Teen Quotes (displaying: 91 - 120 of 4875 quotes )
Well? you may ask,?how may I know when I am in love?. . . George Q. Morris [who later became a member of the Quorum of the Twelve Apostles, gave this reply]:?My mother once said that if you meet a girl in whose presence you feel a desire to achieve, who inspires you to do your best, and to make the most of yourself, such a young woman is worthy of your love and is awakening love in your heart.
slowly she spread her arms and stood there swan-like, radiating a pride in her young perfection that lit a warm glow in Carlyle's heart. "We're going through the black air with our arms wide," she called, "and our feet straight out behind like a dolphin's tail, and we're going to think we'll never hit the silver down there till suddenly it'll be all warm round us and full of little kissing, caressing waves." Then she was in the air, and Carlyle involuntarily held his breath. He had not realized that the dive was nearly forty feet. It seemed an eternity before he heard the swift compact sound as she reached the sea. And it was with his glad sigh of relief when her light watery laughter curled up the side of the cliff and into his anxious ears that he knew he loved her.
Two chubby, expressionless boys stand to my right. They were once cute children, but now I imagine that they spend hours in dark rooms looking at violent porn. Or perhaps they have tender reveries about being sweet to the girls that they adore from a distance. I'd like to think about them in a generous light -- that they are actually gentle young men -- but it's hard not to stereotype them as potential serial killers. It's their eerie, still blankness that makes me think they're capable of murder -- and the fact that I'm in the Midwest. The Midwest seems to cultivate serial killing. Must be the boxed in geography. (Jonathan Ames, Middle-American Gothic)
Clare could bear this no longer. His eyes were full of tears, which seemed like drops of molten lead. He bade a quick good-night to these sincere and simple souls whom he loved so well; who knew neither the world, the flesh, or the devil in their own hearts; only as something vague and external to themselves. He went to his own chamber.His mother followed him, and tapped at his door. Clare opened it to discover her standing without, with anxious eyes. "Angel," she asked, "is there something wrong that you must go away so soon? I am quite certain you are not yourself.""I am not, quite, mother," said he."About her? Now, my son, I know it is that--I know it is about her! Have you quarreled in these three weeks?""We have not exactly quarreled," he said. "But we have had a difference--""Angel--is she a young woman whose history will bear investigation?"With a mother's instinct Mrs. Clare had put her finger on the kind of trouble that would cause such a disquiet as seemed to agitate her son. "She is spotless!" he replied; and he felt that if it had sent him to eternal hell there and then he would have told that lie.
Practically all writers and artists are aware of their destiny and see themselves as actors in a fateful drama. With me, nothing is momentous: obscure youth, glorious old age, fateful coincidences? nothing really matters. I have written a number of good sentences. I have kept free of delusions. I know I am going to die soon. .
What do you do?' she asks, holding out the vest.'What do you do?''What do you do?' she asks, her voice shaking. 'Don't ask me, please. Okay, Clay?''Why not?'She sits on the mattress after I get up. Muriel screams.'Because... I don't know,' she sighs.I look at her and don't feel anything and walk out with my vest.
Some rooftop, water-tank looming, street-racket strangely quelledand other known and unknown there, long sweet summer eveningon the tarred roof:leaned back your head to the nightvault swarming with starsthe Pleiades broken loose, not seven but thousandsevery known constellation flinging out fiery threadsand you could distinguish all-cobwebs, tendrils, anatomies of starscoherently hammocked, blueblack avenues betwee?It was New York, the dream-sitethe lost city the city of dreadful ligh?wewent striding the avenues in our fiery hairin our bodies young and ordinary riding the subways readingor pressed against other bodiesfeeling in them the maps of Brooklyn Queens Manhatta?
Song of myselfNow I will do nothing but listen, To accrue what I hear into this song, to let sounds contribute toward it. I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night, Talkative young ones to those that like them, the loud laugh of work-people at their meals, The angry base of disjointed friendship, the faint tones of the sick, The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence, The heave'e'yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters, The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights, The steam-whistle, the solid roll of the train of approaching cars, The slow march play'd at the head of the association marching two and two, (They go to guard some corpse, the flag-tops are draped with black muslin.) I hear the violoncello, ('tis the young man's heart's complaint,) I hear the key'd cornet, it glides quickly in through my ears, It shakes mad-sweet pangs through my belly and breast. I hear the chorus, it is a grand opera, Ah this indeed is music--this suits me.
As a young man just beginning to publish some short fiction in the t&a magazines, I was fairly optimistic about my chances of getting published; I knew that I had some game, as the basketball players say these days, and I also felt that time was on my side; sooner or later the best-selling writers of the sixties and seventies would either die or go senile, making room for newcomers like me.
Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago." Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear." But Mrs. Bentley had stubbornly kept them. "It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen." It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors." If he were alive tonight, what would he say? "You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture." "Affidavits?" No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you." Mrs. Bentley nodded at the memory, breathing easier. "Yes, I see. I see." The gold-feruled cane lay silently on the moonlit rug. "In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do." She slept . . .
Our way was to share a fire until it burned down, ayi? To speak to each other until every person was satisfied. Younger men listened to older men. Now the Beelezi tell us the vote of a young, careless man counts the same as the vote of an elder.' In the hazy heat Tata Ndu paused to take off his hat, turn it carefully in his hands, then replace it above the high dome of his forehead. No one breathed. 'White men tell us: Vote, bantu! They tell us: You do not all have to agree, ce n'est pas necessaire! If two men vote yes and one says no, the matter is finished. A bu, even a child can see how that will end. It takes three stones in the fire to hold up the pot. Take one away, leave the other two, and what? The pot will spill into the fire.
It is an illusion that youth is happy, an illusion of those who have lost it; but the young know they are wretched for they are full of the truthless ideal which have been instilled into them, and each time they come in contact with the real, they are bruised and wounded. It looks as if they were victims of a conspiracy; for the books they read, ideal by the necessity of selection, and the conversation of their elders, who look back upon the past through a rosy haze of forgetfulness, prepare them for an unreal life. They must discover for themselves that all they have read and all they have been told are lies, lies, lies; and each discovery is another nail driven into the body on the cross of life.
Under the stars,' she repeated. 'I never noticed the stars before. I always thought of them as great big diamonds that belonged to someone. Now they frighten me. They make me feel that it was all a dream, all my youth.'It was a dream,' said John quietly. 'Everybody's youth is a dream, a form of chemical madness.'How pleasant then to be insane!'So I'm told,' said John gloomily. 'I don't know any longer. At any rate, let us love for a while, for a year or so, you and me. That's a form of divine drunkenness that we can all try. There are only diamonds in the whole world, diamonds and perhaps the shabby gift of disillusion. Well, I have that last and I will make the usual nothing of it.
The problems of today's youth were no longer a Sunday supplement, or a news broadcast, or anything so remote and intangible. They were suddenly become a dirty, shivering boy, who told us that in this world we had built for him with our sweat and our blood, he was not only tired of living, but so unscared of dying that he did it daily, sometimes for recreation.