Profane Quotes (displaying: 1 - 30 of 50 quotes )
One word is too often profaned. For me to profane it, One feeling too falsely disdain'd. For thee to disdain it. One hope too like dispair. For prudence to smother, I can give not what men call love: But wilt thou accept not. The worship the heart lifts above. And heaven rejects not: The desire of the moth for the star, The devotion of something afar. From the sphere of our sorrow?
Romeo: If I profane with my unworthiest hand This holy shrine, the gentle fine is this: My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss. Juliet: Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers' kiss. Romeo: Have not saints lips, and holy palmers too? Juliet: Ay, pilgrim, lips that they must use in prayer. Romeo: O, then, dear saint, let lips do what hands do; They pray, grant thou, lest faith turn to despair. Juliet: Saints do not move, though grant for prayers' sake. Romeo: Then move not, while my prayer's effect I take. Thus from my lips, by yours, my sin is purged. Juliet: Then have my lips the sin that they have took. Romeo: Sin from thy lips? O trespass sweetly urged! Give me my sin again. Juliet: You kiss by the book.
Such a crises occurs only where the ever-lengthening chain of payments, and an artificial system of settling them, has been fullydeveloped. Whenever there is a general and extensive disturbanceof this mechanism, no matter what its cause, money becomessuddenly and immediately transformed from its merely ideal shapeof money of account into hard cash. Profane commodities can nolonger replace it. The use-value of commodities becomesvalueless, and their value vanishes in the presence of its ownindependent form. On the eve of the crisis, the bourgeois, withthe self-sufficiency that springs from intoxicating prosperity, declares money to be a vain imagination. Commodities alone aremoney. But now the cry is everywhere that money alone is acommodity! As the hart pants after fresh water, so pants his soulafter money, the only wealth.
The Mayflower sped across the white-tipped waves once the voyage was under way, and the passengers were quickly afflicted with seasickness. The crew took great delight in the sufferings of the landlubbers and tormented them mercilessly. "There is an insolent and very profane young man, Bradford wrote, "who was always harrassing the poor people in their sickness, and cursing them daily with greivous execrations." He even laughed that he hoped to 'throw half of them overboard before they came to their journey's end.' The Puritans believe a just God punished the young sailor for his cruelty when, halfway through the voyage, 'it pleased God...to smite the young man with a greivous disease, of which he died in a desperate manner." He was the first to be thrown overboard.
To grow up steeped in these tellings was to learn two unforgettable lessons: first, that stories were not true (there were no "real" genies in bottles or flying carpets or wonderful lamps), but by being untrue they could make him feel and know truths that the truth could not tell him, and second, that they all belonged to him, just as they belonged to his father, Anis, and to everyone else, they were all his, as they were hsi father's, bright stories and dark stories, sacred stories and profane, his to alter and renew and discard and pick up again as and when he pleased, his to laugh at and rejoice in and live in and with and by, to give the stories life by loving them and to be given life in return. Man was the storytelling animal, the only creature on earth that told itself stories to understand what kind of creature it was. The story was his birthright, and nobody could take it away.
Let us love nobly, and live, and add again Years and years unto years, till we attain To write threescore: this is the second of our reign. Love was as subtly catched, as a disease; But being got it is a treasure sweet, Which to defend is harder than to get: And ought not be profaned on either part, For though 'tis got by chance,'tis kept by art
I'm extremely profane, unconsciously so, when I see something great for the first time; I don't know why, but beauty and profanity are related to me in the same way. It may be that I want to think of art in the vernacular, but I have no control over what comes out of my mouth when my eyes take in great beauty...it might just be the reason I avoid going to museums with elderly ladies.
The eye of a man should be still more reverent before the rising of a young maiden than before the rising of a star. The possibility of touch should increase respect. The down of the peach, the dust of the plum, the radiated crystal of snow, the butterfly’s wing powdered with feathers, are gross things beside that chastity that does not even know it is chaste. The young maiden is only the glimmer of a dream and is not yet statue. Her alcove is hidden in the shadows of the ideal. The indiscreet touch of the eye desecrates this dim penumbra. Here, to gaze, is to profane.
All freed, fast-frozen relations, with their train of ancient and venerable prejudices and opinions, are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.
I think the highest forgiveness is to accept that creation is thoroughly tangled, with every possible quality given outlet for expression. People need to accept once and for all that there is only one life and each of us is free to shape it through the choices we make. Seeking can’t get anyone out of the tangle because everything is tangled up…it’s much easier to keep up the fight between good and evil, holy and profane, us and them. But as awareness grows, these opposites begin to calm down in their clashes, and something else emerges- a world you feel at home in.
Leave this touching and clawing. Let him be to me a spirit. A message, a thought, a sincerity, a glance from him, I want, but not news nor pottage. I can get politics, and chat, and neighborly conveniences from cheaper companions. Should not the society of my friend be to me poetic, pure, universal, and great as nature itself? Ought I to feel that our tie is profane in comparison with yonder bar of cloud that sleeps on the horizon, or that clump of waving grass that divides the brook? Let us not vilify, bur raise it to that standard. That great, defying eye, that scornful beauty of his mien and action, do not pique yourself on reducing, but rather fortify and enhance.
A large class of readers … will suffer greatly from the introduction into the pages of this work of words printed with all their letters, which it has become the custom to represent by the initial and final letter only—a blank line filling the interval. I may as well say at once that, for this circumstance, it is out of my power to apologise; deeming it, myself, a rational plan to write words at full length. The practice of hinting by single letters those expletive with which profane and violent persons are wont to garnish their discourse, strikes me as a proceeding which, however well meant, is weak and futile. I cannot tell what good it does—what feeling it spares—what horror it conceals. (in the introduction to Emily's Wuthering Heights)
The English language is like London: proudly barbaric yet deeply civilised, too, common yet royal, vulgar yet processional, sacred yet profane. Each sentence we produce, whether we know it or not, is a mongrel mouthful of Chaucerian, Shakespearean, Miltonic, Johnsonian, Dickensian and American. Military, naval, legal, corporate, criminal, jazz, rap and ghetto discourses are mingled at every turn. The French language, like Paris, has attempted, through its Academy, to retain its purity, to fight the advancing tides of Franglais and international prefabrication. English, by comparison, is a shameless whore.
In the old age black was not counted fair, Or if it were, it bore not beauty’s name. But now is black beauty’s successive heir, And beauty slandered with a bastard shame. For since each hand hath put on nature’s pow'r, Fairing the foul with art’s false borrowed face, Sweet beauty hath no name, no holy bow'r, But is profaned, if not lives in disgrace. Therefore my mistress' eyes are raven black, Her eyes so suited, and they mourners seem At such who, not born fair, no beauty lack, Sland'ring creation with a false esteem. Yet so they mourn, becoming of their woe, That every tongue says beauty should look so.
That man who does not believe that each day contains an earlier, more sacred, and auroral hour than he has yet profaned, has despaired of life, and is pursuing a descending and darkening way. All memorable events ... transpire in morning time and in a morning atmosphere. The Vedas say "All intelligences awake in the morning." Poetry and art, and the fairest and most memorable of the actions of men, date from such an hour. Walden