly irrelevant. Neither our present blood-feud with the brave dwarfs. Nor any future world-quarrel of westering. And eastering man, the bloody migrations, greed of power, battle-falcons, Are a mote of dust in the great scale-pan. Here from this mountain shore, headland beyond stormy headland plunging like dolphins through the grey sea-smoke. Into pale sea, look west at the hill of water: it is half the planet: this dome, this half-globe, this bulging. Eyeball of water, arched over to Asia, Australia and white Antarctica: those are the eyelids that never close; this is the staring unsleeping. Eye of the earth, and what it watches is not our wars.
Our favourite amusement during that winter was tobogganing. In places the shore of the lake rises abruptly from the water's edge. Down these steep slopes we used to coast. We would get on our toboggan, a boy would give us a shove, and off we went! Plunging through drifts, leaping hollows, swooping down upon the lake, we would shoot across its gleaming surface to the opposite bank. What joy! What exhilarating madness! For one wild, glad moment we snapped the chain that binds us to earth, and joining hands with the winds we felt ourselves divine!
So,” sneered Fudge, recovering himself, “you intend to take on Dawlish, Shacklebolt, Dolores, and myself single-handed, do you, Dumbledore?” “Merlin’s beard, no,” said Dumbledore, smiling. “Not unless you are foolish enough to force me to.” “He will not be single-handed!” said Professor McGonagall loudly, plunging her hand inside her robes. “Oh yes he will, Minerva!” said Dumbledore sharply. “Hogwarts needs you!
While we are looking for the antidote or the medicine to cure us, that is, the 'new', which can only be found by plunging deep into the Unknown, we have to go on exploring sex, books, and travel, although we know that they lead us to the abyss, which, as it happens, is the only place where the antidote can be found.
We are turning into a nation of whimpering slaves to Fear—fear of war, fear of poverty, fear of random terrorism, fear of getting down-sized or fired because of the plunging economy, fear of getting evicted for bad debts or suddenly getting locked up in a military detention camp on vague charges of being a Terrorist sympathizer.
We are all dying to give our lives away to something, maybe. God or Satan, politics or grammar, topology or philately - the object seemed incidental to this will to give ourselves away, utterly. To games or needles, to some other person. Something pathetic about it. A flight-from in the form of a plunging-into. Flight from exactly what? These rooms, blandly filled with excrement and heat? To what purpose?
She moved nearer, leaned her shoulder against me? and we were one, and something flowed from her into me, and I knew: this is how it must be. I knew it with every nerve, and every hair, every heartbeat, so sweet it verged on pain. And what joy to submit to this 'must'. A piece of iron must feel such joy as it submits to the precise, inevitable law that draws it to a magnet. Or a stone, thrown up, hesitating a moment, then plunging headlong back to earth. Or a man, after the final agony, taking a last deep breath? and dying.
Disgust rose in Samantha like vomit. She wanted to seize the over-warm cluttered room and mash it between her hands, until the royal china, and the gas fire, and the gilt-framed pictures of Miles broke into jagged pieces; then, with wizened and painted Maureen trapped and squalling inside the wreckage, she wanted to heave it, like a celestial shot-putter, away into the sunset. The crushed lounge and doomed crone inside it, soared in her imagination through the heavens, plunging into the limitless ocean, leaving Samantha alone in the endless stillness of the universe.
But for the man who watches the leaves trembling in the wind’s breath, the rivers meandering through the meadows, life twisting and turning and swirling through things, men living, doing good and evil, the sea rolling its waves and the sky with its expanse of lights, and who asks himself why these leaves are there, why the water flows, why life itself is such a terrible torrent plunging towards the boundless ocean of death in which it will lose itself, why men walk about, labor like ants, why the tempest, why the sky so pure and the earth so foul – these questions lead to a darkness from which there is no way out.
But we still find the world astounding, we can't get enough of it; even as it shrivels, even as its many lights flicker and are extinguished (the tigers, the leopard frogs, the plunging dolphin flukes), flicker and are extinguished, by us, by us, we gaze and gaze. Where do you draw the line, between love and greed? We never did know, we always wanted more. We want to take it all in, for one last time, we want to eat the world with our eyes.
Whether by chance conjunction or not, the “wind-up bird” was a powerful presence in Cinnamon’s story. The cry of this bird was audible only to certain special people, who were guided by it toward inescapable ruin. The will of human beings meant nothing, then, as the veterinarian always seemed to feel. People were no more than dolls set on tabletops, the springs in their backs wound up tight, dolls set to move in ways they could not choose, moving in directions they could not choose. Nearly all within range of the wind-up bird’s cry were ruined, lost. Most of them died, plunging over the edge of the table.
...as the wind howled on, and the sea leaped, and the ship groaned and dived, and yet steadfastedly shot her red hell further and further into the blackness of the sea and the night, and scornfully champed the white bone in her mouth, and viciously spat round her on all sides; then the rushing Pequod, freighted with savages, and laden with fire, and burning a corpse, and plunging into that blackness of darkness seemed the material counterpart of her monomaniac commander's soul.
For I dipt into the future, far as human eye could see, Saw the Vision of the world, and all the wonder that would be; Saw the heavens fill with commerce, argosies of magic sails, Pilots of the purple twilight, dropping down with costly bales; Heard the heavens fill with shouting, and there raind a ghastly dew. From the nations airy navies grappling in the central blue; Far along the world-wide whisper of the south-wind rushing warm, With the standards of the peoples plunging thro the thunder-storm; Till the war-drums throbbd, no longer, and the battle-flags were furled. In the Parliament of man, the Federation of the world. There the common sense of most shall hold a fretful realm in awe, And the kindly earth shall slumber, lapt in universal law.
Solo For Ear-Trumpet The carriage brushes through the brightLeaves (violent jets from life to light);Strong polished speed is plunging, heavesBetween the showers of bright hot leavesThe window-glasses glaze our facesAnd jar them to the very basis? But they could never put a polishUpon my manners or abolishMy most distinct disinclinationFor calling on a rich relation!In her house? (bulwark built betweenThe life man lives and visions seen)? The sunlight hiccups white as chalk,Grown drunk with emptiness of talk,And silence hisses like a snake? Invertebrate and rattling ach?.Then suddenly EternityDrowns all the houses like a seaAnd down the street the Trump of DoomBlares madly? shakes the drawing-roomWhere raw-edged shadows sting forlornAs dank dark nettles. Down the hornOf her ear-trumpet I conveyThe news that 'It is Judgment Day!''Speak louder: I don't catch, my dear.'I roared: 'It is the Trump we hear!''The What?' 'THE TRUMP!' 'I shall complain!
When I opened my eyes I saw nothing but the pool of nocturnal sky, for I was lying on my back with out-stretched arms, face to face with that hatchery of stars. Only half awake, still unaware that those depths were sky, having no roof between those depths and me, no branches to screen them, no root to cling to, I was seized with vertigo and felt myself as if flung forth and plunging downward like a diver.
I wish someone would dare reproach me about the whole thing so that I could run a dagger through his heart. If only I could see blood. I know I would feel better. Oh, I have picked up a knife a hundred times with the intention of plunging it into my own heart! I have heard tell of a noble breed of stallions who when they are overheated and run wild, instinctively bite open one of their veins to relieve themselves. I feel like that often. I would like to open the vein that would give me eternal freedom.
No one at fifteen was ever in love, outside of Romeo and Juliet, and maybe not even them. Old Giff used to argue that the star-crossed lovers simply were buzzed on the fumes of forbidden lust. Give them thirty years of togetherness, Old Giff always said, and Juliet would be plunging the dagger into Romeo.
So he bought tickets to the Greyhound and they climbed, painfully, inch by inch and with the knowledge that, once they reached the top, there would be one breath-taking moment when the car would tip precariously into space, over an incline six stories steep and then plunge, like a plunging plane. She buried her head against him, fearing to look at the park spread below. He forced himself to look: thousands of little people and hundreds of bright little stands, and over it all the coal-smoke pall of the river factories and railroad yards. He saw in that moment the whole dim-lit city on the last night of summer; the troubled streets that led to the abandoned beaches, the for-rent signs above overnight hotels and furnished basement rooms, moving trolleys and rising bridges: the cagework city, beneath a coalsmoke sky.