Roar Quotes (displaying: 1 - 30 of 262 quotes )
The silence is so intense that you can hear your own blood roar in your ears but louder than that by far is the mysterious roar which I alwas identify with the roaring of the diamond wisdom, the mysterious roar of silence itself, which is a great Shhhh reminding you of something you've seemed to have forgotten in the stress of your days since birth.
The roar of the traffic, the passage of undifferentiatedfaces, this way and that way, drugs me into dreams; rubs the features from faces. People might walk through me. And what is this moment of time, this particular day in which I have foundmyself caught? The growl of traffic might be any uproar - forest trees or the roar of wild beasts. Time has whizzed back an inch or two on its reel; our short progress has been cancelled. I think also that our bodies are in truth naked. We are only lightly covered with buttoned cloth; and beneath thesepavements are shells, bones and silence.
There she was, welcoming him in, farting prrrrrrp like ten thousand earthquakes, belching arrrp and og like a million volcanoes, while the whole universe roared with approving laughter. She swung tits like sagging moons at him, drew from black teeth an endless snake of bacon-rind, pelted him with balls of ear-wax and snuffled green snot in his direction. The thrones roared and the powers were helpless. Enderby was suffocated by smells: sulphuretted hydrogren, unwashed armpits, halitosis, faeces, standing urine, putrefying meat - all thrust into his mouth and nostrils in squelchy balls. 'Help,' he tried to call. 'Help help help.' He fell, crawled, crying, 'Help, help.' The black, which was solid laughter and filth, closed on him. He gave one last scream before yielding to it.
If in the past people would listen to music out of love for music, nowadays it roars everywhere and all the time, "regardless whether we want to hear it", it roars from loudspeakers, in cars, in restaurants, in elevators, in the streets, in waiting rooms, in gyms, in the earpieces of Walkmans, music rewritten, reorchestrated, abridged, and stretched out, fragments of rock, of jazz, of opera, a flood of everything jumbled together so that we don't know who composed it (music become noise is anonymous), so that we can't tell beginning from end (music become noise has no form): sewage-water music in which music is dying.
When winds are raging o'er the upper ocean,And billows wild contend with angry roar,'Tis said, far down beneath the wild commotion,That peaceful stillness reigneth evermore.Far, far beneath, the noise of tempest dieth,And silver waves chime ever peacefully,And no rude storm, how fierce soe'er it flieth,Disturbs the Sabbath of that deeper sea.So to the heart that knows Thy love, O Purest,There is a temple sacred evermore,And all the babble of life's angry voicesDies in hushed silence at its peaceful door.Far, far away, the roar of passion dieth,And loving thoughts rise calm and peacefully,And no rude storm, how fierce soe'er it flieth,Disturbs the soul that dwells, O Lord, in Thee.
I melt and swell at the moment of landing when one wheel thuds on the runway but the plane leans to one side and hangs in the decision to right itself or roll. For this moment, nothing matters. Look up into the stars and you’re gone. Not your luggage. Nothing matters. Not your bad breath. The windows are dark outside and the turbine engines roar backward. The cabin hangs at the wrong angle under the roar of the turbines, and you will never have to file another expense account claim. Receipt required for items over twenty-five dollars. You will never have to get another haircut. A thud, and the second wheel hits the tarmac. The staccato of a hundred seat-belt buckles snapping open, and the single-use friend you almost died sitting next to says: I hope you make your connection. Yeah, me too. And this is how long your moment lasted. And life goes on.
Howard Roark built a temple to the human spirit. He saw man as strong, proud, clean, wise and fearless. He saw man as a heroic being. And he built a temple to that. A temple is a place where man is to experience exaltation. He thought that exaltation comes from the consciousness of being guiltless, of seeing the truth and achieving it, of living up to one’s highest possibility, of knowing no shame and having no cause for shame, of being able to stand naked in full sunlight. He thought that exaltation means joy and that joy is man’s birthright. He tho...ught that a place built as a setting for man is a sacred place. That is what Howard Roark thought of man and of exaltation.
But the wild things cried, “Oh please don’t go - we’ll eat you up - we love you so!” And Max said, “No!” The wild things roared their terrible roars and gnashed their terrible teeth and rolled their terrible eyes and showed their terrible claws but Max stepped into his private boat and waved goodbye.
I could hear and indescribable seething roar which wasn't which wasn't in my ear but everywhere and had nothing to do with sounds. I realised that I had died and reborn numberless times but just didn't remember especially because the transitions from life to death and back to life are so ghostly eas, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realised it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein, like a gulp of wine late in the afternoon and it makes you shudder; my feet tingled. I thought I was going to die the very next moment.
And a ton came down on a coloured road, And a ton came down on a gaol, And a ton came down on a freckled girl, And a ton on the black canal, And a ton came down on a hospital, And a ton on a manuscript, And a ton shot up through the dome of a church, And a ton roared down to the crypt. And a ton danced over the Thames and filled. A thousand panes with stars, And the splinters leapt on the Surrey shore. To the tune of a thousand scars.
From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flamelike as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the straggling woodbine, seemed to make the stillness more oppressive. The dim roar of London was like the bourdon note of a distant organ.
When the ship approached the equator, I stopped going out on deck in the daytime. The sun burned like a flame. The days had shortened and night came swiftly. One moment it was light, the next it was dark. The sun did not set but fell into the water like a meteor. Late in the evening, when I went out briefly, a hot wind slapped my face. From the ocean came a roar of passions that seemed to have broken through all barriers:'We mus procreate and multiply! We must exhaust all the powers of lust!' The waves glowed like lava, and I imagined I could see multitudes of living beings - algae, whales, sea monsters - reveling in an orgy, from the surface to the bottom of the sea. Immortality was the law here. The whole planet raged with animation. At times, I heard my name in the clamor: the spirit of the abyss calling me to join them in their nocturnal dance. ("Hanka")
The happiness of man is: I will. The happiness of woman is: he wills. ‘Behold, just now the world became perfect!’—thus thinks every woman when she obeys out of entire love. And women must obey and find a depth for her surface. Surface is the disposition of woman: a mobile, stormy film over shallow water. Man’s disposition, however, is deep; his river roars in subterranean caves: woman feels his strength but does not comprehend it.
You've got to shake your fists at lightning now, you've got to roar like forest fire. You've got to spread your light like blazes all across the sky. They're going to aim the hoses on you, show 'em you won't expire. Not till you burn up every passion, not even when you die. Come on now, you've got to try, if you're feeling contempt, well then you tell it. If you're tired of the silent night, Jesus, well then you yell it. Condemned to wires and hammers, strike every chord that you feel. That broken trees and elephant ivories conceal
p.61 He [Roark] was usually disliked, from the first sight of his face, anywhere he went. His face was closed like the door of a safety vault; things locked in safety vaults are valuable; men did not care to feel that. He was a cold, disquieting presence in the room; his presence had a strange quality: it made itself felt and yet it made them feel that he was not there; or perhaps that he was and they weren't.
My name—or the English version of my name—is Fighting Prawn.” “Fighting Prawn?” said Alf. “Does my name amuse you, Englishman?” said Fighting Prawn. “No,” said Alf, his grin evaporating. “If I may ask,” said Fighting Prawn, “what is your name?” “Alf,” said Alf. “Alf,” repeated Fighting Prawn. He said something to the other Mollusk’s, which included “Alf.” They roared with laughter. Fighting Prawn turned back to Alf. “In our language,” he said, “Alf means squid poop.