Tress Quotes (displaying: 1 - 19 of 19 quotes )
His leaf-gold tresses on end, his eyes in baskets from the long night without sleep, Phelim ?LiamRoe smacked his two fists together and cursed. The Queen Dowager, hardly aware of him, had turned her erect body to the window, followed by Margaret Erskin?s wide eyes. But Michel Hrisson, who had arrived so unexpectedly on the Irishma?s heels, ran his hacked and gouty hands through the wild white hair and said through his teeth,?Liam aboo, son, Liam aboo! My Gaeli?s all out in holes, the way my arse is ridden out through my breeches; but if you are saying what I hope you are saying, Liam aboo, my son, Liam aboo!
The truth is that all this was just part of the suicide process. Because tanning and steroids are only a problem if you plan to live a long time. Because the only difference between a suicide and a martyrdom really is the amount of press coverage. If a tress falls in the forest and nobody is there to hear it, doesn’t it just lie there and rot? And if Christ had died from a barbiturate overdose, alone on the bathroom floor, would He be in Heaven This wasn’t a question of whether I was going to kill myself. This, this effort, this money and time, the writing team, the drugs, the diet, the agent, the flights of stairs going up to nowhere, all this was so I could off myself with everyone’s full attention.
He was not afraid. At every moment Nature signified by some laughing hint like that gold spot which went round the wall--there, there, there--her determination to show, by brandishing her plumes, shaking her tresses, flinging her mantle this way and that, beautifully, always beautifully, and standing close up to breathe through her hollowed hands Shakespeare's words, her meaning.
Her nerves extended into those tresses, and her temper could always be softened by stroking them down. When her hair was brushed she would instantly sink into stillness and look like the Sphinx. If, in passing under one of the Edgon banks, any of its thick skeins were caught, as they sometimes were, by a prickly tuft of the large Ulex Europaeus--which will act as a sort of hairbrush--she would go back a few steps, and pass against it a second time.
All forests have their own personality. I don't just mean the obvious differences, like how an English woodland is different from a Central American rain forest, or comparing tracts of West Coast redwoods to the saguaro forests of the American Southwest... they each have their own gossip, their own sound, their own rustling whispers and smells. A voice speaks up when you enter their acres that can't be mistaken for one you'd hear anyplace else, a voice true to those particular tress, individual rather than of their species.
She walks in beauty, like the night Of cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes: Thus mellow’d to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less, Had half impair’d the nameless grace Which waves in every raven tress, Or softly lightens o’er her face; Where thoughts serenely sweet express How pure, how dear their dwelling-place. And on that cheek, and o’er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent.
There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rain's tresses and shine their three thousand swords through the soft swan of the fog.
We return to face our superiors, our kindred, our friends--- those whom we obey, and those whom we love; but even they who have neither, the most free, lonely, irresponsible and bereft of ties, --- even those for whom home holds no dear face, no familiar voice, --- even they have to meet the spirit that dwells within the land, under its sky, in its air, in its valleys, and on its rises, in its fields, in its waters and its tress--- a mute friend, judge, and inspirer. Say what you like, to get its joy, to breathe its peace, to face its truth, one must return with a clear conscience. All this may seem to you sheer sentimentalism; and indeed very few of us have the will or capacity to look consciously under the surface of familiar emotions. There are the girls we love, the men we look up to, the tenderness, the friendships, the opportunities, the pleasures! But the fact remains that you must touch your reward with clean hands, lest it turn to dead leaves, to thorns, in your grasp.
She walks in beauty, like the night Of cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes: Thus mellow’d to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress, Or softly lightens o’er her face; Where thoughts serenely sweet express How pure, how dear their dwelling-place. And on that cheek, and o’er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all A heart whose love is innocent!
How can we be sure of anythingthe tide changes.The wind that made the grain wave gently yesterdayblows down the tress tomorrow.And the sea sends sailors crashing on the rocks, as easily as it guides them safely home.I love the seabut it doesn't make me less afraid of itI love youbut I'm not always sure of what you are and how you feel.
That moment she was mine, mine, fair, Perfectly pure and good: I found. A thing to do, and all her hair. In one long yellow string I wound. Three times her little throat around, And strangled her. No pain felt she; I am quite sure she felt no pain. As a shut bud that holds a bee, I warily oped her lids: again. Laughed the blue eyes without a stain. And I untightened the next tress. About her neck; her cheek once more. Blushed bright beneath my burning kiss . . .
The children had had an argument once about whether there was more grass in the world or more sand, and Roger said that of course there must be more sand because of under the sea; in every ocean all over the world there would be sand, if you looked deep down. But there could be grass too, argued Deborah, a waving grass, a grass that nobody had ever seen, and the colour of that ocean grass would be darker than any grass on the surface of the world, in fields or prairies or people's gardens in America. It would be taller than tress and it would move like corn in the wind. ("The Pool