Shade Quotes (displaying: 1 - 30 of 322 quotes )
shade of the house, in the sunshine of the riverbank near the boats, in the shade of the Sal-wood forest, in the shade of the fig tree is where Siddhartha grew up, the handsome son of the Brahman, the young falcon, together with his friend Govinda, son of a Brahman. The sun tanned his light shoulders by the banks of the river when bathing, performing the sacred ablutions, the sacred offerings. In the mango grove, shade poured into
Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming of the lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage-teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe?
Thus, to give an obvious instance, if I have once enjoyed the cool shade of a tree, and been lulled into a deep repose by the sound of a brook running at its feet, I am sure that wherever I can find a tree and a brook, I can enjoy the same pleasure again. Hence, when I imagine these objects, I can easily form a mystic personification of the friendly power that inhabits them, Dryad or Naiad, offering its cool fountain or its tempting shade. Hence the origin of the Grecian mythology.
A tree's shade is worth more than the knowledge of truth, my sons, for a tree's shade is true while it lasts, and the knowledge of truth is false in its very truth. The leaves' greenness is worth more, for a right understanding, than a great thought, for the leaves, greenness is something you can show others, but you can never show them a great thought. We are born without knowing how to talk and we die without having known how to express ourselves. Our life runs its course between the silence of one who cannot speak and the silence of one who wasn't understood, and around it hovers? like a bee where there are no flowers? a useless, inscrutable destiny.
THE OWLSby: Charles Baudelaire. UNDER the overhanging yews, The dark owls sit in solemn state, Like stranger gods; by twos and twos. Their red eyes gleam. They meditate. Motionless thus they sit and dream. Until that melancholy hour. When, with the sun's last fading gleam, The nightly shades assume their power. From their still attitude the wise. Will learn with terror to despise. All tumult, movement, and unrest; For he who follows every shade, Carries the memory in his breast, Of each unhappy journey made.'The Owls' is reprinted from The Poems and Prose Poems of Charles Baudelaire. Ed. James Huneker. New York: Brentano's, 1919.
Lord, if I thought you were listening, I'd pray for this above all: that any church set up in your name should remain poor, and powerless, and modest. That it should wield no authority except that of love. That it should never cast anyone out. That it should own no property and make no laws. That it should not condemn, but only forgive. That it should be not like a palace with marble walls and polished floors, and guards standing at the door, but like a tree with its roots deep in the soil, that shelters every kind of bird and beast and gives blossom in the spring and shade in the hot sun and fruit in the season, and in time gives up its good sound wood for the carpenter; but that sheds many thousands of seeds so that new trees can grow in its place. Does the tree say to the sparrow, 'Get out, you don't belong here?' Does the tree say to the hungry man, 'This fruit is not for you?' Does the tree test the loyalty of the beasts before it allows them into the shade?
(Decadent style) is ingenious, complicated, learned, full of shades of meaning and research, always pushing further the limits of language... forcing itself to express in thought that which is most ineffable, and in form the vaguest and most fleeting contours; listening that it may translate them to the subtle confidences of the neuropath, to the avowals of aging and depraved passion, and to the singular hallucinations of the fixed idea verging on madness... In opposition to the classic style, it admits of shading, and these shadows teem and swarm with the larvae of superstitions, the haggard phantoms of insomnia, nocturnal terrors, remorse which starts and turns back at the slightest noise, monstrous dreams stayed only by impotence, obscure phantasies at which daylight would stand amazed, and all that the soul conceals of the dark, the unformed, and the vaguely horrible, in its deepest and furthest recesses.
Nothing, in truth, can ever replace a lost companion. Old comrades cannot be manufactured. There is nothing that can equal the treasure of so many shared memories, so many bad times endured together, so many quarrels, reconciliations, heartfelt impulses. Friendships like that cannot be reconstructed. If you plant an oak, you will hope in vain to sit soon under its shade. For such is life. We grow rich as we plant through the early years, but then come the years when time undoes our work and cuts down our trees. One by one our comrades deprive us of their shade, and within our mourning we always feel now the secret grief of growing old. If I search among my memories for those whose taste is lasting, if I write the balance sheet of the moments that truly counted, I surely find those that no fortune could have bought me. You cannot buy the friendship of a companion bound to you forever by ordeals endured together.
There are great drifting theatre curtains in the sky, and they change color as she watches: green goes to purple, purple to vermilion, vermilion to a queer bloody shade of red she cannot name. Russet perhaps comes close, but that isn't it exactly. She thinks no one has ever named the shade she's seeing.
SONNET 43When most I wink, then do mine eyes best see, For all the day they view things unrespected; But when I sleep, in dreams they look on thee, And darkly bright are bright in dark directed. Then thou, whose shadow shadows doth make bright, How would thy shadow's form form happy show. To the clear day with thy much clearer light, When to unseeing eyes thy shade shines so! How would, I say, mine eyes be blessed made. By looking on thee in the living day, When in dead night thy fair imperfect shade. Through heavy sleep on sightless eyes doth stay! All days are nights to see till I see thee, And nights bright days when dreams do show thee me.
I saw the days of the year stretching ahead like a series of bright, white boxes, and separating one box from another was sleep, like a black shade. Only for me, the long perspective of shades that set off one box from the next day had suddenly snapped up, and I could see day after day after day glaring ahead of me like a white, broad, infinitely desolate avenue.
There is a certain shade of red brick--a dark, almost melodious red, sombre and riddled with blue--that is my childhood in St.Louis. Not the real childhood, but the false one that extends from the dawning of consciousness until the day that one leaves home for college. That one shade of red brick and green foliage is St. Louis in the summer (the winter is just a gray sky and a crowded school bus and the wet footprints on the brown linoleum floor at school), and that brick and a pale sky is spring. It's also loneliness and the queer, self-pitying wonder that children whose families are having catastrophes feel.
But when you walk through yonder gate,” Churchill said, pointing toward the Middle Tower at the end of the causeway, which was visible only as a crenellated cutout in the orange sky, “you’ll find yourself in a London you no longer know. The changes wrought by the Fire were nothing. In that London, loyalty and allegiance are subtle and fluxional. ’Tis a chessboard with not only black and white pieces, but others as well, in diverse shades. You’re a Bishop, and I’m a Knight, I can tell that much by our shapes, and the changes we have wrought on the board; but by fire-light ’Tis difficult to make out your true shade.
You wake up on a winter morning and pull up the shade, and what lay there the evening before is no longer there--the sodden gray yard, the dog droppings, the tire tracks in the frozen mud, the broken lawn chair you forgot to take in last fall. All this has disappeared overnight, and what you look out on is not the snow of Narnia but the snow of home, which is no less shimmering and white as it falls. The earth is covered with it, and it is falling still in silence so deep that you can hear its silence. It is snow to be shoveled, to make driving even worse than usual, snow to be joked about and cursed at, but unless the child in you is entirely dead, it is snow, too, that can make the heart beat faster when it catches you by surprise that way, before your defenses are up. It is snow that can awaken memories of things more wonderful than anything you ever knew or dreamed.
The oak was, of course, a great stealer of the surrounding pasture—its only value to provide shade for the livestock—but it was a magnificent tree. It had been there at least as long as Luxtons had owned the land. To have removed it would have been unthinkable (as well as a forbidding practical task). It simply went with the farm. No one taking in that view for the first time could have failed to see that the tree was the immovable, natural companion of the farmhouse, or, to put it another way, that so long as the tree stood, so must the farmhouse. And no mere idle visitor—especially if they came from a city and saw that tree on a summer’s day—could have avoided the simpler thought that it was a perfect spot for a picnic.
The eyes themselves were of that baffling protean gray which is never twice the same; which runs through many shades and colorings like intershot silk in sunshine; which is gray, dark and light, and greenish gray, and sometimes of the clear azure of the deep sea. They were eyes that masked the soul with a thousand guises, and that sometimes opened, at rare moments, and allowed it to rush up as though it were about to fare forth nakedly into the world on some wonderful adventure -- eyes that could brood with the hopeless somberness of leaden skies; that could snap and crackle points of fire like those that sparkle from a whirling sword; that could grow chill as an arctic landscape, and yet again, that could warm and soften and be all adance with love-lights, intense and masculine, luring and compelling, which at the same time fascinate and dominate women till they surrender in a gladness of joy and of relief and sacrifice.
She gazed toward the marsh that grew thicker, deeper, greener with approaching summer. Mosquitoes whined in there, breeding in the dark water. Alligators slid through it, silent death. It was a place where snakes could slither and bogs could suck the shoe right off your foot. And it was a place, she thought, that went bright and beautiful with the twinkling of fireflies, where wildflowers thrived in the shade and the stingy light. Where an eagle could soar like a king. There was no beauty without risk. No life without it.
What is your substance, whereof are you made, That millions of strange shadows on you tend? Since everyone hath every one, one shade, And you, but one, can every shadow lend. Describe Adonis, and the counterfeit Is poorly imitated after you. On Helen’s cheek all art of beauty set, And you in Grecian tires are painted new. Speak of the spring and foison of the year; The one doth shadow of your beauty show, The other as your bounty doth appear, And you in every blessd shape we know. In all external grace you have some part, But you like none, none you, for constant heart.
Do you always wear Malaysian imitations of Brooks Brothers blue oxford button-downs, Mr. Laney?" Laney had looked down at his shirt, or tried to."Malaysia?"The stitch-count's dead on, but they still haven't mastered the thread-tension."Oh."Never mind. A little prototypic nerd chic could actually lend a certain frisson, around here. You could lose the tie, though. Definitely lose the tie. And keep a collection of felt-tipped pens in your pocket. Unchewed, please. Plus one of those fat flat highlighters, in a really nasty fluorescent shade."Are you joking?"Probably, Mr. Laney. May I call you Colin?"Yes."She never did call him "Colin," then or ever. "You'll find that humor is essential at Slitscan, Laney. A necessary survival tool. You'll find the type that's most viable here is fairly oblique."How do you mean, Ms. Torrance?"Kathy. I mean difficult to quote effectively in a memo. Or a court of law.
Again and again as we discussed Lolita in that class, our discussions were colored by my students' hidden personal sorrows and joys. Like tearstains on a letter, these forays into the hidden and the personal shaded all our discussions of Nabokov. And more and more I thought of that butterfly; what linked us so closely was this perverse intimacy of victim and jailer.
Each of us chooses the tone for telling his or her own story. I would like to choose the durable clarity of a platinum print, but nothing in my destiny possesses the luminosity. I live among diffuse shadings, veiled mysteries, uncertainties; the tone of telling my life is closer to that of a portrait in sepia.
As I sat there in that now lonely room; the fire burning low, in that mild stage when, after its first intensity has warmed the air, it then only glows to be looked at; the evening shades and phantoms gathering round the casements, and peering in upon us silent, solitary twain; thw storm booming without in solemn swells; I began to be sensible of strange feelings. I felt a melting in me. No more my splintered heart and maddened hand were turned against the wolfish world. This soothing savage had redeemed it. There he sat, his very indifference speaking a nature in which there lurked no civilized hypocrisies and bland deceits. Wild he was; a very sight of sights to see; yet I began to feel myself mysteriously drawn towards him. And those same things that would have repelled most others, they were the very magnets that thus drew me. I'll try a pagan friend, though I, since Christian kindness has proved but hollow courtesy.
Proceed, philosophers, teach, enlighten, enkindle, think aloud, speak aloud, run joyously towards the bright daylight, fraternise in the public squares, announce the glad tidings, scatter plenteously your alphabets, proclaim human rights, sing your Marseillaises, sow enthusiasms, broadcast, tear off green branches from the oak trees. Make thought a whirlwind. This multitude can be sublimated. Let us learn to avail ourselves of this vast combustion of principles and virtues, which sparkles, crackles and thrills at certain periods. These bare feet, these naked arms, these rags, these shades of ignorance, these depths of abjectness, these abysses of gloom may be employed in the conquest of the ideal. Look through the medium of the people, and you shall discern the truth. This lowly sand which you trample beneath your feet, if you cast it into the furnace, and let it melt and seethe, shall become resplendent crystal, and by means of such as it a Galileo and a Newtown shall discover stars.