Scissors Quotes (displaying: 1 - 30 of 30 quotes )
My soul will dance with Athena's soul; I'll be with her while I sleep; I'll wake up sweating and go into the kitchen for a glass of water. I'll understand that in order to combat ghosts you must use weapons that form no part of reality. Then, following the advice of my grandmother, I'll place an open pair of scissors on my bedside table to snip off the end of the dream. The next day, I'll look at the scissors with a touch of regret, but I must adapt to living in the world again or risk going mad.
I gazed around the room and my eyes stopped dead on a little boy standing in the corner. This was a particularly eerie doll. Life-sized and blond-haired and blue-eyed. I saw a little Nazi boy, pockets probably stuffed with scissors and retractable blades. My grandfather on my mother's side was rumored to be half Jewish, which practically makes me Jerry Seinfeld's brother, and thus wary of blond German boys with their hands out of sight.
The part that wasn't a jackpot was his baseball mound of red pubic hair that looked like it had literally been attached with a glue gun. I couldn't believe how much there was, and wondered how he had never heard of scissors, or--more appropriate for that kind of growth--hedge trimmers. I didn't understand what porn he was watching to not be aware of the trimming that was happening all across the world among his compatriots. I'm not a finicky person when it comes to pubic hair maintenance and I certainly don't expect men to shave it all off, leaving themselves to look like a hairless cat. That's even creepier then than seeing what Austin had, which could really only be compared to one thing: A clown in a leg lock.
Thank you. It used to be knee length, but then I discovered that when I get angry I like to cut things. I'm not allowed to have scissors any more. It's still pretty lengthy, but I've been threatening to shave half of it for the past week and nobody seems to believe me... I do it all myself though because I scream when I'm touched and that scares people.
When it was time to play Boo's big scene, Jem would sneak into the house, steal the scissors from the sewingmachine drawer when Calpurnia's back was turned, then sit in the swing and cut up newspapers. Dill would walk by, cough at Jem, and Jem would fake a plunge into Dill's thigh. From where I stood it looked real.
Yes, I want to tell her, and maybe I even do say that, but I am crying because whatever gifts, the pieces of good buried inside and under so much that I feel is bad, is wrong, is twisted, are less clear than the ability to hit a ball with a bat and break the scoreboard or do a triple pirouette in the air on ice. My gifts are for life itself, for an unfortunately astute understanding of all the cruelty and pain in the world. My gifts are unspecific. I am an artist manque, someone full of crazy ideas and grandiloquent needs and even a little bit of happiness, but with no particular way to express it. I am like the title character in the film Betty Blue, the woman who is so full of...so full of...so full of something or other-it is unclear what, but a definite energy that can't find its medium-who pokes her own eyes out with a scissors and is murdered by her lover in an insane asylum in the end. She is, and I am becoming, a complete waste. So I cry at the end of The Natural.
Have it compose a poem- a poem about a haircut! But lofty, tragic, timeless, full of love, treachery, retribution, quiet heroism in the face of certain doom! Six lines, cleverly rhymed, and every word beginning with the letter S!!” [sic]…. Seduced, shaggy Samson snored. She scissored short. Sorely shorn, Soon shackled slave, Samson sighed, Silently scheming Sightlessly seeking Some savage, spectacular suicide." ("The First Sally (A) or The Electronic Bard" THE CYBERIAD)
Did I read The New Yorker? This question had a dangerous urgency. It wasn't any one writer or article he was worried about, but the font. The meaning embedded, at a preconscious level, by the look of the magazine; the seal, as he described it, that the typography and layout put on dialectical thought. According to Perkus, to read The New Yorker was to find that you always already agreed, not with The New Yorker but, much more dismayingly, with yourself. I tried hard to understand. Apparently here was the paranoia Susan Eldred had warned me of: The New Yorker's font was controlling, perhaps assailing, Perkus Tooth's mind. To defend himself he frequently retyped their articles and printed them out in simple Courier, an attempt to dissolve the magazine's oppressive context. Once I'd enter his apartment to find him on his carpet with a pair of scissors, furiously slicing up and rearranging an issue of the magazine, trying to shatter its spell on his brain.
I stopped keeping an eye out for Santa Claus on Christmas Eve because, when I was five, my mother told me that Santa was a wicked pervert who would cut off my peepee with a pair of scissors... if I didn't stop chattering about him, he would be certain to put me on his list and look me up. Christmas was never the same after that, but at least I still have my peepee.
Something is unfolding, being revealed to me. I see that there's a whole world of of girls and their doings that has been unknown to me, and that I can be part of without making any effort at all. I don't have to keep up with anyone, run as fast, aim as well, make loud explosive noises, decode messages, die on cue. I don't have to think about whether I do these things well, as well as a boy. All I have to do is sit on the floor and cut frying pans our of the Eaton's Catalogue with embroidery scissors, and say I've done it badly.
Poetry is cathartic only for the unserious, for in front of the rush of expressive need stands the barrier of form, and when the hurdler's scissored legs and outstretched arms carry him over the bars, the limp in his life, the headache in his heart, the emptiness he's full of, are as absent as his street-shoes, which will pinch and scrape his feet in all the old leathery ways once the race is over and he has to walk through the front door of his future like a brushman with some feckless patter and a chintzy plastic prize.
I'm working on my own life story. I don't mean I'm putting it together; no, I'm taking it apart. If you'd wanted the narrative line you should have asked earlier, when I still knew everything and was more than willing to tell. That was before I discovered the virtues of scissors, the virtues of matches.
I love all things, not because they are passionate or sweet-smellingbut because, I don't know, becausethis ocean is yours, and mine: these buttonsand wheelsand littleforgottentreasures, fans uponwhose featherslove has scatteredits blossoms, glasses, knives and scissors --all bearthe traceof someone's fingerson their handle or surface, the trace of a distant handlostin the depths of forgetfulness.
I ask now, standing with my scissors among my flowers, Where can the shadow enter? [. . .] I am sick of the body, I am sick of my own craft, industry and cunning, of the unscrupulous ways of the mother who protects, who collects under her jealous eyes at one long table her own children, always her own.