Upper Quotes (displaying: 1 - 30 of 203 quotes )
The parks used to be described on maps as the Upper Pleasure Gardens and Lower Pleasure Gardens, but some councillor or other force for good realized the profound and unhealthy implications of placing 'Lower' and 'Pleasure' in such immediate proximity and successfully lobbied to have 'Lower' removed from the title, so now you have the Upper Pleasure Gardens and the mere Pleasure Gardens, and lexical perverts have been banished to the beaches where they must find such gratification as they can by rubbing themselves on the groynes.
Cowgirl Interlude (Bonanza Jellybean)She is lying on the family sofa in flannel pajamas. There is Kansas City mud on the tips and heels of her boots, boots that have yet to savor real manure. Fourteen, she knows she ought to remove her boots, yet she refuses. A Maverick rerun is on TV; she is eating beef jerky, occasionally slurping. On her upper stomach, where her pajama top has ridden up, is a small deep scar. She tells everyone, including her school nurse, that it was made by a silver bullet. Whatever the origin of the extra hole in her belly, there are unmistakable signs of gunfire int he woodwork by the closet door. It was there that she once shot up one half of an old pair of sneakers. "Self-defense," she pleaded, when her parents complained. "It was a [sic] out-law tennis shoe. Billy the Ked.
Once so much to each other! Now nothing! There had been a time, when of all the large party now filling the drawing-room at Uppercross, they would have found it most difficult to cease to speak to one another. [...] Now they were as strangers; nay, worse than strangers, for they could never become acquainted.
Men: they are what they are and women have to accept that and try to shift around them. Especially men with power. Money. The upper hand. The raised hand. Momma`s philosophy. Here`s to you, Momma. She raised the empty cup. What`s the use of fighting them. What`s the use. To struggle, to live in anger takes everything out of you, drains you, makes people hate you and what`s the use? You get nothing you want, all you get is tired.
Before I opened my computer in the parking lot today, I relived one of my favorite memories. It's the one with Woody and me sitting on the steps of the Metropolitan Museum after it's closed. We're watching people parade out of the museum in summer shorts and sandals. The trees to the south are planted in parallel lines. The water in the fountain shoots up with a mist that almost reaches the steps we sit on. We look at silver-haired ladies in red-and-white-print dresses. We separate the mice from the men, the tourists from the New Yorkers, the Upper East Siders from the West Siders. The hot-pretzel vendor sells us a wad of dough in knots with clumps of salt stuck on top. We make our usual remarks about the crazies and wonder what it would be like to live in a penthouse apartment on Fifth Avenue overlooking the Met. We laugh and say the same things we always say. We hold hands and keep sitting, just sitting, as the sun beings to set. It's a perfect afternoon.
Listening (had there been any one to listen) from the upper rooms of the empty house only gigantic chaos streaked with lightning could have been heard tumbling and tossing, as the winds and waves disported themselves like the amorphous bulks of leviathans whose brows are pierced by no light of reason, and mounted one on top of another, and lunged and plunged in the darkness or the daylight (for night and day, month and year ran shapelessly together) in idiot games, until it seemed as if the universe were battling and tumbling, in brute confusion and wanton lust aimlessly by itself.
From the dim regions beyond the mountains at the upper end of our encircled domain, there crept out a narrow and deep river, brighter than all save the eyes of Eleonora; and, winding stealthily about in mazy courses, it passed away, at length, through a shadowy gorge, among hills still dimmer than those whence it had issued. We called it the "River of Silence"; for there seemed to be a hushing influence in its flow. No murmur arose from its bed, and so gently it wandered along, that the pearly pebbles upon which we loved to gaze, far down within its bosom, stirred not at all, but lay in a motionless content, each in its own old station, shining on gloriously forever.
Now, I have always wanted to agree with Lady Bracknell that there is no earthly use for the upper and lower classes unless they set each other a good example. But I shouldn't pretend that the consensus itself was any of my concern. It was absurd and slightly despicable, in the first decade of Thatcher and Reagan, to hear former and actual radicals intone piously against 'the politics of confrontation.' I suppose that, if this collection has a point, it is the desire of one individual to see the idea of confrontation kept alive.
Madeline began hearing people saying "Derrida". She heard them saying "Lyotard" and "Foucault" and "Deleuze" and "Baudrillard". That most of these people were those she instinctually disapproved of- upper-middle-class kids who wore Doc Martens and anarchist symbols- made Madeline dubious about the value of their enthusiasm.
He stared at the cheap linoleum between his shoes and admitted to himself that once again he had fallen into the trap that often snared so many of the educated and upper-class locals when they convinced themselves that the rest of the population was stupid and ignorant. Cranwell was smarter than most lawyers in town, and infinitely more prepared.
Suddenly I realized she was asleep. Exhausted by her flight she had fallen asleep against my shoulder as so many times, in taxis, in buses, on a park-seat. I sat still and let her be. There was nothing to disturb her in the dark church. The candles napped around the virgin, and there was nobody else there. The slowly growing pain in my upper arm where her weight lay was the greatest pleasure I had ever known.
From the standpoint of the upper classes, the system had many merits. They felt that what was paid out of the poor rate was charity, and therefore a proof of their benevolence; at the same time, wages were kept at starvation level by a method which just prevented discontent from developing into revolution...It was plainly the certainty, derived from the old Poor Law, that actual death would be averted by the parish authorities, which induced the rural poor of England to endure their misery patiently...it taught them respect for their 'betters'.While leaving all the wealth that they produced, beyond the absolute minimum required for subsistence, in the hands of the landowners and farmers. It was at this period that landowners built the sham Gothic ruins called 'follies', where they indulged in romantic sensibility about the past while they filled the present with misery and degradation.
Nor would I even begin to try to describe what she looks like as she’s telling the story, reliving it, she’s naked, hair spilling all down her back, sitting meditatively cross-legged amid the wrecked bedding and smoking ultralight Merits from which she keeps removing the filters because she claims they’re full of additives and unsafe—unsafe as she’s sitting there chain-smoking, which was so patently irrational that I couldn’t even bring—yes and some kind of blister on her Achilles tendon, from the sandals, leaning with her upper body to follow the oscillation of the fan so she’s moving in and out of a wash of moon from the window whose angle of incidence itself alters as the moon moves up and across the window—all I can tell you is she was lovely. The bottoms of her feet dirty, almost black. The moon so full it looks engorged.
Strolling, keeping step, his stout polished well-made boots setting themselves down firmly beside her thin-soled black suede, they put off as long as they could the end of their moment together, and kept up as well as they could their small talk that flew back and forth over little grooves worn in the thin upper suface of the brain, things you could say and hear clink reassuringly at once without disturbing the radiance which played and darted about the simple and lovely miracle of being two persons named Adam and Miranda, twenty-four years old each, alive and on earth at the same moment: 'Are you in the mood for dancing, Miranda?' and 'I'm always in the mood for dancing, Adam!' but there were things in the way, the day that ended with dancing was a long way to go.
Wherever in life it may be, whether amongst its tough, coarsely poor, and untidily moldering mean ranks, or its monotonously cold and boringly tidy upper classes, a man will at least once meet with a phenomenon which is unlike anything he has happened to see before, which for once at least awakens in him a feeling unlike those he is fated to feel all his life. Wherever, across whatever sorrow sour life is woven of, a resplendent joy will gaily race by, just as a splendid carriage with golden harness, picture-book horses, and a shining brilliance of glass sometimes suddenly and unexpectedly goes speeding by some poor, forsaken hamlet that has never seen anything but a country cart, and for a long time the muzhiks stand gaping open-mouthed, not putting their hats back on, though the wondrous carriage has long since sped away and vanished from sight.
I suppose the mothers of most twelve-year-old boys live with the uneasy conviction that their sons are embarked upon a secret life of crime. In my case, this belief about my son Laurie is shared - not without reason - by Mrs. John R. Simpkins, of upper New York State, whose opinions on Laurie are even more forceful than those held by myself and, to a lesser extent, by my husband, who has recently been doing research into eighteenth-century crime, and points out that at that time all twelve-year-old boys were criminals - or, as he has it, cross-coves - and many of them, as a matter of fact, were named Simpkins. 'The gooseberry trick,' he says reassuringly, 'glomming the grapevine.
But nothing happened there now of a nature to provoke a disturbance. There were no complaints to the management or the police, and the dark glory of the upper galleries was a legend in such memories as that of the late Emiel Kroger and the present Pablo Gonzales, and one by one, of course, those memories died out and the legend died out with them. Places like the Joy Rio and the legends about them make one more than usually aware of the short bloom and the long fading out of things. ("The Mysteries of the Joy Rio")
My dear Lucy,I wrote this story for you, but when I began it I had not realised that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it.
Nothing seems crueler--or more ironic--than these upper crusters who never pay a dime for their high-priced shrinks or reflexology sessions to call those who just want that tumor removed from their uterus a bunch of commies. Well, the revolution is at hand and let's hope all those uninsured commies give the rich such a headache that a whole bottle of Advil won't be enough to take the pain way.
Any Christianity that rests upon a dichotomy - some sort of platonic concept - simply does not have an answer to nature, and we must say with tears that much orthodoxy, much evangelical Christianity, is rooted in a platonic concept, wherein the only interest is in the "upper story", in the heavenly things - only in "saving the soul" and getting it to heaven. In this platonic concept, even though orthodox and evangelical terminology is used, there is little or no interest in the proper pleasures of the body or the proper uses of the intellect. In such a Christianity there is a strong tendency to see nothing in nature beyond its use as one of the classic proofs of God's existence. "Look at nature," we are told; "Look at the Alps. God must have made them." And that is the end. Nature has become merely an academic proof of the existence of the Creator, with little value in itself. Christians of this outlook do not show an interest in nature itself. They use it simply as an apologetic weapon, rather than thinking or talking about the real value of nature.
The banks of the Thirty-Foot held, but the swollen Wale, receiving the full force of the Upper Waters and the spring tide, gave at every point. Before the cars reached St. Paul, the flood was rising and pursuing them. Wimsey's car--the last to start--was submerged to the axles. They fled through the dusk, and behind and on their left, the great silver sheet of water spread and spread.