Stall Quotes (displaying: 1 - 30 of 84 quotes )
I am making a correction to one of the quotes you guys have for Sly Stallone; It's not ethical to put " " around words saying a person said something and did not. Hence the meaning of quoting someone; means that person said exactly what you're putting quotes around-Verbatim. Here's the real quote by Sly Stallone in Rocky Balboa; "It ain't about how hard you can hit it's about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That's how winning is done." Under your quote guidelines should read only enter quotes if you without a doubt are in fact quoting something someone said verbatim.
Neutrinos, they are very small. They have no charge and have no mass And do not interact at all. The earth is just a silly ball To them, through which they simply pass, Like dustmaids down a drafty hall Or photons through a sheet of glass. They snub the most exquisite gas, Ignore the most substantial wall, Cold shoulder steel and sounding brass, Insult the stallion in his stall, And, scorning barriers of class, Infiltrate you and me. Like tall And painless guillotines they fall Down through our heads into the grass. At night, they enter at Nepal And pierce the lover and his lass From underneath the bed—you call It wonderful; I call it crass.
...I blink back the threat of tears, swiped at my nose and narrowed my eyes. "Listen to me, you two bags of monkey shit, "I yelled. "I am not in a good mood. My car keeps stalling. The day before yesterday I threw up on Joe Morelli. I was called a fat cow by my ex-husband. And if that isn't enough...my hair is ORANGE! ORANGE, FOR CHRISSAKE! And now you have the gall to force yourself into my home and threaten my hamster. Well, you have gone too far. You have crossed the line!
Her efforts received encouragement. In fact, they were welcomed as the Tallises began to understand that the baby of the family possessed a strange mind and a facility with words. The long afternoons she spent browsing through the dictionary and thesaurus made for constructions that were inept, but hauntingly so: the coins a villain concealed in his pocket were 'esoteric,' a hoodlum caught stealing a car wept in 'shameless auto-exculpation,' the heroine on her thoroughbred stallion made a 'cursory' journey through the night, the king's furrowed brow was the 'hieroglyph' of his displeasure.
Friend of fatherless! Fountain of happiness! Lord of the swill-bucket! Oh, how my soul is on. Fire when I gaze at thy. Calm and commanding eye. Like the sun in the sky, Comrade Napoleon! Thou are the giver of. All thy creatures love, Full belly twice a day, clean straw to roll upon; Every beast great or small, Sleeps at peace in his stall, Thou watchest over all, Comrade Napoleon! Had I a sucking-pig, Ere he had grown as big. Even as a pint bottle or a a rolling-pin. He should have learned to be. Faithful and true to thee, Yes, his first squeak should be. Comrade Napoleon!
How many times have you said, 'This is it. I've finally found my one true love'? And how many times has the reality turned out differently? Paperback romances and fairy tales promote an ideal of a first and only love, but few of us can claim to have had such uncomplicated good fortune. For most people, the process of finding the perfect partner is one trial and error: breakups, makeups, missed opportunities and misunderstandings. Human love is a fragile creation, and sometimes the smallest thing - the wrong choice of words or a single clumsy gesture - can make love shatter, stall or fade away.
The story is told that when Joe was a child his cousins emptied his Christmas stocking and replaced the gifts with horse manure. Joe took one look and bolted for the door, eyes glittering with excitement. 'Wait, Joe, where are you going? What did ol' Santa bring you?' According to the story Joe paused at the door for a piece of rope. 'Brought me a bran'-new pony but he got away. I'll catch 'em if I hurry.' And ever since then it seemed that Joe had been accepting more than his share of hardship as good fortune, and more than his share of shit as a sign of Shetland ponies just around the corner, Thoroughbred stallions just up the road.
Singing is my pleasure, but not in church, for the parson said the gargoyles must remain on the outside, not seek room in the choir stalls. So I sing inside the mountain of my flesh, and my voice is as slender as a reed and my voice has no lard in it. When I sing the dogs sit quiet and people who pass in the night stop their jabbering and discontent and think of other times, when they were happy. And I sing of other times, when I was happy, though I know that these are figments of my mind and nowhere I have been. But does it matter if the place cannot be mapped as long as I can still describe it?
What hope is here for modern rhyme To him, who turns a musing eye On songs, and deeds, and lives, that lie Foreshorten'd in the tract of time? These mortal lullabies of pain May bind a book, may line a box, May serve to curl a maiden's locks; Or when a thousand moons shall wane A man upon a stall may find, And, passing, turn the page that tells A grief, then changed to something else, Sung by a long-forgotten mind. But what of that? My darken'd ways Shall ring with music all the same; To breathe my loss is more than fame, To utter love more sweet than praise.
There was a boy down at the stables." She laughed suddenly with her back comfortably nestled against Grant's chest. "Oh, Lord, he was a bit like Will, all sharp, awkward edges."You were crazy about him."I'd spend hours mucking out stalls and grooming horses just to get a glimpse of him. I wrote pages and pages about him in my diary and one very mushy poem."And kept it under your pillow."Apparently you've had a nodding aquaintance with twelve-year-old girls."He thought of Shelby and grinned, resting his chin on the top of her head. Her hair smelled as though she'd washed it with rain-drenched wildflowers. "How long did it take you to get him to kiss you?"She laughed. "Ten days. I thought I'd discovered the answer to the mysteries of the universe. I was a woman."No female's more sure of that than a twelve-year-old.
She knew things that nobody had ever told her... She knew the world was a stallion rolling in the blue pastor of ether. She knew that God tore down the old world every evening and built a new one every sun-up. It was wonderful to see it take form with the sun and emerge from the gray dust of its making.
To my mind there is nothing so beautiful or so provocative as a secondhand book store...To me it is astonishing and miraculous to think that any one of us can poke among the stalls for something to read overnight--and that this something may be the sum of a lifetime of sweat, tears, and genius that some poor, struggling, blessed fellow expended trying to teach us the truth.
I say no wealth is worth my life! Not all they claimwas stored in the depths of Troy, that city built on riches, in the old days of peace before the sons of Achaea came-not all the gold held fast in the Archer's rocky vaults, in Phoebus Apollo's house on Pytho's sheer cliffs! Cattle and fat sheep can all be had for the raiding, tripods all for the trading, and tawny-headed stallions. But a man's life breath cannot come back again-no raiders in force, no trading brings it back, once it slips through a man's clenched teeth. Mother tells me, the immortal goddess Thetis with her glistening feet, that two fates bear me on to the day of death. If I hold out here and I lay siege to Troy, my journey home is gone, but my glory never dies. If I voyage back to the fatherland I love, my pride, my glory dies... true, but the life that's left me will be long, the stroke of death will not come on me quickly.
They say that in D. C., all the museums and the monuments have been concessioned out and turned into a tourist park that now generates about 10 percent of the Government's revenue. The Feds could run the concession themselves and probably keep more of the gross, but that's not the point. It's a philosophical thing. A back-to-basics thing. Government should govern. It's not in the entertainment industry, is it? Leave entertaining to Industry weirdos -- people who majored in tap dancing. Feds aren't like that. Feds are serious people. Poli-sci majors. Student council presidents. Debate club chairpersons. The kinds of people who have the grit to wear a dark wool suit and a tightly buttoned collar even when the temperature has greenhoused up to a hundred and ten degrees and the humidity is thick enough to stall a jumbo jet. The kinds of people who feel most at home on the dark side of a one-way mirror.
Astral Weeks,” insofar as it can be pinned down, is a record about people stunned by life, completely overwhelmed, stalled in their skins, their ages and selves, paralyzed by the enormity of what in one moment of vision they can comprehend. It is a precious and terrible gift, born of a terrible truth, because what they see is both infinitely beautiful and terminally horrifying: the unlimited human ability to create or destroy, according to whim. It’s no Eastern mystic or psychedelic vision of the emerald beyond, nor is it some Baudelairean perception of the beauty of sleaze and grotesquerie. Maybe what it boils down to is one moment’s knowledge of the miracle of life, with its inevitable concomitant, a vertiginous glimpse of the capacity to be hurt, and the capacity to inflict that hurt.
The trains [in a country] contain the essential paraphernalia of the culture: Thai trains have the shower jar with the glazed dragon on its side, Ceylonese ones the car reserved for Buddhist monks, Indian ones a vegetarian kitchen and six classes, Iranian ones prayer mats, Malaysian ones a noodle stall, Vietnamese ones bulletproof glass on the locomotive, and on every carriage of a Russian train there is a samovar. The railway bazaar with its gadgets and passengers represented the society so completely that to board it was to be challenged by the national character. At times it was like a leisurely seminar, but I also felt on some occasions that it was like being jailed and then assaulted by the monstrously typical.
In the glittering light I got drunk and reeled through the rooms, And cried, “Cartagena! swamp of unholy loves!” And wept for the Indian whores who were younger than me, and I was eighteen, And splashed after the crew down the streets wearing sandals bought at a stall And got back to the ship, dawn came, we were far out at sea.
Misner walked away from the pulpit, to the rear wall of the church. There he stretched, reaching up until he was able to unhook the cross that hung there. He carried it then, past the empty choir stall, past the organ where Kate sat, the chair where Pulliam was, on to the podium and held it before him for all to see - if only they would. . . . Without this sign, the believer's life was confined to praising God and taking the hits. The praise was credit; the hits were interest due on a debt that could never be paid. . . . But with it, in the religion in which this sign was paramount and foundational, well, life was a whole other matter.