Rubber Quotes (displaying: 1 - 30 of 71 quotes )
I did it to protect my good reputation in case anyone ever caught me walking around with crab apples in my cheeks. With rubber balls in my hands I could deny there were crab apples in my cheeks. Everytime someone asked me why I was walking around with crab apples in my cheeks, I'd just open my hands and show them it was rubber balls I was walking around with, not crab apples, and that they were in my hands, not my cheeks. It was a good story, but I never knew if it got across or not, since its pretty hard to make people understand you when your talking to them with two crab apples in your cheeks.
Imagine life is a game in which you are juggling five balls. The balls are called work, family, health, friends, and integrity. And you're keeping all of them in the air. But one day you finally come to understand that work is a rubber ball. If you drop it, it will bounce back. The other four balls...are made of glass. If you drop one of these, it will be irrevocably scuffed, nicked, perhaps even shattered.
She never sent the castle to sleep”, said Granny, “that’s just and old wife’s tale. She just stirred up time a little. It’s not as hard as people think, everyone does it all the time. It’s like rubber, is time, you can stretch it to suit yourself.” Magrat was about to say: That’s not right, time is time, every second lasts a second, that’s its job. The she recalled weeks that had flown past and afternoons that had lasted forever. Some minutes had lasted hours, some hours had gone past so quickly she hadn’t been aware they’d gone past at all. “But that’s just people’s perception, isn’t it?” “Oh yes”, said Granny, “of course it is, it all is, what difference does that make?
He slept and in his sleep he saw his friends again and they were coming downriver on muddy floodwaters, Hoghead and the City Mouse and J-Bone and Bearhunter and Bucket and Boneyard and J D Davis and Earl Solomon, all watching him where he stood on the shore. They turned gently in their rubber bullboat, bobbing slightly on the broad and ropy waters, their feet impinging in the floor of the thing with membraneous yellow tracks. They glided past somberly. Out of a lightless dawn receding, past the pale daystar. A fog more obscure closed away their figures gone a sadder way by psychic seas across the Tarn of Acheron. From a rock in the river he waved them farewell but they did not wave back.
Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Saturday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books . . . books . . . books. . . .
He smoked a cigarette, standing in the dark and listening to her undress. She made sea sounds; something flapped like a sail; there was the creak of ropes; then he heard the wave-against-a-wharf smack of rubber on flesh. Her call for him to hurry was a sea-moan, and when he lay beside her, she heaved, tidal, moon-driven.
Life is a series of pulls back and forth. You want to do one thing, but you are bound to something else. Something hurts you, yet you know it shouldn’t. You take certain things for granted, even when you know you should never take anything for granted.”“A tension of opposites, like a pull on a rubber band. And most of us live somewhere in the middle.” “A wrestling match. Yes you could describe life that way.” “Which side wins?” “Love wins. Love always wins.” - Tuesdays With Morrie
She was, in fact, one of those people of exalted principles; one of those opinionated puritans, of which England produces so many; one of those good and insupportable old maids who haunt the tables d'hte of every hotel in Europe, who spoil Italy, poison Switzerland, render the charming cities of the Mediterranean uninhabitable, carry everywhere their fantastic manias, their manners of petrified vestals, their indescribable toilets and a certain odor of india-rubber which makes one believe that at night they are slipped into a rubber casing.
A Belgian journalist, struggling to describe the scene, had said that it resembled a cross between a permanent mass wake, an ongoing grad night for at least a dozen subcultures unheard of before the disaster, the black market cafes of occupied Paris, and Goya's idea of a dance party (assuming Goya had been Japanese and smoked freebase methamphetamine, which along with endless quantities of alcohol was clearly the Western World's substance of choice). It was, the Belgian said, as though the city, in its convolsion and grief, had spontaneously and necessarily generated this hidden pocket universe of the soul, its few unbroken windows painted over with black rubber aquarium paint. There would be no view of the ruptured city. As the reconstruction began around it, it had already become a benchmark in Tokyo's psychic history, an open secret, an urban legend.
After Olestra (may cause anal leakage), people are a tad suspicious about products that do things that are too good to be true in the natural world. I tell this to the account people, and they say, "But it comes from trees!"To which I reply, "Yes and so does napalm and rubber cement. But that doesn't mean I'm going to spread them on my English muffin.
What do you want with these special Jewish pains? I feel as close to the wretched victims of the rubber plantations in Putamayo and the blacks of Africa with whose bodies the Europeans play bal? I have no special corner in my heart for the ghetto: I am at home in the entire world, where there are clouds and birds and human tears.
I am the twentieth century. I am the ragtime and the tango; sans-serif, clean geometry. I am the virgin's-hair whip and the cunningly detailed shackles of decadent passion. I am every lonely railway station in every capital of Europe. I am the Street, the fanciless buildings of government. the cafe-dansant, the clockwork figure, the jazz saxophone, the tourist-lady's hairpiece, the fairy's rubber breasts, the travelling clock which always tells the wrong time and chimes in different keys. I am the dead palm tree, the Negro's dancing pumps, the dried fountain after tourist season. I am all the appurtenances of night.
She says, "Do you have any rubbers?" I say, I thought she was barren. "Sure, I'm sterile," she says, "but I've had unprotected sex with a million guys. I could have some terrible fatal disease." I say that would only be a problem if I wanted to live a lot longer. Fertility says, " That's how I feel about my giant credit card debt." So we have sex. If you could call it that.
Dan, who was writing a book on the radical activity of the twenties and thirties, took the occasion of our trip to ask me about them. The whole thing seems to me so stale that I can't imagine anybody's now wanting to write about it, but we ran over the personalities and I told him a lot of stories. It seemed to me like that grisly museum of the early 1900's that I had had him visit at Niagara Falls: old stuffed two-headed calves, motheaten panthers attacking a stag, dried-up corpses from Indian graves, big bags made of rubber tires in which people had tried to shoot the falls--and around it all-powerful industrial life that no show of resistance could stop, which had ruined the landscape of the river and was crowding out everything else.
Here's a nice image for a life in balance,” she said. “You're juggling these four balls that you've named work, family, friends, spirit. Now, work is a rubber ball. If you drop it, it bounces back. The other balls they're made of glass.” “I've dropped a few of those glass balls in my day. Sometimes they chip, sometimes they shatter to pieces.
Yet you could feel a vibration in the air, a sense of hastening. It had started with the moon, inaccessible poem that it was. Now men had walked upon it, rubber treads on a pearl of the gods. Perhaps it was an awareness of time passing, the last summer of the decade. Sometimes I just wanted to raise my hands and stop. But stop what? Maybe just growing up.
Only under extreme pressure can we change into that which it is in our most profound nature to become . . .That is what people get wrong about transformation. We're not all shallow proteans, forever shifting shape. We're not science fiction. It's like when coal becomes diamond. It doesn't afterwards retain the possibility of change. Squeeze it as hard as you like, it won't turn into a rubber ball, or a Quattro Stagione pizza, or a self-portrait by Rembrandt. It's done.
I'd wander for days in the fog, scared I'd never see another thing, then there'd be that door, opening to show me the mattress padding on the other side to stop out the sounds, the men standing in a line like zombies among shiny copper wires and tubes pulsing light, and the bright scrape of arcing electricity. I'd take my place in the line and wait my turn at the table. The table shaped like a cross, with shadows of a thousand murdered men printed on it, silhouette wrists and ankles running under leather straps sweated green with use, a silhouette neck and head running up to a silver band goes across the forehead. And a technician at the controls beside the table looking up from his dial and down the line and pointing at me with a rubber glove.