Staged Quotes (displaying: 91 - 120 of 1426 quotes )
A spirit of license makes a man refuse to commit himself to any standards. The right time is the way he sets his watch. The yardstick has the number of inches that he wills it to have. Liberty becomes license, and unbounded license leads to unbounded tyranny. When society reaches this stage, and there is no standard of right and wrong outside of the individual himself, then the individual is defenseless against the onslaught of cruder and more violent men who proclaim their own subjective sense of values. Once my idea of morality is just as good as your idea of morality, then the morality that is going to prevail is the morality that is stronger.
And so began my final stage of my boyhood in Mohawk. Later, as an adult, I would return from time to time. As a visitor, though, never again as a true resident. But then I wouldn't be a true resident of any other place either, joining instead the great multitude of wandering Americans, so many of whom have a Mohawk in their past, the memory of which propels us we know not precisely where, so long as it's away. Return we do, but only to gain momentum for our next outward arc, each further than the last, until there is no elasticity left, nothing to draw us home.
Personally, I always wondered about authors and celebrities who loudly declared there was no God. It was usually when they were healthy and popular and being listened to by crowds. What happens, I wondered, in the quiet moments before death? By then, they have lost the stage, the world has moved on. If suddenly, in their last gasping moments, through fear, a vision, a late enlightenment, they change their minds about God, who would know?
The two main criminals are France and the United States. They owe Haiti enormous reparations because of actions going back hundreds of years. If we could ever get to the stage where somebody could say, 'We're sorry we did it,' that would be nice. But if that just assuages guilt, it's just another crime. To become minimally civilized, we would have to say, 'We carried out and benefited from vicious crimes. A large part of the wealth of France comes from the crimes we committed against Haiti, and the United States gained as well. Therefore we are going to pay reparations to the Haitian people.' Then you will see the beginnings of civilization.
When I was going out with her, it always seemed that her actions were instinctive. But then I was resistant to the whole idea that women were or could be manipulative. This may tell you more about me than it does about her. And even if I were to decide, at this late stage, that she was and always had been calculating, I’m not sure it would help matters. By which I mean: help me.
He won all those medals in the Second World War, which was staged by robots so that Dwayne Hoover could give a free-will reaction to such a holocaust. The war was such an extravaganza that there was scarcely a robots anywhere who didn't have a part to play. Harold Newcomb Wilbur got his medals for killing Japanese, who were yellow robots. They were fueled by rice.
As I sat there in that now lonely room; the fire burning low, in that mild stage when, after its first intensity has warmed the air, it then only glows to be looked at; the evening shades and phantoms gathering round the casements, and peering in upon us silent, solitary twain; thw storm booming without in solemn swells; I began to be sensible of strange feelings. I felt a melting in me. No more my splintered heart and maddened hand were turned against the wolfish world. This soothing savage had redeemed it. There he sat, his very indifference speaking a nature in which there lurked no civilized hypocrisies and bland deceits. Wild he was; a very sight of sights to see; yet I began to feel myself mysteriously drawn towards him. And those same things that would have repelled most others, they were the very magnets that thus drew me. I'll try a pagan friend, though I, since Christian kindness has proved but hollow courtesy.
Demian is about a very specific task or crisis in one's youth, which continues beyond that stage, but mostly effects young people: the struggle to forge an identity and develop a personality of one's own. Not everyone is allotted the chance to become a personality; most remain types, and never experience the rigor of becoming an individual. But those who do so inevitably discover that these struggles bring them into conflict with the normal life of average people and the traditional values and bourgeois conventions that they uphold. A personality is the product of a clash between two opposing forces: the urge to create a life of one's own and the insistence by the world around us that we conform. Nobody can develop a personality unless he undergoes revolutionary experiences. The extent of those experiences differs, of course, from person to person, as does the capacity to lead a life that is truly personal and unique.
Um, lots of people grab my ass. I'm actually starting to get this thing now where people grab my package. That actually happened once in Boston, it usually doesn't happen. We went over to England and it happened at almost every show. I don't really enjoy any kind of invasion of privacy like that I guess. Just the moment you're on stage it doesn't phase you or bother you too much though. Grabbin my package is obviously a total invasion of privacy I'm not into that at all. Grabbing my butt I guess if it were a guy I'd enjoy it. I mean, I guess it all depends on how he grabbed my butt too.
What an immature, self-destructive, antiquated mischief is man! How obscure and gross his prancing and chattering on his little stage of evolution! How loathsome and beyond words boring all the thoughts and self-approval of his biological by-product! this half-formed, ill-conditioned body! this erratic, maladjusted mechanism of his soul: on one side the harmonious instincts and balanced responses of the animal, on the other the inflexible purpose of the engine, and between them man, equally alien from the being of Nature and the doing of the machine, the vile becoming!
Many writers, especially male ones, have told us that it is the decease of the father which opens the prospect of one's own end, and affords an unobstructed view of the undug but awaiting grave that says 'you're next.' Unfilial as this may seem, that was not at all so in my own case. It was only when I watched Alexander [my own son] being born that I knew at once that my own funeral director had very suddenly, but quite unmistakably, stepped onto the stage. I was surprised by how calmly I took this, but also by how reluctant I was to mention it to my male contemporaries.
There were a great many other such tableaux. AsMartial had predicted, bears featured prominently inmost of them. A temple thief was made to reenactthe role of the robber Laureolus, made famous bythe ancient plays of Ennius and Naevius; he wasnailed to a cross and then subjected to the attack ofthe bears. A freedman who had killed his formermaster was made to put on a Greek chlamys and gowalking though a stage forest populated by cavortingsatyrs and nymphs, like Orpheus lost in the woods; when one of the satyrs played a shrill tune on hispipes, the trees dispersed and the man was subjectto an attack by bears. An arsonist was made tostrap on wings in imitation of Daedalus, ascend ahigh platform, and then leap off; the wings actuallycarried him aloft for a short distance, a remarkablesight, until he plunged into an enclosure full of bearsand was torn to pieces.
Any form of art can only develop by means of single mutations by individual creators. If only traditional conventions are used an art will die, and the widening of an art form is bound to seem strange at first, and awkward. Any growing thing must go through awkward stages. The creator who is misunderstood because of his breach of convention may say to himself, 'I seem strange to you, but anyway I am alive.
... The person who, at any stage of a conversation, disagrees, should at least hope to reach agreement in the end. He should be as much prepared to have his own mind changed as seek to change the mind of another ... No one who looks upon disagreement as an occasion for teaching another should forget that it is also an occasion for being taught.
Last night I encountered a dream cat with a very long neck and a body like a human fetus, gray and transluscent. I don't know what it needs or how to provide for it. Another dream years ago of a human child with eyes on stalks. It is very small, but can walk and talk "Don't you want me?" Again, I don't know how to care for the child. But I am dedicated to protecting and nurturing him at any cost! It is the function of the Guardian to protect hybrids and mutants in the vulnerable stage of infancy.
Now as to magic. It is surely absurd to hold me “weak” or otherwise because I choose to persist in a study which I decided deliberately four or five years ago to make, next to my poetry, the most important pursuit of my life…If I had not made magic my constant study I could not have written a single word of my Blake book [The Works of William Blake, with Edwin Ellis, 1893], nor would The Countess Kathleen [stage play, 1892] have ever come to exist. The mystical life is the center of all that I do and all that I think and all that I write.
In my craft or sullen art. Exercised in the still night. When only the moon rages. And the lovers lie abed. With all their griefs in their arms, I labour by singing light. Not for ambition or bread. Or the strut and trade of charms. On the ivory stages. But for the common wages. Of their most secret heart. Not for the proud man apart. From the raging moon I write. On these spindrift pages. Nor for the towering dead. With their nightingales and psalms. But for the lovers, their arms. Round the griefs of the ages, Who pay no praise or wages. Nor heed my craft or art.