Rib Quotes (displaying: 1 - 30 of 166 quotes )
What reconciles me to my own death more than anything else is the image of a place: a place where your bones and mine are buried, thrown, uncovered, together. They are strewn there pell-mell. One of your ribs leans against my skull. A metacarpal of my left hand lies inside your pelvis. (Against my broken ribs your breast like a flower.) The hundred bones of our feet are scattered like gravel. It is strange that this image of our proximity, concerning as it does mere phosphate of calcium, should bestow a sense of peace. Yet it does. With you I can imagine a place where to be phosphate of calcium is enough.
Again, Homer felt the nudge in his ribs, and Mr. Rose said, mildly, ‘You all so uneducated – Homer’s havin’ a little fun with you.’ When the bottle of rum passed from man to man, Mr. Rose just passed it along. ‘Don’t the name Homer mean nothin’ to you?’ Mr. Rose asked the men. ‘I think I heard of it,’ the cook Black Pan said. ‘Homer was the world’s first storyteller!’ Mr. Rose announced. The nudge at Homer’s ribs was back, and Mr. Rose said, ‘Our Homer knows a good story, too.
Stigmata of LoveA light which lives on what the flames devour, a grey landscape surrounding me with scorch, a crucifixion by a single wound, a sky and earth that darken by each hour, a sob of blood whose red ribbon adornsa lyre without a pulse, and oils the torch, a tide which stuns and strands me on the reef, a scorpion scrambling, stinging in my chest--this is the wreath of love, this bed of thornsis where I dream of you stealing my rest, haunting these sunken ribs cargoed with grief. I sought the peak of prudence, but I foundthe hemlock-brimming valley of your heart, and my own thirst for bitter truth and art.
Like my maestro, Juan Ribero, she believed that photography and painting are not competing arts but basically different: the painter interpets reality, and the camera captures it. In the former everything is fiction, while the second is the sum of the real plus the sensibility of the photographer. Ribero never allowed me sentimental or exhibitionist tricks-none of this arranging objects or models to look like paintings. He was the enemy of artificial compostion; he did not let me manipulate negatives or prints, and in general he scorned effects of spots or diffuse lighting: he wanted the honest and simple image, although clear in the most minute details.
The rain started a few minutes later, a fine mist at first, growing more steady as the miles flew by. The Mercedes hummed along, following the ribbon of road. The night enveloped us, the darkness broken only by the lights on the dash. All the comforts of a womb with the technology of a jet airplane cockpit
Daniel was slow to take up the cheer. But when he did, he meant it. This was politics. It was ugly, it was irrational, but it was preferable to war. Roger was being cheered because he had won. What did it mean to win? It meant being cheered. So Daniel huzzahed, as lustily as his dry pipes and creaky ribs would permit, and was astounded to see the way people came a-running: not only the Quality from their town-houses, but hooligans and Vagabonds from bonfire-strewn fields to the north, to throng around Roger and cheer him. Not because they agreed with his positions, or even knew who he was, but because he was plainly enough the man of the hour.
According to the legend an evil old doctor, who called himself God and us dogs, created the first boy in his adolescent image. The boy peopled the garden with male phantoms that rose from his ejaculations. This angered God, who was getting on in years. He decided it endangered his position as CREATOR. So he crept upon the boy and anaesthetized him and made Eve from his rib. Henceforth all creation of beings would process through female channels. But some of Adam's phantoms refused to let God near them under any pretext.
Discussion of how California has 'changed,' then, tends locally to define the more ideal California as that which existed at whatever past point the speaker first saw it: Gilroy as it was in the 1960s and Gilroy as it was fifteen years ago and Gilroy as it was when my father and I ate short ribs at the Milias Hotel are three pictures with virtually no overlap, a hologram that dematerializes as I drive through it.
It was not often that Flay approved of happiness in others. He saw in happiness the seeds of independence, and in independence the seeds of revolt. But on an occasion such as this it was different, for the spirit of convention was being rigorously adhered to, and in between his ribs Mr. Flay experienced twinges of pleasure.
Books, books, books had found the secret of a garret-roompiled high with cases in my father's name;Piled high, packed large, --where, creeping in and outamong the giant fossils of my past, like some small nimble mousebetween the ribs of a mastodon, I nibbled here and thereat this or that box, pulling through the gap, in heatsof terror, haste, victorious joy, the first book first.And how I felt it beat under my pillow, in the morning's dark.An hour before the sun would let me read!My books!
And still on a winter's night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a gypsy's ribbon looping the purple moor, The highwayman comes riding-- Riding--riding-- The highwayman comes riding, up to the old inn-door. Over the cobbles he clatters and clangs in the dark inn-yard, He taps with his whip on the shutters, but all is locked and barred, He whistles a tune to the window, and who should be waiting there But the landlord's black-eyed daughter-- Bess, the landlord's daughter-- Plaiting a dark red love-knot into her long black hair.
I was sentimental about many things: a woman’s shoes under the bed; one hairpin left behind on the dresser; the way they said, “I’m going to pee..”’ hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking; talking; the arguments; thinking of suicide; eating together and feeling good; the jokes; the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3am; being told you snore; hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce; but always carring on, always seeing it through; reading a newspaper alone in a sandwich joint and feeling nausea because she’s now married to a dentist with an I.Q. of 95; racetracks, parks, park picnics; even jails; her dull friends; your dull friends; your drinking, her dancing; your flirting, her flirting; her pills, your fucking on the side and her doing the same; sleeping together
He found Luciana sitting alone at a table in the Allied officers' night club, where the drunken Anzac major who had brought her there had been stupid enough to desert her for the ribald company of some singing comrades at the bar."All right, I'll dance with you," she said, before Yossarian could even speak. "But I won't let you sleep with me."Who asked you?" Yossarian asked her."You don't want to sleep with me?" she exclaimed with surprise."I don't want to dance with you.
She was an extravagantly slender girl. Her ribs showed. The conspicuous knobs of her hipbones framed a hollowed abdomen, so flat as to belie the notion of "belly." Her exquisite bone structure immediately slipped into a novel - became in fact the secret structure of that novel, besides supporting a number of poems.
Blue Duck could never avoid a moment of fear, when his father's eyes became the eyes of a snake. He choked off his insult -- he knew that if he spoke, he might, in an instant, find himself fighting Buffalo Hump. He had seen it before, with other warriors. Someone would say one word too many, would fail to see the snake in his father's eyes, and the next moment Buffalo Hump would be pulling his long bloody knife from between the other warrior's ribs. Blue Duck waited. He knew that it was not a day to fight his father.
I lay in my bed a few minutes later, resigned as the pain finally made its appearance. It was a crippling thing, this sensation that a huge hole had been pushed through my chest, excising my most vital organs and leaving ragged, unhealed gashes around the edges that continued to throb and bleed despite the passage of time. Rationally, I knew my lungs must still be intact, yet I gasped for air and my head spun like my efforts yielded me nothing. My heart must have been beating, too, but I couldn't hear the sound of my pulse in my ears; my hands felt blue with cold. I curled inward, hugging my ribs to hold myself together. I scrambled for my numbness, my denial, but it evaded me. And yet, I found I could survive. I was alert, I felt the pain--the aching loss that radiated out from my chest, sending wracking waves of hurt through my limbs and head--but it was managable. I could live through it. It didn't feel like the pain had weakened over time, rather that I'd grown strong enough to bear it.