Prominent Quotes (displaying: 1 - 30 of 81 quotes )
When we, in the communist countries, came across the ideas of Hayek and Aron, we had no problems to understand their importance. They gave us the much needed explanation of the somewhat peculiar prominence of intellectuals in our own society of that time. Our intellectuals, of course, did not like to hear it and did not want to recognize it because their peculiar prominence coexisted with the very debilitating absence of intellectual freedom, which the intellectuals value very highly.
The feeling he had nourished and given prominence to was one of thankfulness for his escape: he was like a traveller so grateful for rescue from a dangerous accident that at first he is hardly conscious of his bruises. Now he suddenly felt the latent ache and realized that after all he had not come off unhurt.
There were a great many other such tableaux. AsMartial had predicted, bears featured prominently inmost of them. A temple thief was made to reenactthe role of the robber Laureolus, made famous bythe ancient plays of Ennius and Naevius; he wasnailed to a cross and then subjected to the attack ofthe bears. A freedman who had killed his formermaster was made to put on a Greek chlamys and gowalking though a stage forest populated by cavortingsatyrs and nymphs, like Orpheus lost in the woods; when one of the satyrs played a shrill tune on hispipes, the trees dispersed and the man was subjectto an attack by bears. An arsonist was made tostrap on wings in imitation of Daedalus, ascend ahigh platform, and then leap off; the wings actuallycarried him aloft for a short distance, a remarkablesight, until he plunged into an enclosure full of bearsand was torn to pieces.
We take our bearings from the wrong landmark, wish that when young we had studied the stars - name the flowers for ourselves and the deserts after others. When the territory is charted, its eventual aspect may be quite other than what was hoped for. One can only say, it will be a whole - a region from which a few features, not necessarily those that seemed prominent at the start, will stand out in clear colours. Not to direct, but to solace us; not to fix our positions, but to show us how we came.
The quintessential emblem of religion and the clearest manifestation of the perversity that lies at its core is the sacrifice of a child by a parent. Almost all religious faiths incorporate the myth of such a sacrifice, and some have actually made it real. Lucretius had in mind the sacrifice of Iphigenia by her father Agamemnon, but he may also have been aware of the Jewish story of Abraham and Isaac and other comparable Near Eastern stories for which the Romans of his times had a growing taste. Writing around 50 BCE he could not, of course, have anticipated the great sacrifice myth that would come to dominate the Western world, but he would not have been surprised by it or by the endlessly reiterated, prominently displayed images of the bloody, murdered son.
Lady Selyse was as tall as her husband, thin of body and thin of face, with prominent ears, a sharp nose, and the faintest hint of a mustache on her upper lip. She plucked it daily and cursed it regularly, yet it never failed to return. Her eyes were pale, her mouth stern, her voice a whip. She cracked it now.
(about William Blake)[Blake] said most of us mix up God and Satan. He said that what most people think is God is merely prudence, and the restrainer and inhibitor of energy, which results in fear and passivity and "imaginative death."And what we so often call "reason" and think is so fine, is not intelligence or understanding at all, but just this: it is arguing from our *memory* and the sensations of our body and from the warnings of other people, that if we do such and such a thing we will be uncomfortable. "It won't pay." "People will think it is silly." "No one else does it." "It is immoral."But the only way you can grow in understanding and discover whether a thing is good or bad, Blake says, is to do it. "Sooner strangle an infant in its cradle than nurse unacted desires."For this "Reason" as Blake calls it (which is really just caution) continually nips and punctures and shrivels the imagination and the ardor and the freedom and the passionate enthusiasm welling up in us. It is Satan, Blake said. It is the only enemy of God. "For nothing is pleasing to God except the invention of beautiful and exalted things." And when a prominent citizen of his time, a logical, opining, erudite, measured, rationalistic, Know-it-all, warned people against "mere enthusiasm," Blake wrote furiously (he was a tender-hearted, violent and fierce red-haired man): "Mere enthusiasm is the All in All!
Suppose the looking glass smashes, the image disappears, and the romantic figure with the green of forest depths all about it is there no longer, but only that shell of a person which is seen by other people - what an airless, shallow, bald, prominent world it becomes! A world not to be lived in. As we face each other in omnibuses and underground railways we are looking into the mirror that accounts for the vagueness, the gleam of glassiness, in our eyes.
The days were brief and attenuated and the season appeared to be fixed - neither summer nor winter, spring nor fall. A thermal haze of inexpressible sweetness, though bearing tiny bits of grit or mica, had eased into the Valley from the industrial region to the north and there were nights when the sun set at the western horizon as if it were sinking through a porous red mass, and there were days when a hard-glaring moon like bone remained fixed in a single position, prominent in the sky. ("Family")
Take an instance: the removal of the motto [In God We Trust] fetched out a clamor from the pulpit; little groups and small conventions of clergymen gathered themselves together all over the country, and one of these little groups, consisting of twenty-two ministers, put up a prodigious assertion unbacked by any quoted statistics and passed it unanimously in the form of a resolution: the assertion, to wit, that this is a Christian country. Why, Carnegie, so is hell. Those clergymen know that, inasmuch as "Strait is the way and narrow is the gate, and few? few? are they that enter in thereat" has had the natural effect of making hell the only really prominent Christian community in any of the worlds; but we don't brag of this and certainly it is not proper to brag and boast that America is a Christian country when we all know that certainly five-sixths of our population could not enter in at the narrow gate.
Dreams appear much more prominent and clear when the dreamer is in an unhealthy state - they have an extraordinary semblance of reality. Most monstrous pictures are put together but all the circumstances are so subtly interwoven the details so artistically harmonious in every minute respect as to defy human imitation. Such morbid dreams are always recollected for very long and produce strong impressions on the disordered and already excited organs of the dreamer.
How Rhythm Beautifies.- Rhythm casts a veil over reality; it causes various artificiality’s of speech and obscurities of thought; by the shadow it throws upon thought it sometimes conceals it, and sometimes brings it into prominence. As shadow is necessary to beauty, so the “dull” is necessary to lucidity. Art makes the aspect of life endurable by throwing over it the veil of obscure thought.
I have often noticed that nationalism is at its strongest at the periphery. Hitler was Austrian, Bonaparte Corsican. In postwar Greece and Turkey the two most prominent ultra-right nationalists had both been born in Cyprus. The most extreme Irish Republicans are in Belfast and Derry (and Boston and New York). Sun Yat Sen, father of Chinese nationalism, was from Hong Kong. The Serbian extremists Miloevi and Karadi were from Montenegro and their most incendiary Croat counterparts in the Ustashe tended to hail from the frontier lands of Western Herzegovina.
For a long time the fear of seeming singular scared me away; but by degrees, as people became accustomed to me and my habits, and to such shadows of peculiarity as were engrained in my nature - shades, certainly not striking enough to interest, and perhaps not prominent enough to offend, but born in and with me, and no more to be parted with than my identity - but slow degrees I became a frequenter of this straight narrow path.
Perhaps the most extraordinary popular delusion about violence of the past quarter-century is that it is caused by low self-esteem. That theory has been endorsed by dozens of prominent experts, has inspired school programs designed to get kids to feel better about themselves, and in the late 1980s led the California legislature to form a Task Force to Promote Self-Esteem. Yet Baumeister has shown that the theory could not be more spectacularly, hilariously, achingly wrong. Violence is a problem not of too little self-esteem but of too much, particularly when it is unearned.
But the young educated adults of the 90s -- who were, of course, the children of the same impassioned infidelities and divorces Mr. Updike wrote about so beautifully -- got to watch all this brave new individualism and self-expression and sexual freedom deteriorate into the joyless and anomic self-indulgence of the Me Generation. Today's sub-40s have different horrors, prominent among which are anomie and solipsism and a peculiarly American loneliness: the prospect of dying without once having loved something more than yourself.
One might fancy that day, the London day, was just beginning. Like a woman who had slipped off her print dress and white apron to array herself in blue and pearls, the day changed, put off stuff, took gauze, changed to evening, and with the same sigh of exhilaration that a woman breathes, tumbling petticoats on the floor, it too shed dust, heat, colour; the traffic thinned; motor cars, tinkling, darting, succeeded the lumber of vans; and here and there among the thick foliage of the squares an intense light hung. I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops, I fade, she was beginning. I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry.
Washington has become our Versailles. We are ruled, entertained, and informed by courtiers -- and the media has evolved into a class of courtiers. The Democrats, like the Republicans, are mostly courtiers. Our pundits and experts, at least those with prominent public platforms, are courtiers. We are captivated by the hollow stagecraft of political theater as we are ruthlessly stripped of power. It is smoke and mirrors, tricks and con games, and the purpose behind it is deception.
Frederick Douglass (born Frederick Augustus Washington Bailey, (born circa 1818? February 20, 1895) was an American abolitionist, women's suffragist, editor, orator, author, statesman and reformer. Called "The Sage of Anacostia" and "The Lion of Anacostia", Douglass is one of the most prominent figures in African-American and United States history. He was a firm believer in the equality of all people, whether black, female, Native American, or recent immigrant. He was fond of saying, "I would unite with anybody to do right and with nobody to do wrong.
I come from a political family. My father was a freedom fighter. He was a prominent leader of the locality and member of the Congress party. He spent 10 years in British prisons. In the evening, in our living room, the only subject we used to discuss was politics. So politics was not unfamiliar to me.