Suffocate Quotes (displaying: 1 - 30 of 73 quotes )
That image - of a little child being suffocated, or almost suffocated, by others who thought the whole thing was a game - melded with the furtive nocturnal slugs, and my solitary pacing and singing, and the separate, claustrophobic stairway, and the charmless abstract painting, and the gold-framed mirror, and the slithery green satin bedspread, and became inseperable from them. It wasn't a cheerful composite. As a memory, it is more like a fog bank than a sunlit meadow. Yet I think of that period as having been a happy time in my life. Happy is the wrong word. Important.
Two months after marching through Boston, half the regiment was dead; at the dedication, William James could almost hear the bronze Negroes breathe. Their monument sticks like a fishbonein the city's throat. Its Colonel is as leanas a compass-needle. He has an angry wrenlike vigilance, a greyhound's gently tautness; he seems to wince at pleasure, and suffocate for privacy. He is out of bounds now. He rejoices in man's lovely, peculiar power to choose life and die--when he leads his black soldiers to death, he cannot bend his back.
It has always seemed to me that if one falls in love with any gentleman one becomes instantly blind to his faults. But I am not blind to your faults, and I do not think that everything you do or say is right! Only—Is it being—not very comfortable—and cross—and not quite happy, when you aren’t there?” “That, my darling,” said his lordship, taking her ruthlessly into his arms,“is exactly what it s!” “Oh—!” Frederica gasped, as she emerged from an embrace which threatened to suffocate her. “Now I know! I am in love!
With his long sharp nails he opened a vein in his breast. When the blood began to spurt out, he took my hands in one of his, holding them tight and with the other ceased my neck and pressed my mouth to the wound so that I must either suffocate or swallow... Some of the...Oh my god…my god What have I done?
Kilgore Trout once wrote a short story which was a dialogue between two pieces of yeast. They were discussing the possible purposes of life as they ate sugar and suffocated in their own excrement. Because of their limited intelligence, they never came close to guessing that they were making champagne.
Natures of your kind, with strong, delicate senses, the soul-oriented, the dreamers, poets, lovers are always superior to us creatures of the mind. You take your being from your mothers. You live fully; you were endowed with the strength of love, the ability to feel. Whereas we creatures of reason, we don't live fully; we live in an arid land, even though we often seem to guide and rule you. Yours is the plentitude of life, the sap of the fruit, the garden of passion, the beautiful landscape of art. Your home is the earth; ours is the world of ideas. You are in danger of drowning in the world of the senses; ours is the danger of suffocating in an airless void. You are an artist; I am a thinker. You sleep at your mother's breast; I wake in the desert. For me the sun shines; for you the moon and the stars.
Arab children, Corn ears of the future, You will break our chains, Kill the opium in our heads, Kill the illusions. Arab children, Don't read about our suffocated generation, We are a hopeless case. We are as worthless as a water-melon rind. Dont read about us, Dont ape us, Dont accept us, Dont accept our ideas, We are a nation of crooks and jugglers. Arab children, Spring rain, Corn ears of the future, You are the generation. That will overcome defeat.
The forbidden cabinet. The forbidden fruit. That fruit is—a volume, a huge blue-lilac volume with a gold inscription slantwise: Collected Works of A.S. Pushkin. I read the fat Pushkin in the cabinet with my nose in the book and on the shelf, almost in darkness and almost right up against it and even a little bit suffocated by his weight that came right into the throat, and almost blinded by the nearness of the tiny letters. I read Pushkin right into the chest and right into the brain.
This is why a tainted society has invented psychiatry to defend itself against the investigations of certain superior intellects whose faculties of divination would be troublesome. No, van Gogh was not mad, but his paintings were bursts of Greek fire, atomic bombs, whose angle of vision would have been capable of seriously upsetting the spectral conformity of thebourgeoisie. In comparison with the lucidity of van Gogh, psychiatry is no better than a den of apes who are themselves obsessed and persecuted and who possess nothing to mitigate the most appalling states of anguish and human suffocation but a ridiculous terminology. To a man, this whole gang of pected scoundrels and patented quacks are all erotomaniacs.
God, who needs nothing, loves into existence wholly superfluous creatures in order that He may love and perfect them. He creates the universe, already foreseeing - or should we say "seeing"? there are no tenses in God - the buzzing cloud of flies about the cross, the flayed back pressed against the uneven stake, the nails driven through the mesial nerves, the repeated incipient suffocation as the body droops, the repeated torture of back and arms as it is time after time, for breath's sake, hitched up. If I may dare the biological image, God is a "host" who deliberately creates His own parasites; causes us to be that we may exploit and "take advantage of" Him. Herein is love. This is the diagram of Love Himself, the inventor of all loves.
There she was, welcoming him in, farting prrrrrrp like ten thousand earthquakes, belching arrrp and og like a million volcanoes, while the whole universe roared with approving laughter. She swung tits like sagging moons at him, drew from black teeth an endless snake of bacon-rind, pelted him with balls of ear-wax and snuffled green snot in his direction. The thrones roared and the powers were helpless. Enderby was suffocated by smells: sulphuretted hydrogren, unwashed armpits, halitosis, faeces, standing urine, putrefying meat - all thrust into his mouth and nostrils in squelchy balls. 'Help,' he tried to call. 'Help help help.' He fell, crawled, crying, 'Help, help.' The black, which was solid laughter and filth, closed on him. He gave one last scream before yielding to it.
I want to tell you something today, something that I have known for a long while, and you know it too; but perhaps you have never said it to yourself. I am going to tell you now what it is that I know about you and me and our fate. You, Harry, have been an artist and a thinker, a man full of joy and faith, always on the track of what is great and eternal, never content with the trivial and petty. But the more life has awakened you and brought you back to yourself, the greater has you need been and the deeper the sufferings and dread and despair that have overtaken you, till you were up to your neck in them. And all that you once knew and loved and revered as beautiful and sacred, all the belief you once had in mankind and our high destiny, has been of no avail and has lost its worth and gone to pieces. Your faith found no more air to breathe. And suffocation is a hard death. Is that true, Harry? Is that your fate?
In suffocating the voice of conscience, passion carries with itself a restlessness of the body and the senses: it is the restlessness of the "external man." When the internal man has been reduced to silence, then passion, once it has been given freedom of action, so to speak, exhibits itself as an insistent tendency to satisfy the senses and the body.
Misery is a vacuum. A space without air, a suffocated dead place, the abode of the miserable. Misery is a tenement block, rooms like battery cages, sit over your own droppings, lie on your own filth. Misery is a no U-turns, no stopping road. Travel down it pushed by those behind, tripped by those in front. Travel it at furious speed though the days are mummified in lead. It happens so fast once you get started, there's no anchor from the real world to slow you down, nothing to hold on to. Misery pulls away from the brackets of life leaving you to free fall. Whatever your private hell, you'll find millions like it in Misery. This a town where everyone's nightmares come true.
Here comes Mamma Vauquerr, fair as a starrr; and strung up like a bunch of carrots. Aren't we suffocating ourselves a wee bit?' he asked, placing a hand on the top of her corset. 'A bit of a crush in the vestibule, here, Mamma! If we start crying, there'll be an explosion. Never mind, I'll be there to collect the bits--just like an antiquary.' 'Now, there's the language of true French gallantry,' murmured Madame Vauquer in an aside to Madame Couture.
Swathed in silk, I feel like a caterpillar in a cocoon awaiting metamorphosis. I always supposed that to be a peaceful condition. At first it is. But as I journey into the night, I feel more and more trapped, suffocated by the slippery bindings, unable to emerge until I have transformed into something of beauty. I squirm, trying to shed my ruined body and unlock the secret to growing flawless wings. Despite enormous effort, I remain a hideous creature, fired into my current form by the blast from the bombs.
For an instant she felt them, their identities, almost their substance, pass over her head like a wave. At some time she would be? or no, already she was like that too; she was one of them, her body the same, identical, merged with that other flesh that choked the air in the flowered room with its sweet organic scent; she felt suffocated by this thick sargasso-sea of femininity.