Tick Quotes (displaying: 1 - 30 of 418 quotes )
Tick's strategy for dealing with lying adults is to say nothing and watch thee lies swell and constrict in their throats. when this happens, the lie takes on a physical life of its own and must be either expelled or swallowed. Most adults prefer to expel untruths with little burplike coughs behind their hands, while others chuckle or snort or make barking sounds. When Mr. Meyer's Adam's apple bobs once, Tick sees that he's a swallower, and that this particular lie has gone south down his esophagus and into his stomach. According to her father, the man suffers from bleeding ulcers. Tick can see why. She imagines all the lies a man in his position would have to tell, how they must just churn away down there in his intestines like chunks of indigestible food awaiting elimination. By the Tick suspects, lies seek open air. they don't like being confined in dark, cramped places.
And then there was Tick. Brave little Tick, who had flown into the faces of an army of rats to save his baby sister. Tick - who never spoke much. Tick - who shared her food. Tick - who was after all just a roach. Just a roach who had given all the time she had left so that Boots could have more. Gregor pressed Boots's fingers against his lips and felt scalding tears begin to slide down his cheeks. He hadn't cried, not the whole time he'd been down here, and there had been plenty of bad stuff. But somehow Tick's sacrifice had crushed whatever thin shell remained between him and sorrow.
The great adventure of our lives. What does it mean to die when you can live until the end of the world? and what is 'the end of the world' except a phrase, because who knows even what is the world itself? I had now lived in two centuries, seen the illusions of one shattered by the other, been eternally young and eternally ancient, possessing no illusions, living moment to moment in a way that made me picture a silver clock ticking in a void: the painted face, the delicately carved hands looked upon by no one, looking out at no one, illuminated by a light which was not a light, like the light by which god made the world before He had made light. Ticking, ticking, ticking, the precision of the clock, in a room as vast as the universe.
INEZ: To forget about the others? How utterly absurd! I feel you there, in every pore.Your silence clamours in my ears. You can nail up your mouth, cut your tongue out - but you can't prevent your being there. Can you stop your thoughts? I hear them ticking away like a clock, tick-tock, tick-tock, and I'm certain you hear mine. It's all very well skulking on your sofa, but you're everywhere, and every sound comes to me soiled because you've intercepted it on its way. Why, you've even stolen my face; you know it and I don't ! And what about her, about Estelle? You've stolen her from me, too; if she and I were alone do you suppose she'd treat me as she does? No, take your hands from your face, I won't leave you in peace - that would suit your book too well. You'd go on sitting there, in a sort of trance, like a yogi, and even if I didn't see her I'd feel it in my bones - that she was making every sound, even the rustle of her dress, for your benefit, throwing you smiles you didn't see... Well, I won't stand for that, I prefer to choose my hell; I prefer to look you in the eyes and fight it out face to face.
And one cried wee, wee, wee, all the way—" Jessica breaking down in a giggle as he reaches for the spot along her sweatered flank he knows she can't bear to be tickled in. She hunches, squirming, out of the way as he rolls past, bouncing off the back of the sofa but making a nice recovery, and by now she's ticklish all over, he can grab an ankle, elbow— But a rocket has suddenly struck. A terrific blast quite close beyond the village: the entire fabric of the air, the time, is changed—the casement window blown inward, rebounding with a wood squeak to slam again as all the house still shudders. Their hearts pound. Eardrums brushed taut by the overpressure ring in pain. The invisible train rushes away close over the rooftop.... They sit still as the painted dogs now, silent, oddly unable to touch. Death has come in the pantry door: stands watching them, iron and patient, with a look that says try to tickle me.
Then there was a hard brown lozenge called the Tonsil Tickler. The Tonsil Tickler tasted and smelled very strongly of chloroform. We had not the slightest doubt that these things were saturated in the dreaded anaesthetic which, as Thwaites had many times pointed out to us, could put you to sleep for hours at a stretch. "If my father has to saw off somebody's leg," he said, "he pours chloroform on to a pad and the person sniffs it and goes to sleep and my father saws his leg off without him even feeling it." "But why do they put it into sweets and sell them to us?" we asked him. You might think a question like this would have baffled Thwaites. But Thwaites was never baffled. "My father says Tonsil Ticklers were invented for dangerous prisoners in jail," he said. "They give them one with each meal and the chloroform makes them sleepy and stops them rioting." "Yes," we said, "but why sell them to children?" "It's a plot," Thwaites said. "A grown-up plot to keep us quiet.
And people think she killed him?" said Miss Tick. She sighed. "They probably think she cooked him in the oven, or something."They never actually said," said Tiffany. "But I think it was something like that, yes."And did his horse turn up?" said Miss Tick."No," said Tiffany. "And that was strange, because if it'd turned up anywhere along the hills, people would have noticed it..."Miss Tick folded her hands, sniffed, and smiled a smile with no humor in it."Easily explained," she said. "Mrs. Snapperly must have had a really big oven, eh?"No, it was really quite small," said Tiffany. "Only ten inches deep.
The world - whatever we might think when terrified by its vastness and our own impotence, or embittered by its indifference to individual suffering, of people, animals, and perhaps even plants, for why are we so sure that plants feel no pain; whatever we might think of its expanses pierced by the rays of stars surrounded by planets we've just begun to discover, planets already dead? still dead? we just don't know; whatever we might think of this measureless theater to which we've got reserved tickets, but tickets whose lifespan is laughably short, bounded as it is by two arbitrary dates; whatever else we might think of this world - it is astonishing.
Not a thousand years ago, it was illegal to teach a slave to read. Not a thousand years ago, the Supreme Court decided that separate could not be equal. And today, as we sit here, no one is learning anything in this country. You see a nation which is the leader of the rest of the world, that had to pay the price of that ticket, and the price of that ticket is we're sitting in the most illiterate nation in the world. THE MOST ILLITERATE NATION IN THE WORLD. A monument to illiteracy. And if you doubt me, all you have to do is spend a day in Washington. I am serious as a heart attack.
You’d better tell me what you know, toad,” said Tiffany. “Miss Tick isn’t here. I am.” “Another world is colliding with this one,” said the toad. “There. Happy now? That’s what Miss Tick thinks. But it’s happening faster than she expected. All the monsters are coming back.” “Why?” “There’s no one to stop them.” There was silence for a moment. “There’s me,” said Tiffany.
Miss Tick sniffed. 'You could say this advice is priceless,' she said. 'Are you listening?' 'Yes,' said Tiffany. 'Good. Now ... if you trust in yourself ...' 'Yes?' '... and believe in your dreams ...' 'Yes?' '... and follow your star ...' Miss Tick went on. 'Yes?' '... you'll still get beaten by people who spent THEIR time working hard and learning things and weren't so lazy. Goodbye.
Has it ever happened, you’ve seen a striking film, beautifully written and acted and photographed, that you walk out of the theater glad to be a human being and you say to yourself I hope they make a lot of money from that? I hope the actors, I hope the director earns a million dollars for what they’ve done, what they’ve given me tonight? And you go back and see the movie again and you’re happy to be a tiny part of the system that is rewarding those people with every ticket...the actors I see on the screen, they’ll get twenty cents of this very dollar I’m paying now; they’ll be able to buy an ice cream cone any flavor they want from their share of my ticket alone. Glorious moments in art in books and films and dance, they’re delicious because we see ourselves in glory’s mirror.
At the center of the bouquet is a monstrous peony, probably purchased on sale at the supermarket. By Tuesday its curling petals had begun to collect at the bottom of the vase, infusing the room with the faint but unmistakable sweet odor of corruption and imminent death. ... In Tick's opinion there was something extravagantly excessive about the peony from the start, as if God had intended so suggest with this particular bloom that you could have too much of a good thing. The swiftness with which the fallen petals bean to stink drove the point home in case anybody missed it. As a rule, Tick leans toward believing that there is no God, but she isn't so sure at times like this, when pockets of meaning emerge so clearly that they feel like divine communication.
The world was so unbearably pretty, and it continued being so all the way down the mountain to school. I felt slightly high because of the beauty, and the inside of my head tickled. I wondered if this is how artists go through life, with all of its sensations tickling their craniums like a peacock feather..
The silly ass had left the kitchen door open, and I hadn't gone two steps when his voice caught me squarely in the eardrum.'You will find Mr Wooster', he was saying to the substitue chappie, 'an extremely pleasant and amiable young gentleman, but not intelligent. By no means intelligent. Mentally he is negligible - quite negligible'. Well, I mean to say. What! I suppose, strictly speaking, I ought to have charged in and ticked the blighter off properly in no uncertain voice. But I doubht whether it is humanly possible to tick Jeeves off.
Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago." Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear." But Mrs. Bentley had stubbornly kept them. "It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen." It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors." If he were alive tonight, what would he say? "You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture." "Affidavits?" No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you." Mrs. Bentley nodded at the memory, breathing easier. "Yes, I see. I see." The gold-feruled cane lay silently on the moonlit rug. "In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do." She slept . . .
Is there in the whole world a being who would have the right to forgive and could forgive? I don't want harmony. From love for humanity I don't want it. I would rather be left with the unavenged suffering. I would rather remain with my unavenged suffering and unsatisfied indignation, even if I were wrong. Besides, too high a price is asked for harmony; it's beyond our means to pay so much to enter on it. And so I hasten to give back my entrance ticket, and if I am an honest man I am bound to give it back as soon as possible. And that I am doing. It's not God that I don't accept, Alyosha, only I most respectfully return him the ticket.
While there is still time, I hasten to protect myself, and so I renounce the higher harmony altogether. It's not worth the tears of that one tortured child who beat itself on the breast with its little fist and prayed in its stinking outhouse, with its unexpiated tears to 'dear, kind God'! It's not worth it, because those tears are unatoned for. They must be atoned for, or there can be no harmony... I don't want harmony. From love for humanity I don't want it. I would rather be left with the unavenged suffering. I would rather remain with my unavenged suffering and unsatisfied indignation, even if I were wrong. Besides, too high a price is asked for harmony; it's beyond our means to pay so much to enter on it. And so I hasten to give back my entrance ticket, and if I am an honest man I am bound to give it back as soon as possible. And that I am doing. It's not God that I don't accept, Alyosha, only I most respectfully return him the ticket.