Theatrical Quotes (displaying: 1 - 30 of 102 quotes )
For everything there is a season. I'd miss having the seasons, people from New York like to say by way of indicating the extraordinary pride they take in not living in Southern California. In fact Southern California does have seasons (it has for example "fire season" or "the season when the fire comes," and it also has the season when the rains comes, but such Southern California seasons, arriving as they do so theatrically as to seem strokes of random fate, do not inexorably suggest the passage of time. Those other seasons, the ones so prized on the East Coast, do. Seasons in Southern California suggest violence, but not necessarily death. Seasons in New York-the relentless dropping of the leaves, the steady darkening of the days, the blue nights themselves-suggest only death.
We're pupils of the religions—Catholic, Protestant, Jewish . . . Well, the Christian religions. Those who directed French education down through the centuries were the Jesuits. They taught us how to make sentences translated from the Latin, well balanced, with a verb, a subject, a complement, a rhythm. In short—here a speech, there a preach, everywhere a sermon! They say of an author, “He knits a nice sentence!” Me, I say, “It's unreadable.” They say, “What magnificent theatrical language!” I look, I listen. It's flat, it's nothing, it's nil. Me, I've slipped the spoken word into print. In one sole shot.
Dying. Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical. Comeback in broad day. To the same place, the same face, the same brute. Amused shout:'A miracle!'That knocks me out.
It was if the charming theatrical curtain had dropped away and I saw him for the first time as he really was: not the benign old sage, the indulgent and protective good-parent of my dreams, but ambiguous, a moral neutral, whose beguiling trappings concealed a being watchful, capricious, and heartless.
Jane felt that he would write from the depths of a wretchedness that would not necessarily be insincere because its outward signs were so theatrical. Pesumably attractive men and probably woman too must always be suffering in this way; they must so often have to reject and cast aside love, and perhaps even practice did not always make them ruthless and cold-blooded enough to do it without feeling any qualms.
It is possible that God says every morning, "Do it again" to the sun; and every evening, "Do it again" to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God has never got tired of making them... The repetition in Nature may not be a mere recurrence; it may be a theatrical encore.
The time of minor poets is coming. Good-by Whitman, Dickinson, Frost. Welcome you whose fame will never reach beyond your closest family, and perhaps one or two good friends gathered after dinner over a jug of fierce red wine… While the children are falling asleep and complaining about the noise you’re making as you rummage through the closets for your old poems, afraid your wife might’ve thrown them out with last spring’s cleaning. It’s snowing, says someone who has peeked into the dark night, and then he, too, turns toward you as you prepare yourself to read, in a manner somewhat theatrical and with a face turning red, the long rambling love poem whose final stanza (unknown to you) is hopelessly missing.
The Persian Version. Truth-loving Persians do not dwell upon. The trivial skirmish fought near Marathon. As for the Greek theatrical tradition. Which represents that summer's expedition. Not as a mere reconnaisance in force. By three brigades of foot and one of horse(Their left flank covered by some obsolete. Light craft detached from the main Persian fleet)But as a grandiose, ill-starred attempt. To conquer Greece - they treat it with contempt; And only incidentally refute. Major Greek claims, by stressing what repute. The Persian monarch and the Persian nation. Won by this salutary demonstration: Despite a strong defence and adverse weather. All arms combined magnificently together.
Glory is largely a theatrical concept. There is no striving for glory without a vivid awareness of an audience... The desire to escape or camouflage their unsatisfactory selves develops in the frustrated a facility for pretending -- for making a show -- and also a readiness to identify themselves wholly with an imposing spectacle.
There was something theatrical about the protest, ingratiating even. . . . There was a shadow of transaction between the demonstrators and the state. The protest was a form of systemic hygiene, purging and lubricating. It attested again, for the ten thousandth time, to the market culture’s innovative brilliance, its ability to shape itself to its own flexible ends, absorbing everything around it.
Strangman shrugged theatrically. "It might," he repeated with great emphasis. "Let's admit that. It makes it more interesting—particularly for Kerans. 'Did I or did I not try to kill myself?' One of the few existential absolutes, far more significant than 'To be or not to be?', which merely underlines the uncertainty of the suicide, rather than the eternal ambivalence of his victim." He smiled down patronisingly at Kerans as the latter sat quietly in his chair, sipping at the drink Beatrice had brought him. "Kerans, I envy you the task of finding out—if you can.
A phenomenon that a number of people have noted while in deep depression is the sense of being accompanied by a second self? a wraithlike observer who, not sharing the dementia of his double, is able to watch with dispassionate curiosity as his companion struggles against the oncoming disaster, or decides to embrace it. There is a theatrical quality about all this, and during the next several days, as I went about stolidly preparing for extinction, I couldn't shake off a sense of melodrama? a melodrama in which I, the victim-to-be of self-murder, was both the solitary actor and lone member of the audience.
Nothing is so sad, in my opinion, as the devastation wrought by age. My poor friend. I have described him many times. Now to convey to you the difference. Crippled with arthritis, he propelled himself about in a wheelchair. His once plump frame had fallen in. He was a thin little man now. His face was lined and wrinkled. His moustache and hair, and hair, it is true, were still of a jet black colour, but candidly, though I would not for the world have hurt his feelings by saying so to him, this was a mistake. There comes a moment when hair dye is only too painfully obvious. There had been a time when I had been surprised to learn that the blackness of Poirot's hair came out of a bottle. But now the theatricality was apparent and merely created the impression that he wore a wig and had adorned his upper lip to amuse children!
Gail loved to talk about how stressed she was. She would do this thing where we'd be walking in the hallway, and suddenly she'd stop in her tracks, rub both of her temples with her index and middle fingers, and theatrically let out a deep guttural moan: "Mooooog."Mooog. Minz. I am just so stressed out," she'd say. "I just want to go home, open a bottle of red wine, draw up a hot bath, light some candles and listen to David Gray." A note about me: I do not think stress is a legitimate topic of conversation, in public anyway. No one ever wants to hear how stressed out anyone else is, because most of the time everyone is stressed out. Going on and on in detail about how stressed out I am isn't conversation. It'll never lead anywhere. No one is going to say, "Wow, Mindy, you really have it especially bad. I have heard some stories of stress, but this just takes the cake.