Recognise Quotes (displaying: 1 - 30 of 171 quotes )
I am not sure whether I can make you understand it. It was something more than a prudent desire to avoid creatures alien in kind, very powerful, and very intelligent. The truth was that all I heard about them served to connect two things which one's mind tends to keep separate, and that connecting gave one sort of a shock. We tend to think about non-human intelligences in two distinct categories which we label "scientific" and "supernatural" respectively. We think, in one mood, of Mr. Wells' Martians (very unlike the real Malacandrians, by the bye), or his Selenites. In quite a different mood we let our minds loose on the possibility of angels, ghosts, fairies, and the like. But the very moment we are compelled to recognise a creature in either class as real, the distinction begins to get blurred: and when it is a creature like an eldil the distinction vanishes altogether. These things were not animals-to that extent one had to classify them with the second group; but they had some kind of material vehicle whose presence could (in principle) be scientifically verified. To that extent they belonged to the first group. The distinction between natural and supernatural, in fact, broke down; and when it had done so, one realised how great a comfort it had been-how it had eased the burden of intolerable strangeness which this universe imposes on us by dividing it into two halves and encouraging the mind never to think of both in the same context.
Let's go back to the train station,' she said. 'Or,rather, let's come back to this room, to the day when we sat here together for the first timeand you recognised that I existed and gave me a gift. That was your first attempt to enter mysoul, and you weren't sure whether or not you were welcome. But, as you say in your story,human beings wereonce divided and now seek the embrace that will reunite them. That is our instinct. But it isalso our reason for puttingup with all the difficulties we meet in that search.I want you to look at me, but I want you to take carethat I don't notice. Initial desire is important because it is hidden, forbidden, not permitted.You don't know whether you are looking at your lost half or not; she doesn't know either,but something is drawing you together, and you must believe that it is true you are eachother's "other half
People are more open about seeking help these days. They recognise the fact that the alternative to having a shrink is that you bore your friends stupid. So I figured that I might as well give someone 100 bucks an hour to hear my woes. At least someone can make a living out of listening to my tedious problems.
Lenin refused to recognise moral norms established by slave-owners for their slaves and never observed by the slave-owners themselves; he called upon the Proletariat to extend the class struggle into the moral sphere too. Who fawns before the precepts established by the enemy will never vanquish that enemy!
When they entered they found, hanging upon the wall, a splendid portrait of their master as they had last seen him, in all the wonder of his exquisite youth and beauty. Lying on the floor was a dead man, in evening dress, with a knife in his heart. He was withered, wrinkled, and loathsome of visage. It was not till they had examined the rings that they recognised who it was.
My needlework teacher suffered from a problem of vision. She recognised things according to expectation and environment. If you were in a particular place, you expected to see particular things. Sheep and hills, sea and fish; if there was an elephant in the supermarket, she'd either not see it at all, or call it Mrs. Jones and talk about fishcakes. But most likely, she's do what most people do when confronted with something they don't understand. Panic.
What could I do? My needlework teacher suffered from a problem of vision. She recognised things according to expectation and environment. If you were in a particular place, you expected to see particular things. Sheep and hills, sea and fish; if there was an elephant in the supermarket, she’d either not see it at all, or call it Mrs Jones and talk about fishcakes. But most likely, she’d do what most people do when confronted with something they don’t understand: Panic.
A veteran, calm and assured, he pauses for a well-measured moment in the doorway of the office and then, boldly, clearly, with the subtly modulated British intonation which his public demands of him, speaks his opening line, 'Good morning!'And the three secretaries - each of them a charming and accomplished actress in her own chosen style - recognise him instantly, without even a flicker of doubt, and reply 'Good morning' to him. (There is something religious here, like responses in church; a reaffirmation of faith in the basic American dogma, that it is, always, a Good Morning. Good, despite the Russians and their rockets, and all the ills and worries of the flesh. For of course we know, don't we, that the Russians and the worries are not real? They can be unsought and made to vanish. And therefore the morning can ve made to be good. Very well then, it is good.
Man’s world is manifold, and his attitudes are manifold. What is manifold is often frightening because it is not neat and simple. Men prefer to forget how many possibilities are open to them. They like to be told that there are two worlds and two ways. This is comforting because it is so tidy. Almost always one way turns out to be common and the other is celebrated as superior. Those who tell of two ways and praise one are recognised as prophets or great teachers. They save men from confusion and hard choices. They offer a single choice that is easy to make because those who do not take the path that is commended to them live a wretched life. To walk on this path may be difficult, but the choice is easy, and to hear the celebration of the path is pleasant. Wisdom offers simple schemes, but truth is not so simple.
But the more Emma recognised her love, the more she crushed it down, that it might not be evident, that she might make it less. What restrained her was, no doubt, idleness and fear, and a sense of shame also. She thought she had repulsed him too much, that the time was past, that all was lost. Then pride, the joy of being able to say to herself 'I am virtuous', and to look at herself in the glass taking resigned poses, consoled her a little for the sacrifice she believed she was making.
People talk of beauty lightly, and having no feeling for words, they use that one carelessly, so that it loses its force; and the thing it stands for, sharing its name with a hundred trivial objects, is deprived of dignity. They call beautiful a dress, a dog, a sermon; and when they are face to face with Beauty cannot recognise it.
All thought of something is at the same time self-consciousness [...] At the root of all our experiences and all our reflections, we find [...] a being which immediately recognises itself, [...] and which knows its own existence, not by observation and as a given fact, nor by inference from any idea of itself, but through direct contact with that existence. Self-consciousness is the very being of mind in action.
But then, even in the most significant details of our daily life, none of us can be said to constitute a material whole, which is the same for everyone, and need only be turned up like a page in an account-book or the record of a will; our social personality is a creation of the thoughts of other people. Even the simple act which we describe as “seeing someone we know” is to some extent an intellectual process. We pack the physical outline of the person we see with all the notions we have already formed about him, and in the total picture of him which we compose in our minds those notions have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice as if it were no more than a transparent envelope, that each time we see the face or hear the voice it us these notions which we recognise and to which we listen.
When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act. Whenever he looked he saw the labour of existence; and this labour, recognised as such, was what constituted reality for him. (On Vincent Van Gogh)