Power Quotes (displaying: 91 - 120 of 13349 quotes )
The family which takes its mauve an cerise, air-conditioned, power-steered and power-braked automobile out for a tour passes through cities that are badly paved, made hideous by litter, lighted buildings, billboards and posts for wires that should long since have been put underground. They pass on into countryside that has been rendered largely invisible by commercial art. (The goods which the latter advertise have an absolute priority in our value system. Such aesthetic considerations as a view of the countryside accordingly come second. On such matters we are consistent.) They picnic on exquisitely packaged food from a portable icebox by a polluted stream and go on to spend the night at a park which is a menace to public health and morals. Just before dozing off on an air mattress, beneath a nylon tent, amid the stench of decaying refuse, they may reflect vaguely on the curious unevenness of their blessings. Is this, indeed, the American genius?
I thought of the happy life that pair had led in the cosy studio in Montmartre, Stroeve and his wife, their simplicity, kindness, and hospitality; it seemed to me cruel that it should have been broken to pieces by a ruthless chance; but the cruellest thing of all was that in fact it made no great difference. The world went on, and no one was a penny the worse for all that wretchedness. I had an idea that Dirk, a man of greater emotional reactions than depth of feeling, would soon forget; and Blanch?s life, begun with who knows what bright hopes and what dreams, might just as well have never been lived. It all seemed useless and inane.
I should like to be the landscape which I am contemplating, I should like this sky, this quiet water to think themselves within me, that it might be I whom they express in flesh and bone, and I remain at a distance. But it is also by this distance that the sky and the water exist before me. My contemplation is an excruciation only because it is also a joy. I can not appropriate the snow field where i slide. It remains foreign, forbidden, but I take delight in this very effort toward an impossible possession. I experience it as a triumph, not as a defeat.
You have to take risks, he said. We will only understand the miracle of life fully when we allow the unexpected to happen. Every day, God gives us the sun--and also one moment in which we have the ability to change everything that makes us unhappy. Every day, we try to pretend that we haven't perceived that moment, that it doesn't exist--that today is the same as yesterday and will be the same as tomorrow. But if people really pay attention to their everyday lives, they will discover that magic moment. It may arrive in the instant when we are doing something mundane, like putting our front-door key in the lock; it may lie hidden in the quiet that follows the lunch hour or in the thousand and one things that all seem the same to us. But that moment exists--a moment when all the power of the stars becomes a part of us and enables us to perform miracles.
It wasn't what lay at the end of her road that frightened Ammu as much as the nature of the road itself. No milestones marked its progress. No trees grew along it. No dappled shadows shaded it. No mists rolled over it. No birds circled it. No twists, no turns or hairpin bends obscured even momentarily, her clear view of the end. This filled Ammu with an awful dread, because she was not the kind of woman who wanted her future told. She dreaded it too much. So if she were granted one small wish perhaps it would have been Not to Know, Not to know what each day hed in store for her. Not to know where she might be, next month, next year. Ten years on. Not to know which way her road might turn and what lay beyond the bend.
The ambiguous role of the car crash needs no elaboratio?apart from our own deaths, the car crash is probably the most dramatic event in our lives, and in many cases the two will coincide. Aside from the fact that we generally own or are at the controls of the crashing vehicle, the car crash differs from other disasters in that it involves the most powerfully advertised commercial product of this century, an iconic entity that combines the elements of speed, power, dream and freedom within a highly stylized format that defuses any fears we may have of the inherent dangers of these violent and unstable machines.
Facts are but the Play-things of lawyers,-- Tops and Hoops, forever a-spin... Alas, the Historian may indulge no such idle Rotating. History is not Chronology, for that is left to Lawyers,-- nor is it Remembrance, for Remembrance belongs to the People. History can as little pretend to the Veracity of the one, as claim the Power of the other,-- her Practitioners, to survive, must soon learn the arts of the quidnunc, spy, and Taproom Wit,-- that there may ever continue more than one life-line back into a Past we risk, each day, losing our forebears in forever,-- not a Chain of single Links, for one broken Link could lose us All,-- rather, a great disorderly Tangle of Lines, long and short, weak and strong, vanishing into the Mnemonick Deep, with only their Destination in common.
And it's a preference, a long-held preference, what you might call a 'habit of mind?putting words into other people's mouths. And those people are played by people whose profession is to pretend to be other people. For which purpose, they adopt gestures, voices, intonations, even sexual attitudes not their own. On stage, they affect to be ravished and amused by someone whom they will, afterwards, run a mile to avoid having dinner with. Likewise, they spit torrents of abuse against an actor who later, later, in the softness of the night, they will share their bed with.
The ot?ers went u?stairs, a slow unwilling pr?ce?sion. If this had been an old house, with crea?ing wood, and dark sha?ows, and hea?ily pa?elled walls, there might have been an eerie fee?ing. But this house was the essence of mode?n?ty. There were no dark corners - no po?s?ble sli?ing pa?els - it was floo?ed with ele?tric light - ever?thing was new and bright and shining. There was not?ing hi?den in this house, not?ing co?cealed. It had no a?m?sphere about it. Som?how, that was the most frigh?e?ing thing of all. They e?changed good-nights on the u?per lan?ing. Each of them went i?to his or her own room, and each of them automatica?ly, a?most wit?out co?scious thought, locked the door....
Human love is directed to the other person for his own sake, spiritual love loves him for Christ's sake. Therefore, human love seeks direct contact with the other person; it loves him not as a free person but as one whom it binds to itself. It wants to gain, to capture by every means; it uses force. It desires to be irresistible, to rule.
sense of futility that comes from doing anything merely to prove to yourself that you can do it: having a child, climbing a mountain, making some sexual conquest, committing suicide.The marathon is a form of demonstrative suicide, suicide as advertising: it is running to show you are capable of getting every last drop of energy out of yourself, to prove i? to prove what? That you are capable of finishing. Graffiti carry the same message. They simply say: ?m so-and-so and I exist! They are free publicity for existence.Do we continually have to prove to ourselves that we exist? A strange sign of weakness, harbinger of a new fanaticism for a faceless performance, endlessly self-evident.
I said that he was my superior in observation and deduction. If the art of the detective began and ended in reasoning from an armchair, my brother would be the greatest criminal agent that ever lived. But he has no ambition and no energy. He will not even go out of his way to verify his own solutions, and would rather be considered wrong than take the trouble to prove himself right.
Entering that gable-ended Spouter-Inn, you found yourself in a wide, low, straggling entry with old-fashioned wainscots, reminding one of the bulwarks of some condemned old craft. On one side hung a very large oil painting so thoroughly besmoked, and every way defaced, that in the unequal crosslights by which you viewed it, it was only by diligent study and a series of systematic visits to it, and careful inquiry of the neighbors, that you could any way arrive at an understanding of its purpose. Such unaccountable masses of shades and shadows, that at first you almost thought some ambitious young artist, in the time of the New England hags, had endeavored to delineate chaos bewitched. But by dint of much and earnest contemplation, and oft repeated ponderings, and especially by throwing open the little window towards the back of the entry, you at last come to the conclusion that such an idea, however wild, might not be altogether unwarranted.
Anyway, members of the Inquisitorial Squad do have the power to dock points so, Granger, I'll have five from you for being rude about our new Headmistress. Macmillan, five for contradicting me. Five because I don't like you, Potter. Weasley, your shirt's untucked, so I'll have another five for that. Oh yeah, I forgot, you're a Mudblood, Granger, so ten off for that.
The kitchen door opened and the entire Weasley family, plus Hermione, came inside, all looking very happy, with Mr Weasley walking proudly in their midst dressed in a pair of striped pyjamas covered by a mackintosh."Cured!" he announced brightly to the kitchen at large. "Completely cured!"He and all the other Weasleys froze on the threshold, gazing at the scene in front of them, which was also suspended in mid-action, both Sirius and Snape looking towards the door with their wands pointing into each other's faces and Harry immobile between them, a hand stretched out to each, trying to force them apart."Merlin's beard," said Mr Weasley, the smile sliding off his face, "what's going on here?