Cage Quotes (displaying: 121 - 150 of 205 quotes )
That evening he plays with the children, cleans the hamster's cage with them, gets them into their pyjamas, and reads to them three times over, once together, then to Jake on his own, then to Naomi. It is at times like these that his life makes sense. How soothing it is, the scent of clean bedlinen and minty toothpaste breath, and his children's eagerness to hear the adventures of imaginary beings, and how touching, to watch the children's eyes grow heavy as they struggle to hang on to the priceless last minutes of their day, and finally fail.
I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids.
The Sunlight on the GardenThe sunlight on the gardenHardens and grows cold,We cannot cage the minuteWithin its nets of gold,When all is toldWe cannot beg for pardon.Our freedom as free lancesAdvances towards its end;The earth compels, upon itSonnets and birds descend;And soon, my friend,We shall have no time for dances.The sky was good for flyingDefying the church bellsAnd every evil ironSiren and what it tells:The earth compels,We are dying, Egypt, dyingAnd not expecting pardon,Hardened in heart anew,But glad to have sat underThunder and rain with you,And grateful tooFor sunlight on the garden.
Postmodern irony and cynicis?s become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming wha?s wrong, because the?ll look sentimental and naive to all the weary ironists. Iron?s gone from liberating to enslaving. Ther?s some great essay somewhere that has a line about irony being the song of the prisoner wh?s come to love his cage.
When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would this itch. When years described me as mature, the remedy prescribed was middle age. In middle age I was assured greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. Four hoarse blasts of a ships's whistle still raise the hair on my neck and set my feet to tapping. The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage. In other words, once a bum always a bum. I fear this disease incurable. I set this matter down not to instruct others but to inform myself.... A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find after years of struggle that we not take a trip; a trip takes us.
Unlike any other creature on this planet, human beings can learn and understand without having experienced. They can think themselves into other people? places. Of course, this is a power like my brand of fictional magic that is morally neutral. One might use such a power to manipulate or control, just as much as to understand or sympathize. And many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or peer inside cages. They can close their hearts and minds to any suffering that does not touch them personally. They can refuse to know. I might be tempted to envy people who can live that way, except that I do not think that they have any fewer nightmares than I do.
At Sea Oak there's no sea and no oak, just a hundred subsidized apartments and a rear view of FedEx. Min and Jade are feeding their babies while watching How My Child Died Violently. Min's my sister. Jade's our cousin. How My Child Died Violently is hosted by Matt Merton, a six-foot-five blond who's always giving the parents shoulder rubs and telling them they've been sainted by pain. Today's show features a ten-year-old who killed a five-year-old for refusing to join his gang. The ten-year-old strangled the five-year-old with a jump rope, filled his mouth with baseball cards, then locked himself in the bathroom and wouldn't come out until his parents agreed to take him to FunTimeZone, where he confessed, then dove screaming into a mesh cage full of plastic balls. The audience is shrieking threats at the parents of the killer while the parents of the victim urge restraint and forgiveness to such an extent that finally the audience starts shrieking threats at them too. Then it's a commercial. ("Sea Oak")
Have I no harvest but a thorn To let me bloud, and not restore What I have lost with cordiall fruit? Sure there was wine Before my sighs did drie it: there was corn Before my tears did drown it. Is the yeare onely lost to me? Have I no bayes to crown it? No flowers, no garlands gay? all blasted? All wasted? Not so, my heart: but there is fruit, And thou hast hands. Recover all thy sigh-blown age On double pleasures: leave thy cold dispute Of what is fit, and not. Forsake thy cage, Thy rope of sands, Which pettie thoughts have made, and made to thee Good cable, to enforce and draw, And be thy law, While thou didst wink and wouldst not see.
In art, and maybe just in general, the idea is to be able to be really comfortable with contradictory ideas. In other words, wisdom might be, seem to be, two contradictory ideas both expressed at their highest level and just let to sit in the same cage sort of, vibrating. So, I think as a writer, I'm really never sure of what I really believe.
Every day I woke up saying "If I die....", not realising how dead I was already, and only a memory tagging along with Delores and Pepe... Wherever they were: I grieved for Pepe, not because I'd lost him (yes, that a little), but because in the end I knew Delores would find him, too: it is easy to escape daylight, but night is inevitable, and dreams are the giant cage.