Traditionally Quotes (displaying: 1 - 30 of 63 quotes )
Traditionally, I have responded to the transcendent mystics of all religions. I have always responded with breathless excitement to anyone who has ever said that God does not live in a dogmatic scripture or in a distant throne in the sky, but instead abides very close to us indeed- much closer than we can imagine, breathing right through our own hearts.
Traditionally, people have been adapting novels and short stories forever. Now, they're doing it simultaneously, with an eye towards writing the movie before the novel has even come out or been finished. It's a function of this hyper-accelerated society we live in, where everyone is trying to short circuit the process.
There are two kinds of humor. One kind that makes us chuckle about our foibles and our shared humanity - like what Garrison Keillor does. The other kind holds people up to public contempt and ridicule - that's what I do. Satire is traditionally the weapon of the powerless against the powerful. I only aim at the powerful. When satire is aimed at the powerless, it is not only cruel - it's vulgar.
I'm going to go out on a limb here. I've thought a lot about this one, as a feminist, and as an author. How should traditional roles be portrayed? In fantasy literature there is a school of thought that holds that women must be treated precisely like men. Only the traditional male sphere of power and means of wielding power count. If a woman is shown in a traditionally female role, then she must be being shown as inferior. After a lot of thought, and some real-life stabs at those traditional roles, I've come to firmly disagree with this idea. For an author to show that only traditional male power and place matter is to discount and belittle the hard and complex lives of our peers and our ancestresses.
It is all very well, in these changing times, to adapt one's work to take in duties not traditionally within one's realm; but bantering is of another dimension altogether. For one thing, how would one know for sure that at any given moment a response of the bantering sort is truly what is expected? One need hardly dwell on the catastrophic possibility of uttering a bantering remark only to discover it wholly inappropriate.
The Santa Monica Freeway is traditionally the scene of every form of automotive folly known to man. It is not white and well-bred like the San Diego, nor as treacherously engineered as the Pasadena, nor quite as ghetto-suicidal as the Harbor. No, one hesitates to say it, but the Santa Monica is a freeway for freaks.
There is something about the act of studying an unclothed body, as an artist does, that allows a person to appreciate it as pure form, regardless of the kinds of traits traditionally regarded as imperfections. In a figure drawing class, an obese woman's folds of flesh take on a kind of beauty. You can look at a man's shrunken chest or legs or buttocks with tenderness. Age is not ugly, just poignant.
As the surface of the seashore rocks were pitted by by the waves and gathered limpets that further disguised what lay beneath, so time made truth of what appeared to be. The days that passed, in becoming weeks, still did not disturb the surface an assumption had created. The weather of a beautiful summer continued with neither sign nor hint that credence had been misplaced. The single sandal found among the rocks became a sodden image of death; and as the keening on the pier at Kilauran traditionally marked distres brought by the sea, so did silence at Lahardane.
I don't like categorizing stuff, but women's roles all through history have been to act as hierophant or someone who's guarded the secrets or guarded the temple. I'm a girl doing what guys usually did, the way that I look, the goals and kinds of things I want to help achieve through rock. It's more heroic stuff and heroic stuff has been traditionally male. Like Hendrix and Jim Morrison and all those people. I mean, Jim Morrison was trying to elevate the word; he was the poet in rock & roll before me. He was an academic poet. Lou Reed -- another academic poet. I'm more like down-to-earth than them guys
For all the talk about the need to be a likable "team player," many people work in a fairly cutthroat environment that would seem to be especially challenging to those who possess the recommended traits. Cheerfulness, upbeatness, and compliance: these are the qualities of subordinates -- of servants rather than masters, women (traditionally, anyway) rather than men. After advising his readers to overcome the bitterness and negativity engendered by frequent job loss and to achieve a perpetually sunny outlook, management guru Harvey Mackay notes cryptically that "the nicest, most loyal, and most submissive employees are often the easiest people to fire." Given the turmoil in the corporate world, the prescriptions of niceness ring of lambs-to-the-slaughter.
Postmodernity is said to be a culture of fragmentary sensations, eclectic nostalgia, disposable simulacra, and promiscuous superficiality, in which the traditionally valued qualities of depth, coherence, meaning, originality, and authenticity are evacuated or dissolved amid the random swirl of empty signals.
Myths, whether in written or visual form, serve a vital role of asking unanswerable questions and providing unquestionable answers. Most of us, most of the time, have a low tolerance for ambiguity and uncertainty. We want to reduce the cognitive dissonance of not knowing by filling the gaps with answers. Traditionally, religious myths have served that role, but today? the age of science? science fiction is our mythology.
Philanthropists and donors traditionally haven't been sufficiently interested in women's rights abroad, giving money instead to higher brow causes such as the ballet or art museums. There could be a powerful international women's rights movement if only philanthropists would donate as much to real women as to paintings and sculptures of women.
Because the egoic mind has led us to feel separate from our immortal Ground of Being over the millennia, we have invented a number of immortality symbols to give us a precarious sense of security and identity in life. Traditionally, these have been religious in character, such as the belief in everlasting life after death, in the West, and the belief in reincarnation, in the East. However, today, it is money that provides the primary immortality symbol. It is our obsession for money that is driving humanity to extinction. For when we do not face our fears with full consciousness and intelligence, these fears will eventually come along to haunt us.