Rot Quotes (displaying: 1 - 30 of 183 quotes )
And then he drew a dial from his poke, And looking with lack-lustre eye, Says very wisely, 'It is ten o'clock: Thus we may see', Quoth he, 'how the world wags:'Tis but an hour ago since it was nine, And after one hour more 'twill be eleven; And so from hour to hour we ripe and ripe, And then from hour to hour we rot and rot.
That was morality ; things that made you disgusted afterwards. No, that must be immorality. That was a large statement. What a lot of bilge I could think up at night. What rot ! I could hear Brett say it. What rot ! When you were with the English you got into the habit of using English expressions in your thinking.
There is to me about this place a smell of rot, the smell of rot that ripe fruit makes. Nowhere, ever, have the hideous mechanics of birth and copulation and death -those monstrous upheavals of life that the Greeks call miasma, defilement- been so brutal or been painted up to look so pretty; have so many people put so much faith in lies and mutability and death death death.
Stomp stomp. Whirr. Pleased to be of service. Shut up. Thank you. Stomp stomp stomp stomp stomp. Whirr. Thank you for making a simple door very happy. Hope your diodes rot. Thank you. Have a nice day. Stomp stomp stomp stomp. Whirr. It is my pleasure to open for you... Zark off.... and my satisfaction to close again with the knowledge of a job well done. I said zark off. Thank you for listening to this message.
Vase[Why weep Come back tomorrow There are also poisonous flowers and flowers always open in the evening she loves the cinema she has been in Russia Love married with disdain Pearl-studded watch a trip to Montrouge Maisons- Lafitte and everything finishes in perfumes remember Let the flower bloom and let the fruit rot and let the grain sprout while the storms rage]
Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye've produced. Choose life.
You're crossing the ocean on a wooden ship. One of the boards rots, so you replace it with another that you've stored on your hold. It is still the same ship? Most people will agree that it is. But what if, bit by bit, as you make your journey, your ships sustains more and more damage, so that by the time you reach your destination, you have substituted each piece with its counterpart and not a single piece remains unreplaced. Now is it the same ship? Why or why not? How much of a thing is its pattern and how much its physical material? I was fascinated by the question of wether and how long you could remain the same person after casting off part of your body or, for that matter, after casting part of your history, part of your personality, part of your life.
The American Society of Civil Engineers said in 2007 that the U.S. had fallen so far behind in maintaining its public infrastructure -- roads, bridges, schools, dams -- that it would take more than a trillion and half dollars over five years to bring it back up to standard. Instead, these types of expenditures are being cut back. At the same time, public infrastructure around the world is facing unprecedented stress, with hurricanes, cyclones, floods and forest fires all increasing in frequency and intensity. It's easy to imagine a future in which growing numbers of cities have their frail and long-neglected infrastructures knocked out by disasters and then are left to rot, their core services never repaired or rehabilitated. The well-off, meanwhile, will withdraw into gated communities, their needs met by privatized providers.
The truth is that all this was just part of the suicide process. Because tanning and steroids are only a problem if you plan to live a long time. Because the only difference between a suicide and a martyrdom really is the amount of press coverage. If a tress falls in the forest and nobody is there to hear it, doesn’t it just lie there and rot? And if Christ had died from a barbiturate overdose, alone on the bathroom floor, would He be in Heaven This wasn’t a question of whether I was going to kill myself. This, this effort, this money and time, the writing team, the drugs, the diet, the agent, the flights of stairs going up to nowhere, all this was so I could off myself with everyone’s full attention.
So abased, so monotonous is everything that meets the eye, that when the Ganges comes down it might be expected to wash the excrescence back into the soil. Houses do fall, people are drowned and left rotting, but the general outline of the town persists, welling here, shrinking there, like some low but indestructible form of life.
Christ. No, not Christ. These leavings were made in propitiation of a much older God than the Christian one. People have called Him different things at different times, but Rachel’s sister gave Him a perfectly good name, I think: Oz the Gweat and Tewwible, God of dead things left in the ground, God of rotting flowers in drainage ditches, God of the Mystery.
The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because its only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on. If you can change the way people think. The way they see themselves. The way they see the world. You can change the way people live their lives. That's the only lasting thing you can create.
My mind is, to use a disgustingly obvious simile, like a wastebasket full of waste paper; bits of hair, and rotting apple cores. I am feeling depressed from being exposed to so many lives, so many of them exciting, new to my realm of experience. I pass by people, grazing them on the edges, and it bothers me. I've got to admire someone to really like them deeply - to value them as friends. It was that way with Ann: I admired her wit, her riding, her vivacious imagination - all the things that made her the way she was. I could lean on her as she leaned on me. Together the two of us could face anything - only not quite anything, or she would be back. And so she is gone, and I am bereft for awhile. But what do I know of sorrow?
He held the apple box against his chest. And then he leaned over and set the box in the stream and steadied it with his hand. He said fiercely, "Go down an' tell 'em. Go down in the street an' rot an' tell 'em that way. That's the way you can talk. Don' even know if you was a boy or a girl. Ain't gonna find out. Go on down now, an' lay in the street. Maybe they'll know then.
It's time, Old Captain, lift anchor, sink! The land rots; we shall sail into the night; if now the sky and sea are black as ink our hearts, as you must know, are filled with light. Only when we drink poison are we well — we want, this fire so burns our brain tissue, to drown in the abyss — heaven or hell, who cares? Through the unknown, we'll find the new. ("Le Voyage")
The Church's stand on birth control is the most absolutely spiritual of all her stands and with all of us being materialists at heart, there is little wonder that it causes unease. I wish various fathers would quit trying to defend it by saying that the world can support 40 billion. I will rejoice the day when they say: This is right whether we all rot on top of each other or not, dear children, as we certainly may. Either practice restraint or be prepared for crowding...
...for the first time Rincewind saw the troll. It wasn’t half so bad as he had imagined. Umm, said his imagination after a while. It wasn’t that the troll was horrifying. Instead of the rotting, betentacled monstrosity he had been expecting Rincewind found himself looking at a rather squat but not particularly ugly old man who would quite easily have passed for normal on any city street, always provided that other people on the street were used to seeing old men who were apparently composed of water and very little else. It was as if the ocean had decided to create life without going through all that tedious business of evolution, and had simply formed a part of itself into a biped and sent it walking squishily up the beach. (…) How does he hold himself together, his mind screamed at him. Why doesn’t he spill?