Vehemence Quotes (displaying: 1 - 22 of 22 quotes )
I know no medium: I never in my life have known any medium in my dealings with positive, hard characters, antagonistic to my own, between absolute submission and determined revolt. I have always faithfully observed the one, up to the very moment of bursting, sometimes with volcanic vehemence, into the other.
The interaction of disparate cultures, the vehemence of the ideals that led the immigrants here, the opportunity offered by a new life, all gave America a flavor and a character that make it as unmistakable and as remarkable to people today as it was to Alexis de Tocqueville in the early part of the nineteenth century.
They will not struggle energetically against him, sometimes they will even applaud him; but they do not follow him. To his vehemence they secretly oppose their inertia, to his revolutionary tendencies their conservative interests, their homely tastes to his adventurous passions, their good sense to the flights of his genius, to his poetry their prose. With immense exertion he raises them for an instant, but they speedily escape from him and fall back, as it were, by their own weight. He strains himself to rouse the indifferent and distracted multitude and finds at last that he is reduced to impotence, not because he is conquered, but because he is alone.
It is cocaine," he said, "a seven-per-cent solution. Would youcare to try it?"No, indeed," I answered brusquely. "My constitution has not gotover the Afghan campaign yet. I cannot afford to throw any extrastrain upon it."He smiled at my vehemence. "Perhaps you are right, Watson," hesaid. "I suppose that its influence is physically a bad one. I findit, however, so transcendently stimulating and clarifying to themind that its secondary action is a matter of small moment.
The poet must always, in every instance, have the vibrant word... that by it's trenchancy can so wound my soul that it whimpers.... One must know and recognize not merely the direct but the secret power of the word; one must be able to give one's writing unexpected effects. It must have a hectic, anguished vehemence, so that it rushes past like a gust of air, and it must have a latent, roistering tenderness so that it creeps and steals one's mind; it must be able to ring out like a sea-shanty in a tremendous hour, in the time of the tempest, and it must be able to sigh like one who, in tearful mood, sobs in his inmost heart. There are overtones and undertones in words, and there are lateral tones.
A minute afterwards he appeared upon the upper platform, still bearing the gipsy [sic] in his arms, still running wildly along, still shouting 'Sanctuary!' and the crowd still applauding. At last he made a third appearance on the summit of the tower of the great bell. From thence he seemed to show exultingly to the whole city the fair creature he had saved; and his thundering voice, that voice which was heard so seldom, and which he never heard at all, thrice repeated with frantic vehemence, even in the very clouds, 'Sactuary! Sanctuary! Sanctuary! The Hunchback of Notre Dame
So you shun me? - you shut yourself up and grieve alone! I would rather you had come and upbraided me with vehemence. You are passionate: I expected a scene of some kind. I was prepared for the hot rain of tears; only I wanted them to be shed on my breast: now a senseless floor has received them, or your drenched handkerchief. But I err: you have not wept at all! I see a white cheek and faded eye, but no trace of tears. I suppose, then, that your heart has been weeping blood?
Yesterday's rain had left a bitter, springlike smell in the air; the vehemence that beat against her in the street and hummed above her had something a little wistful in it tonight, like a plaintive hand-organ tune. All the lovely things in the shop windows, the furs and jewels, roses and orchids, seemed to belong to her as she passed them. Not to have wrapped up and sent home, certainly; where would she put them? But they were hers to live among.
Love him,’ said Jacques, with vehemence, ‘love him and let him love you. Do you think anything else under heaven really matters? And how long, at the best, can it last, since you are both men and still have everywhere to go? Only five minutes, I assure you, only five minutes, and most of that, helas! in the dark. And if you think of them as dirty, then they will be dirty— they will be dirty because you will be giving nothing, you will be despising your flesh and his. But you can make your time together anything but dirty, you can give each other something which will make both of you better—forever—if you will not be ashamed, if you will only not play it safe.’ He paused, watching me, and then looked down to his cognac. ‘You play it safe long enough,’ he said, in a different tone, ‘and you’ll end up trapped in your own dirty body, forever and forever and forever—like me.
Things aren't like this," he kept repeating. "It shouldn't be this way." As if he had access to some other plane of existence, some parallel, "right" universe, and had sensed that our time had somehow been put out of joint. Such was his vehemence that I found myself believing him, believing, for example, in the possibility of that other life in which Vina had never left and we were making our lives together, all three of us, ascending together to the stars. Then he shook his head, and the spell broke. He opened his eyes, grinning ruefully. As if he knew his thoughts had infected mine. As if he knew his power. "Better get on with it," he said. "Make do with what there is.
No, Mr Crawford!’ cried Philippa forbiddingly, and ducking under the snatching arms that tried to prevent her, she ran forward. ‘No! What harm can Sir Graham do now? What might the little boy become?’ And sinking on her knees, she shook, in her vehemence, Lymond’s bloodstained arm. ‘You castigate the Kerrs and the Scotts and the others, but what is this but useless vengeance? He can do us no harm; he can do Scotland no harm; he can do Malta no harm. There is a baby!’ said Philippa, very loudly and insistently and desperately, as if Lymond could not hear her, or were too tired or too simple to understand. ‘There is a baby. You can’t abandon your son!
The writer has us by the hand, forces us along her road, makes us see what she sees, never leaves us for a moment or allows us to forget her. At the end we are steeped through and through with the genius, the vehemence, the indignation of Charlotte Bronte. Remarkable faces, figures of strong outline and gnarled feature have flashed upon us in passing; but it is through her eyes that we have seen them.