Ward Quotes (displaying: 1 - 30 of 168 quotes )
Doctors tend to enter the arenas of their profession's practice with a brisk good cheer that they have to then stop and try to mute a bit when the arena they're entering is a hospital's fifth floor, a psych ward, where brisk good cheer would amount to a kind of gloating. This is why doctors on psych wards so often wear a vaguely fake frown of puzzled concentration, if and when you see them in fifth-floor halls. And this is why a hospital M.D.--who's usually hale and pink-cheeked and poreless, and who almost always smells unusually clean and good--approaches any psych patient under this care with a professional manner somewhere between bland and deep, a distant but sincere concern that's divided evenly between the patient's subjective discomfort and the hard facts of the case.
I suppose the best way to tell the story is simply to narrate it, without an effort to carry belief. The thing did not require belief. It was not a feeling of horror in one's bones, or a misty outline, or anything that needed to be given actuality by an act of faith. It was as solid as a wardrobe. You don't have to believe in wardrobes. They are there, with corners. (The Troll)
I’m not writing a book of Western history,' I tell him. 'I’ve written enough history books to know this isn’t one. I’m writing about something else. A marriage, I guess. Deadwood was just a blank space in the marriage. Why waste time on it?' Rodman is surprised. So am I, actually — I have never formulated precisely what it is I have been doing, but the minute I say it I know I have said it right. What interests me in all these papers is not Susan Burling Ward, the novelist and illustrator, and not Oliver Ward the engineer, and not the West they spend their lives in. What really interests me is how two such unlike particles clung together, and under what strains, rolling downhill into their future until they reached the angle of repose where I knew them. That’s where the interest is. That’s where the meaning will be if I find any.
PANDARUSYou are such a woman! A man knows not at what ward youlie. CRESSIDAUpon my back, to defend my belly; upon my wit, to defendmy wiles; upon my secrecy, to defend mine honesty; my mask, todefend my beauty; and you, to defend all these; and at all thesewards I lie at, at a thousand watches. PANDARUSSay one of your watches. CRESSIDANay, I'll watch you for that; and that's one of thechiefest of them too. If I cannot ward what I would not have hit, I can watch you for telling how I took the blow; unless it swellpast hiding, and then it's past watching.
What you need Lois, is a man. All your artistic brilliance, wasted, toiling away in the sordid day-to-day of White’s little paper empire. Reporting on traffic mishaps. Domestic trifles. Wondering if you can afford a pair of shoes. Knowing you can’t afford the really good wines, the really exquisite things. That suit, for instance. Nice, but not the standard you’re used to.” “We’re not here to discuss my wardrobe.” “Or your writing career? How much have you gotten done, I mean, really done Lois?” “Still looking for an evening you aren’t exhausted? When will that be, Lois?” “The hotel. Or I’m out of here.” – Lois Lane & Lex Luthor
But it is fortunate,'' thought she, ``that I have something to wish for. Were the whole arrangement complete, my disappointment would be certain. But here, by my carrying with me one ceaseless source of regret in my sister's absence, I may reasonably hope to have all my expectations of pleasure realized. A scheme of which every part promises delight, can never be successful; and general disappointment is only warded off by the defence of some little peculiar vexation.
Half the published articles on Gaza contain a standard reference to its resemblance to a vast open-air prison (and when I last saw it under Israeli occupation it certainly did deserve this metaphor). The problem is that, given its ideology and its allies, Hamas qualifies rather too well in the capacity of guard and warder.
[S]ome score of members of the High Court of Chancery bar ought to be --- as here they are --- mistily engaged in one of the ten thousand stages of an endless cause, tripping one another up on slippery precedents, groping knee-deep in technicalities, running their goat-hair and horse-hair warded heads against walls of words, and making a pretence of equity with serious faces ....
I guess we're all, or most of us, the wards of that nineteenth-century science which denied existence to anything it could not measure or explain. The things we couldn't explain went right on but surely not with our blessing. We did not see what we couldn't explain, and meanwhile a great part of the world was abandoned to children, insane people, fools, and mystics, who were more interested in what is than in why it is. So many old and lovely things are stored in the world's attic, because we don't want them around us and we don't dare throw them out.
Morrell, ever a true comrade, too had a splendid brain. In fact, and I who am about to die have the right to say it without incurring the charge of immodesty, the three best minds in San Quentin from the Warden down were the three that rotted there together in solitary. And here at the end of my days, reviewing all that I have known of life, I am compelled to the conclusion that strong minds are never docile. The stupid men, the fearful men, the men ungifted with passionate rightness and fearless championship - these are the men who make model prisoners. I thank all gods that Jake Oppenheimer, Ed Morrell, and I were not model prisoners.
For the world is - allow us the homely figure - the human being turned inside out. All that moves in the mind is symbolized in Nature. Or, to use another more philosophical, and certainly not less poetic figure, the world is a sensuous analysis of humanity, and hence an inexhaustible wardrobe for the clothing of human thought. Take any word expressive of emotion - take the word 'emotion' itself - and you will find that its primary meaning is of the outer world. In the swaying of the woods, in the unrest of the "wavy plain" the imagination saw the picture of a well-known condition of the human mind; and hence the word 'emotion'. The man who cannot invent will never discover. Wisdom as well as folly will serve a fool's purpose; he turns all into folly.
What people had shed and left--a pair of shoes, a shooting cap, some faded skirts and coats in wardrobes--those alone kept the human shape and in the emptiness indicated how once they were filled and animated; how once hands were busy with hooks and buttons; how once the looking-glass had held a face; had held a world hollowed out in which a figure turned, a hand flashed, the door opened, in came children rushing and tumbling; and went out again.