Tapping Quotes (displaying: 1 - 30 of 210 quotes )
He could tell at once that they carried different sorts of bubble bath mixed with the water though it wasn't bubble bath as Harry had ever experienced. One tap gushed pink and blue bubbles the size of footballs; another poured ice-white foam so thick that Harry thought it would have supported his weight if he'd cared to test it; a third sent heavily perfumed purple clouds hovering over the surface of the water. Harry amused himself for a while turning the taps on and off, particularly enjoying the effect of one whose jet bounced off the surface of the water in large arcs.
As for the story itself, it was entitled "The Dancing Fool." Like so many Trout stories, it was about a tragic failure to communicate. Here was the plot: A flying saucer creature named Zog arrived on Earth to explain how wars could be prevented and how cancer could be cured. He brought the information from Margo, a planet where the natives conversed by means of farts and tap dancing. Zog landed at night in Connecticut. He had no sooner touched down than he saw a house on fire. He rushed into the house, farting and tap dancing, warning the people about the terrible danger they were in. The head of the house brained Zog with a golfclub.
The War Has Been Declared. Your Ally Been Ensnared. It Is Now Or It Is Never. Break The Code Or Die Forever. Time Is Running OutRunning OutRunning OutTo the Warrior Give My BladeBy His Hand Your Fate Is MadeBut Do Not Forget the TickingOr the Clicking, Clicking, ClickingWhile a Rat's Tongue May Be FlickingWith Its Feet It Does the TrickingFor the Paw and Not the Jaw Makes the Code of ClawTime Is Standing StillStanding StillStanding StillSince the Princess Is the KeyTo Unlock the TreacheryShe Cannot Avoid the Matching or the Scratching, Scratching, ScratchingWhen a Secret Plot is HatchingIn the Naming Is the CatchingWhat She Saw, It Is the FlawOf the Code of ClawTime is Turning BackTurning BackTurning BackWhen the Monster's Blood Is SpilledWhen the Warrior Has Been KilledYou Must Not Ingore the RappingOr the Tapping, Tapping, TappingIf the Gnawers Find you NappingYou Will Rot While They Are MappingOut the Law of Those Who GnawIn the Code of Claw
Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore--While I nodded, nearly napping, suddenly there came a tapping, As if some one gently rapping, rapping at my chamber door. "'Tis some visitor," I muttered, "tapping at my chamber door--Only this and nothing more.
Who taught you to write in blood on my back? Who taught you to use your hands as branding irons? You have scored your name into my shoulders, referenced me with your mark. The pads of your fingers have become printing blocks, you tap a message on to my skin, tap meaning into my body. Your morse code interferes with my heart beat. I had a steady heart before I met you, I relied upon it, it had seen active service and grown strong. Now you alter its pace with your own rhythm, you play upon me, drumming me taut.
Cradle Song for Eleano?: Sleep, my darling, sleep; The pity of it all Is all we compass if We watch disaster fall. Put off your twenty-odd Encumbered years and creep Into the only heaven, The robber? cave of sleep. The wild grass will whisper, Lights of passing cars Will streak across your dreams And fumble at the stars; Life will tap the window Only too soon again, Life will have her answer? Do not ask her when. When the winsome bubble Shivers, when the bough Breaks, will be the moment But not here or now. Sleep and, asleep, forget The watchers on the wall Awake all night who know The pity of it all.
On the ride back south, she tapped all the anger-management tricks they'd given her in job training. They played across her windshield like PowerPoint slides. Number One: It's not about you. Number Two: Your plan is not the world's. Number Three: The mind can make a heaven of hell, a hell of heaven. (24)
Concerning trees and leaves... there's a real power here. It is amazing that trees can turn gravel and bitter salts into these soft-lipped lobes, as if I were to bite down on a granite slab and start to swell, bud and flower. Every year a given tree creates absolutely from scratch ninety-nine percent of its living parts. Water lifting up tree trunks can climb one hundred and fifty feet an hour; in full summer a tree can, and does, heave a ton of water every day. A big elm in a single season might make as many as six million leaves, wholly intricate, without budging an inch; I couldn't make one. A tree stands there, accumulating deadwood, mute and rigid as an obelisk, but secretly it seethes, it splits, sucks and stretches; it heaves up tons and hurls them out in a green, fringed fling. No person taps this free power; the dynamo in the tulip tree pumps out even more tulip tree, and it runs on rain and air.
To each there comes in their lifetime a special moment when they are figuratively tapped on the shoulder and offered the chance to do a very special thing, unique to them and fitted to their talents. What a tragedy if that moment finds them unprepared or unqualified for that which could have been their finest hour.
I figured the government wouldn't let poison flow from the taps. But in general, I'm too trusting of the government. I'm the polar opposite of the Tea Partiers. I have no problem with a nanny state. But in this case, the nanny state has been chatting on the cell phone and ignoring the baby as it plays with matches.
Song of a Second April APRIL this year, not otherwise Than April of a year ago Is full of whispers, full of sighs, Dazzling mud and dingy snow; Hepaticas that pleased you so Are here again, and butterflies. There rings a hammering all day, And shingles lie about the doors; From orchards near and far away The gray wood-pecker taps and bores, And men are merry at their chores, And children earnest at their play. The larger streams run still and deep; Noisy and swift the small brooks run. Among the mullein stalks the sheep Go up the hillside in the sun Pensively; only you are gone, You that alone I cared to keep.
The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.
Out of the clouds I hear a faint bark, as of a faraway dog. It is strange how the world cocks its ear to that sound, wondering. Soon it is louder: the honk of geese, invisible, but coming on. The flock emerges from the low clouds, a tattered banner of birds, dipping and rising, blown up and blown down, blown together and blown apart, but advancing, the wind wrestling lovingly with each winnowing wing. When the flock is a blur in the far sky I hear the last honk, sounding taps for summer. It is warm behind the driftwood now, for the wind has gone with the geese. So would I--if I were the wind.
A little tap at the window, as though some missile had struck it, followed by a plentiful, falling sound, as light, though, as if a shower of sand were being sprinkled from a window overhead; then the fall spread, took on an order, a rhythm, became liquid, loud, drumming, musical, innumerable, universal. It was the rain
Reconciliation means that those who have been on the underside of history must see that there is a qualitative difference between repression and freedom. And for them, freedom translates into having a supply of clean water, having electricity on tap; being able to live in a decent home and have a good job; to be able to send your children to school and to have accessible health care. I mean, what's the point of having made this transition if the quality of life of these people is not enhanced and improved? If not, the vote is useless.'-archbishop Desmond Tutu, chair of South Africa's Truth and Reconciliation Committee, 2001
I keep thinking about all the kids who got wiped out by seventeen years of war movies before coming to Vietnam to get wiped out for good. You do?t know what a media freak is until yo?ve seen the way a few of those grunts would run around during a fight when they knew that there was a television crew nearby; they were actually making war movies in their heads, doing little guts-and-glory Leatherneck tap dances under fire, getting their pimples shot off for the networks. They were insane, but the war had?t done that to them. Most combat troops stopped thinking of the war as an adventure after their first few firefights, but there were always the ones who could?t let that go, these few who were up there doing numbers for the camera? W?d all seen too many movies, stayed too long in Television City, years of media glut had made certain connections difficult.
At length the Turk turned to Larry:'You write, I believe?' he said with complete lack of interest.Larry's eyes glittered. Mother, seeing the danger signs, rushed in quickly before he could reply.'Yes, yes' she smiled, 'he writes away, day after day. Always tapping at the typewriter''I always feel that I could write superbly if I tried' remarked the Turk.'Really?' said Mother. 'Yes, well, it's a gift I suppose, like so many things.''He swims well' remarked Margo, 'and he goes out terribly far''I have no fear' said the Turk modestly. 'I am a superb swimmer, so I have no fear. When I ride the horse, I have no fear, for I ride superbly. I can sail the boat magnificently in the typhoon without fear'He sipped his tea delicately, regarding our awestruck faces with approval.'You see' he went on, in case we had missed the point, 'you see, I am not a fearful man.