Weave Quotes (displaying: 1 - 30 of 112 quotes )
I don't know if I have the strength to care for Yukiko and the children, I thought. No more visions can help me, weaving special dreams just for me. As far as the eye can see, the void is simply that? a void. I've been in that void before and forced myself to adjust. And now, finally, I end up where I began and I'd better get used to it. No one will weave dreams for me? it is my turn to weave dreams for others. That's what I have to do. Such dreams may have no power, but if my own life is to have any meaning at all, that is what I have to do. Probably.
Through many a long day you'll be taught That what you once did without thinking, As easy as if it were eating or drinking, Must be done in order: one! two! three! But truly, this though factory of ours Is like some weaver's masterpiece: One treadle stirs a thousand threads, This way and that the shuttles whistle, Threads flow invisibly, one ... Read morestroke Ties a thousand knots .... The philosopher steps in And proves to you it had to be so; The first was so, the second was so, And therefore the third and fourth were so. If the first and second hadn't existed, The third and fourth would never have existed. And this is praised by every scholar, But never a one becomes a weaver. To know and describe a living thing You first get rid of all its spirit: Then the parts are all in the palm of your hand, And all that you lack is the spirit that binds them! Encheiresis naturae, chemists call it, And fool themselves and never know it
As we, or mother Dana, weave and unweave our bodies, Stephen said, from day to day, their molecules shuttled to and fro, so does the artist weave and unweave his image. And as the mole on my right breast is where it was when I was born, though all my body has been woven of new stuff time after time, so through the ghost of the unquiet father the image of the unliving son looks forth. In the intense instant of imagination, when the mind, Shelley says, is a fading coal, that which I was is that which I am and that which in possibility I may come to be. So in the future, the sister of the past, I may see myself as I sit here now but by reflection from that which then I shall be.
Then a ploughman said , speak to us of work : in keeping yourself with labour you are in truth loving life , And to love life throught labour is to be intimate with inmost secrets . And what is it to work with love ? it is to weave the colth with threads from your heart , even as if your beloved were to wear that colth . It is to build a house with affection , even as if your beloved were to dwell in that house . It is to sow seeds with tenderness and reap the harvest with joy , even as if your beloved were to eat the fruit . It is to change all things you fashion with a breath of your own spirit . He who works in marble , and finds the shape of his own soul in the stone , is nobler than he who ploughs the soil.
The art of change-ringing is peculiar to the English, and, like most English peculiarities, unintelligible to the rest of the world. (The change-ringer's) passion- and it is a passion- finds its satisfaction in mathematical completeness and mechanical perfection, and as his bell weaves her way rhythmically up from lead to hinder place and down again, he is filled with the solemn intoxication that comes of intricate ritual faultlessly performed.
Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.
My prolonged study of these photographs led me to appreciate the importance of perserving certain moments for prosperity , and as time moved forwards I also came to see what a powerful influence these framed scenes exerted over us as we went about our daily lives.To watch my uncle pose my brother a maths problem , and at the same time to see him in a picture taken thirty-two years earlier ; to watch my father scanning the newspaper and trying , with a half-smile , to catch the tail of a joke rippling across the crowded room,and at that very same moment to see a picture of him to me that my grandmother had framed and frozen these memories so that we could weave them into the present.When,in the tones ordinarily preserved for discussing the founding of a nation , my grandmother spoke of my grandfather who had died so young,and pointed at the frames on the tables and the walls , it seemed that she , likes me , was pulled in two directions , wanting to get on with life but also longing to capture the moment of perfection , savouring the ordinary life but still honouring the ideal.But even as I pondered these dilemmas-if you plucked a special moment from life and framed it , were you defying death , decay and the passage of time. or were you submitting to them ?-I grew very bored with them.pg.13
Elves are wonderful; they provoke wonder. Elves aremarvellous; they cause marvels. Elves are fantastic; they create fantasies. Elves are glamorous; they project glamour. Elves are enchanting; they weave enchantment. Elves sre terrific; they beget terror. The thing about words is that meanings can twist just like a snake, and if you want to find snakes look for them behind words that have changed their meaning. No one ever said elves are nice. Elves are bad.
I understood that what matters is the work: the string of words propelled by God becoming a poem, the weave of color and graphite scrawled upon the sheet that magnifies His motion. To achieve within the work a perfect balance of faith and execution. From this state of mind comes a light, life-changed.
When you work you fulfill a part of earth's furthest dream, assigned to you when that dream was born,And what is it to work with love?It is to weave the cloth with threads drawn from your heart, even as if your beloved were to wear that cloth.It is to build a house with affection, even as if your beloved were to dwell in that house.It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit.It is to charge all things you fashion with a breath of your own spirit.Work is love made visible
I have not loved the world, nor the world me, but let us part fair foes; I do believe, though I have found them not, that there may be words which are things, hopes which will not deceive, and virtues which are merciful, or weave snares for the failing: I would also deem o'er others' griefs that some sincerely grieve; that two, or one, are almost what they seem, that goodness is no name, and happiness no dream.
So now, I look at these stories, and almost like a photograph snapped at a party, I find all manner of signs and indications of who I was. Was? Yes, was. I look at these pieces and I don't think the man who wrote them is alive in me anymore. Writing an introduction to the tenth anniversary edition of Weaveworld last year I remarked on much of the same thing: the man who'd written that book was no longer around. He'd died in me, was buried in me. We are our own graveyards; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived, and if we're neurotic we brood and mourn and wish that the past was still present.
In war," answered the weaver, "the strong make slaves of the weak, and in peace the rich make slaves of the poor. We must work to live, and they give us such mean wages that we die. We toil for them all day long, and they heap up gold in their coffers, and our children fade away before their time, and the faces of those we love become hard and evil. We tread out the grapes, another drinks the wine. We sow the corn, and our own board is empty. We have chains, though no eye beholds them; and are slaves, though men call us free.