Ceiling Quotes (displaying: 1 - 30 of 148 quotes )
Lying in bed would be an altogether perfect and supreme experience if only one had a colored pencil long enough to draw on the ceiling. This, however, is not generally a part of the domestic apparatus on the premises. I think myself that the thing might be managed with several pails of Aspinall and a broom. Only if one worked in a really sweeping and masterly way, and laid on the color in great washes, it might drip down again on one's face in floods of rich and mingled color like some strange fairy rain; and that would have its disadvantages. I am afraid it would be necessary to stick to black and white in this form of artistic composition. To that purpose, indeed, the white ceiling would be of the greatest possible use; in fact, it is the only use I think of a white ceiling being put to.
Since the lunchroom does no significant harm to the caverns' ecology, I'd like to believe that this is one of those lucky places where we don't have to choose between doing the right thing and enjoying a goof. I look up at the ceiling of the lunchroom, which is, of course, the ceiling of the cave. It looks so lunar I can't help but think of a certain astronaut. In 1971, Apollo 14's Alan Shepard hit golf balls on the moon. Gearing up to face the profundity of the universe, this man brought sporting goods with him into space. Who can blame him? That's what we Americans do when we find a place that's really special. We go there and act exactly like ourselves. And we are a bunch of fun-loving dopes.
Darkness. The door into the neighboring room is not quite shut. A strip of light stretches through the crack in the door across the ceiling. People are walking about by lamplight. Something has happened. The strip moves faster and faster and the dark walls move further and further apart, into infinity. This room is London and there are thousands of doors. The lamps dart about and the strips dart across the ceiling. And perhaps it is all delirium...Something had happened. The black sky above London burst into fragments: white triangles, squares and lines - the silent geometric delirium of searchlights. The blinded elephant buses rushed somewhere headlong with their lights extinguished. The distinct patter along the asphalt of belated couples, like a feverish pulse, died away. Everywhere doors slammed and lights were put out. And the city lay deserted, hollow, geometric, swept clean by a sudden plague: silent domes, pyramids, circles, arches, towers, battlements.
If you ask the question of Americans, should we pay our bills? One hundred percent would say yes. There's a significant misunderstanding on the debt ceiling. People think it's authorizing new spending. The debt ceiling doesn't authorize new spending; it allows us to pay obligations already incurred.
Obama has been perhaps the most partisan President since Truman. He hasn't learned to be civil - note his insulting speech to Paul Ryan, who did us the courtesy of scoring a budget. The president has to talk to Republicans when it comes to the debt ceiling. He has reached the debt ceiling before anyone expected.
You might hide in some Freudian jungle most of your miserable life, baying at the moon and shouting curses at God, but at the end, right down there at the damned end when it counts... you would sure as anything clear up just enough to realize the moon you have spent so many years baying at is nothing but the light globe up there on the ceiling, and God is just something placed in your bureau drawer by the Gideon Society. Yes, I sighed again, in the long run insanity would be the same old coldhearted drag of too solid flesh, too many slings and arrows, and too much outrageous fortune.
These boys, now, were living as we'd been living then, they were growing up with a rush and their heads bumped abruptly against the low ceiling of their actual possibilities. They were filled with rage. All they really knew were two darknesses, the darkness of their lives, which were now closing in on them, and the darkness of the movies, which had blinded them to that other darkness, and in which they now, vindictively, dreamed, at once more together than they were at any other time, and more alone.
Often, when I have been feeling lonely, when a book as been thrust aside in boredom [...] I have lain back and stared at the shadows on the ceiling, wondering what life is all about [...] and then, suddenly, there is the echo of the swinging door, and across the carpet, walking with the utmost delicacy and precision, stalks Four or Five or Oscar. He sits down on the floor beside me, regarding my long legs, my old jumper, and my floppy arms, with a purely practical interest. Which part of this large male body will form the most appropriate lap? Usually he settles for the chest. Whereupon he springs up and there is a feeling of cold fur [...] and the tip of an icy nose, thrust against my wrist and a positive tattoo of purrs. And I no longer wonder what life is all about.
What more could he need, this old man whose little leisure was divided between day-time gardening and night-time contemplation? Was not that narrow space with the sky its ceiling room enough for the worship of God in the most delicate of his works and in the most sublime? A garden to walk in and immensity to dream in -what more could he ask? A few flowers at his feet and above him the stars.
Jane remembers those years, though, as if they had been [a movie]--in part because her friends...always talked about everything as if it was over ("Remember last night?"), while holding out the possibility that whatever happened could be rerun. Neil didn't have that sense of things. He thought people shouldn't romanticize ordinary life. "Our struggles, our little struggles," he would whisper, in bed, at night. Sometimes he or she would click on some of the flashlights and consider the ceiling, with the radiant swirls around the bright nuclei, the shadows like opened oysters glistening in brine. (In the '80s, the champagne was always waiting.)
There was no wind, and, outside now of the warm air of the cave, heavy with smoke of both tobacco and charcoal, with the odor of cooked rice and meat, saffron, pimentos, and oil, the tarry, wine-spilled smell of the big skin hung beside the door, hung by the neck and all the four legs extended, wine drawn from a plug fitted in one leg, wine that spilled a little onto the earth of the floor, settling the dust smell; out now from the odors of different herbs whose names he did not know that hung in bunches from the ceiling, with long ropes of garlic, away now from the copper-penny, red wine and garlic, horse sweat and man sweat died in the clothing (acrid and gray the man sweat, sweet and sickly the dried brushed-off lather of horse sweat, of the men at the table, Robert Jordan breathed deeply of the clear night air of the mountains that smelled of the pines and of the dew on the grass in the meadow by the stream.
Luna had decorated her bedroom ceiling with five beautifully painted faces: Harry, Ron, Hermione, Ginny, and Neville. They were not moving as the portraits at Hogwarts moved, but there was a certain magic about them all the same: Harry thought they breathed. What appeared to be fine golden chains wove around the pictures, linking them together, but after examining them for a minute or so, Harry realized that the chains were actually one word, repeated a thousand times in golden ink: friends . . . friends . . . friends . . .
I stopped in St. Bernadette's Cemetery one of my favorite places... The trunks of six giant oaks rise like columns supporting a ceiling formed by their interlocking crowns. In the quiet space below, is laid out an aisle similar to those in any library. The gravestones are like rows of books bearing the names of those whose names have been blotted from the pages of life; who have been forgotten elsewhere but are remembered here.
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn't know who I was - I was far away from home, haunted and tired with travel, in a cheap hotel room I'd never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn't know who I was for about fifteen strange seconds. I wasn't scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost.
With Tom, there had never been a door to close, only the grass to lie on, never a bed; no walls, no ceiling to shut them in - or others out. Only the moon to see them, only the moon, some stars and whatever it was that had flown up out of the field when Ede had cried 'don't' in the final seconds of their embrace. Don't - meaning don't withdraw.
With blue vinyl-tile floor, pale-green wainscoating, pink walls, a yellow ceiling, and orange-and-white stork-patterned drapes, the expectant fathers' lounge churned with the negative energy of color overload. It would have served well as the nervous-making set for a nightmare about a children's-show host who led a secret life as an ax murderer. The chain-smoking clown didn't improve the ambience.
Angela had done a marvelous job, I tell you. The puke was everywhere except the toilet. The walls, the floor, the sinks - even on the ceiling, though don't ask me how she did that. So there I was, perched on all fours, cleaning up the puke at the homecoming dance in my best blue suit, which was exactly what I had wanted to avoid in the first place. And Jamie, my date, was on all fours, too, doing exactly the same thing.
What do you want out of life?" I asked, and I used to ask that all the time of girls. I don't know," she said. "Just wait on tables and try to get along." She yawned. I put my hand over her mouth and told her not to yawn. I tried to tell her how excited I was about life and the things we could do together; saying that, and planning to leave Denver in two days. She turned away wearily. We lay on our backs, looking at the ceiling and wondering what God had wrought when He made life so sad.
...I glance around at the nest we have made, at the floorboards polished by our bare feet, at the continents of stain on the ceiling like an old and all-wrong discoverer's map, at the earnestly bloated canvases I conscientiously cover with great streaks straining to say what even I am begining to suspect is the unsayable thing, and I grow frightened.
The room was a compact, informal library. Books stood or were stacked on the shelves that ran along two walls from floor to ceiling, sat on the tables like knickknacks, trooped around the room like soldiers. They struck Malory as more than knowledge or entertainment, even more than stories or information. They were colour and texture, in a haphazard yet somehow intricate decorating scheme. The short leg of the L-shaped room boasted still more books, as well as a small table that held the remains of Dana's breakfast. With her hands on her hips, Dana watched Malory's perusal of her space. She'd seen the reaction before. 'No I haven't read them all, but I will. And no I don't know how many I have. Want coffee?' Let me just ask this. Do you ever actually use the services of the library?' Sure, but I need to own them. If I don't have twenty or thirty books right here, waiting to be read, I start jonesing. That's my compulsion.